By skipping the origin story and dropping viewers right into the action, James Gunn’s SUPERMAN avoids feeling like the franchise reset it is, and allows the director to get to work creating the sort of busy, quick-paced onscreen universe at which he excels. We’re joined once again by writer, podcaster, and Superman aficionado Chris Klimek to break exactly down why it works so well, as well as a few places where it doesn’t, before returning to the film that helped facilitate this shorthand approach, 1978’s SUPERMAN, to see how these different iterations of the title character — not to mention the familiar ensemble surrounding him — play in close proximity to each other. Can Superman be too corny? Is Lois Lane a good or terrible journalist? Why is Lex Luthor obsessed with land grabs, and what does his associate Eve Teschmacher actually add to these movies? We dig into all of that, then offer some options for Super-lementary viewing and reading in Your Next Picture Show.

Please share your thoughts about either and all versions of SUPERMAN, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.

00:00:00. Intro

00:03:58. Superman 2025 discussion

00:30:12. Superman 1978/2025 Connections

01:00:12. Your Next Picture Show and goodbyes

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