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Curl up with us for this very special Christmas Eve edition of the podcast. Whether you are feeling on your own or just in need of a bit of a breathing space, why not join me tonight for this special Jólabókaflóð inspired edition of Nighttime on Still Water’s? Although the weather may be closer to Greg Lake’s “veil of tears for the virgin birth”, there will always the possibility for “eyes filled with tinsel and fire.”

Journal entry:

“24th December, Friday. Christmas Eve

Yesterday
 Four cormorants swung low out of the mist.
 Unlike ducks, geese and swans
 Or the parrying cries of the corvids
 They were silent. 
 Dark shapes swimming through the dripping air. 

All the haws were encased in perfect globes of water. 

Days wrapped in mist hold their own special beauty.”

Episode Information

In this episode I read excerpts from:

Dylan Thomas (1954) ‘Memories of Christmas’ from Quite Early One Morning published by J.M. Dent. Everyman’s Library.

Laurie Lee (2015) ‘Village Christmas’ from his Village Christmas and Other Notes on the English Year, published by Penguin. Modern Classics. 

Lucy M. Boston (2000) The Children of Green Knowe published by Faber.

Susan Cooper (2019) The Dark is Rising published by Penguin. Puffin Books

For the episode featuring Lucy M. Boston’s River at Green Knowe where you can find more information about her books and the actual house of Green Knowe (well worth a visit) – Episode 39: Summer Readings 3. 

For more information about the Icelandic tradition of Jólabókaflóð – Jolabokaflod: Founding Story

General Details

In the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.

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For more information about Nighttime on Still Waters

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