Question 1: [1:22] – “I have been with my ‘husband’ for a little over 8 years. He had property before we met and brought me in to develop and build a house. He owns everything, paid cash as we went. My name isn't on anything and we are not married even though I changed my last name. I am now the only income earner. He refuses to marry me because I don't have the same interests he does and has made this imaginary mark I must achieve before he feels safe to take the leap. What he wants is for me to go back into an infatuation state and treat him like I can't get enough sex from him. He has always wanted other women and we have had threesomes, I like girls too but not as much as he does. This began most of the issues. How do I reconcile the inadequacy he makes me feel to fulfill his wishes?”

Question 2: [1:56:41] – “What are the parameters of an appropriate and/or healthy relationship between employer and employee? I've recently experienced a traumatic event--a fire in the workplace. I was the only one working at this time, so none of my coworkers were around to experience what I experienced. Nonetheless, I'm pretty sure my coworkers and my boss could imagine the emotional roller-coaster of dealing with the fire itself, and the guilt that comes with nearly destroying an entire building. I believe that the other employees, my boss included, have the capacity to feel and exhibit empathy. However, they did not exhibit empathy. Although I've gotten plenty of moral support from family and friends (for which I'm very grateful), I'm appalled at the complete and utter lack of empathy exhibited by my boss and coworkers. Should I be appalled? Should I have expected empathy, or the behavior thereof, in the first place?”

Question 3: [2:45:51] – "’A Streetcar Named Desire’ and ‘The Taming of the Shrew’ are two stories that are often looked at as being sexist or as exposing the patriarchy that has kept women down these many years. I have a different take on these stories that I would like Stefan's thoughts on. I think a facet of these stories, is that they are a warning to women. Not so much about patriarchy, but about toxic femininity and what realities might await those women that revel in it. Why are these stories predominantly framed as sexist, while a story like ‘Fifty Shades of Grey’ is seen as sexy?”

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