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John welcomes back Liz Hannah (The Girl From Plainville, The Post) to ask, how do you know if a character can carry a story? They look at ways of identifying your protagonist, defining privileged storytelling power, and the choices to make when figuring out which characters can hold narrative point of view.
We also look a the phenomenon of the “Stranger in the Room,” follow up on writing during crazy times, brain trusts, plays vs movies, the phrase “begs the question,” and the usefulness of sharing your pronouns.
In our bonus segment for premium members, John and Liz explain the difference between East LA, West LA, and why the valley might beat them both.
Links:
Email us at [email protected]
You can download the episode here.
By John August and Craig Mazin4.8
24142,414 ratings
John welcomes back Liz Hannah (The Girl From Plainville, The Post) to ask, how do you know if a character can carry a story? They look at ways of identifying your protagonist, defining privileged storytelling power, and the choices to make when figuring out which characters can hold narrative point of view.
We also look a the phenomenon of the “Stranger in the Room,” follow up on writing during crazy times, brain trusts, plays vs movies, the phrase “begs the question,” and the usefulness of sharing your pronouns.
In our bonus segment for premium members, John and Liz explain the difference between East LA, West LA, and why the valley might beat them both.
Links:
Email us at [email protected]
You can download the episode here.

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