The new Australian film THE DRY is an adaptation of a hit novel, set in Victoria, that considers a remote community beset by grief over a mysterious loss, all of which reminded us of Peter Weir’s Australian New Wave classic PICNIC AT HANGING ROCK; but despite those similarities in general shape, the specific contours of the two films are vastly different, particularly in their respective approaches to mystery and resolution. But there’s lots of interest to examine in that contrast, which we do in this half of the pairing focused on THE DRY and how it connects to and departs from the storytelling approach in PICNIC. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar.

Please share your comments, thoughts, and questions about PICNIC AT HANGING ROCK, THE DRY, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. 

Your Next Picture Show:

Keith: Thomas Bezucha’s LET HIM GO

Genevieve: Eric Roman Waugh’s GREENLAND

Scott: Walter Hill’s STREETS OF FIRE

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