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John welcomes Linda Woolverton (Beauty and the Beast, The Lion King, Homeward Bound) to talk about her experience writing animated features, from the parallel processes of writing and production to her paltry paycheck for Beauty and the Beast. They consider the blurring lines between live-action and hyperrealistic CGI, as well as the history of animation writers’ exclusion from the WGA.
We also answer listener questions about whether there is such a thing as a bad character want and how to manage story days within a screenplay, which prompts exploration of wardrobe changes, thinking in terms of color rather than time and Linda’s penchant for naked characters.
In our bonus segment for premium members, John and Drew look back on their goals for 2024 and discuss how to make New Year’s resolutions you’ll actually accomplish.
Links:
Email us at [email protected]
You can download the episode here.
By John August and Craig Mazin4.8
24142,414 ratings
John welcomes Linda Woolverton (Beauty and the Beast, The Lion King, Homeward Bound) to talk about her experience writing animated features, from the parallel processes of writing and production to her paltry paycheck for Beauty and the Beast. They consider the blurring lines between live-action and hyperrealistic CGI, as well as the history of animation writers’ exclusion from the WGA.
We also answer listener questions about whether there is such a thing as a bad character want and how to manage story days within a screenplay, which prompts exploration of wardrobe changes, thinking in terms of color rather than time and Linda’s penchant for naked characters.
In our bonus segment for premium members, John and Drew look back on their goals for 2024 and discuss how to make New Year’s resolutions you’ll actually accomplish.
Links:
Email us at [email protected]
You can download the episode here.

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