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In another loaded double-guest episode, Kenny and Robert begin the show chatting with mega-talent Isobel Waller-Bridge, composer of Emma (2020), Fleabag, Vita & Virginia and more! Isobel shares stories of early collaborations writing songs with her sister Phoebe, why she likes to sneak "easter egg" sounds and lyrics into her scores and why she loves to tackle musical projects outside of her wheelhouse.
Subscribe to MORE SCORE on Patreon for year-round interviews, film music talk and even cool merch: http://Patreon.com/MoreScore
Later, Emmy and Grammy-winning composer Mark Isham (HBO's The Nevers, Godfather of Harlem, Judas and the Black Messiah, Bill & Ted Face the Music, Crash (2004), A River Runs Through It, Once Upon a Time and so many more) joins the show sharing his unbelievable tale of how he got his first film scoring gig that involved a lot of luck, explains how scoring for TV has drastically changed over the course of his career, reveals why he got fired from the 1995 film Waterworld and what he's learned from experiences like that, and why he is motivated to collaborate with first-time film composers.
This episode is presented by Spitfire Audio
Follow us on Twitter @ScoreThePodcast or send Kenny and Robert your questions for the mailbox at [email protected]
Hosts: Robert Kraft & Kenny Holmes
Executive Producer: Matt Schrader
Coordinator: Carol Kuswanto © 2021 Epicleff Media
By Epicleff4.8
389389 ratings
In another loaded double-guest episode, Kenny and Robert begin the show chatting with mega-talent Isobel Waller-Bridge, composer of Emma (2020), Fleabag, Vita & Virginia and more! Isobel shares stories of early collaborations writing songs with her sister Phoebe, why she likes to sneak "easter egg" sounds and lyrics into her scores and why she loves to tackle musical projects outside of her wheelhouse.
Subscribe to MORE SCORE on Patreon for year-round interviews, film music talk and even cool merch: http://Patreon.com/MoreScore
Later, Emmy and Grammy-winning composer Mark Isham (HBO's The Nevers, Godfather of Harlem, Judas and the Black Messiah, Bill & Ted Face the Music, Crash (2004), A River Runs Through It, Once Upon a Time and so many more) joins the show sharing his unbelievable tale of how he got his first film scoring gig that involved a lot of luck, explains how scoring for TV has drastically changed over the course of his career, reveals why he got fired from the 1995 film Waterworld and what he's learned from experiences like that, and why he is motivated to collaborate with first-time film composers.
This episode is presented by Spitfire Audio
Follow us on Twitter @ScoreThePodcast or send Kenny and Robert your questions for the mailbox at [email protected]
Hosts: Robert Kraft & Kenny Holmes
Executive Producer: Matt Schrader
Coordinator: Carol Kuswanto © 2021 Epicleff Media

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