This week we have past guest Matt Sergiou back on the show to discuss what might be the Tavistock Clinics first successful foray into social engineering. Enter the Bloomsbury Set, a group of artists, writers and ‘social influencers’ that gathered in and around Bloomsbury in London at the turn of the century.

The group are today mostly known for their respective contributions to art and literature, but when we look more closely at them some red flags jump out at us that suggest more was going on than meets the eye.

Knowing as we now do that the ‘counter culture’ revolution and the music scene that informed it was socially engineered. With subversive elements like the Tavistock Clinic essentially designing the culture in order to debase morality and turn children against their parents...would it surprise you to learn that the Tavistock Clinic began it’s life in, you guessed it, Bloomsbury?

Is it really a coincidence that this group of artists and writers, as well as oddball member John Maynard Keynes...the most influential economist in history, all went on to have a profound influence on the emerging culture of the 1900’s? Was this really a naturally occurring event?

Or was there a puppet master waiting in the wings, directing the arc of history and those who would help further it? In episode 34 Mike and Matt make the compelling case for the Bloomsbury Set and Bloomsbury in general being the dry run for socially engineering the youth...before then going on to enact it en-masse in the 1960’s/70’s.

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