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John welcomes writer-director Betsy Thomas (Superior Donuts, Superstore) to finally discuss writing multi-camera sitcoms. Using famous sitcom scripts as guides, they look at how multi-cam sets itself apart through its unique formatting and production, how it utilizes blocking, its surprising limitations in post, and the live studio audience.
But Betsy is more than just a talented creative – she’s also the secretary-treasurer of the WGA West. Who better to lead us through the WGA annual report and look at writer income and residuals in the wake of the strike? We also follow up on gains for writing teams and un-locked pages, and answer listener questions on flashbacks, punctation, and untrustworthy producers.
In our bonus segment for premium members, Betsy explains to John and Megana what makes golf such a wonderful sport.
Links:
Email us at [email protected]
You can download the episode here.
By John August and Craig Mazin4.8
24142,414 ratings
John welcomes writer-director Betsy Thomas (Superior Donuts, Superstore) to finally discuss writing multi-camera sitcoms. Using famous sitcom scripts as guides, they look at how multi-cam sets itself apart through its unique formatting and production, how it utilizes blocking, its surprising limitations in post, and the live studio audience.
But Betsy is more than just a talented creative – she’s also the secretary-treasurer of the WGA West. Who better to lead us through the WGA annual report and look at writer income and residuals in the wake of the strike? We also follow up on gains for writing teams and un-locked pages, and answer listener questions on flashbacks, punctation, and untrustworthy producers.
In our bonus segment for premium members, Betsy explains to John and Megana what makes golf such a wonderful sport.
Links:
Email us at [email protected]
You can download the episode here.

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