John Gray reflects on where British politics goes from here.

"Whether Brexit is a good or bad idea," he writes, "is no longer the central issue that Britain is facing."

"Instead, the question is whether our political system can survive the damage a mishandled Brexit has inflicted on it."

Producer: Adele Armstrong

Correction: The 1975 referendum took place on the 5th June that year on the UK's continued membership of the European Economic Community which it had joined two years earlier.

Sarah Dunant looks at the queasy relationship between art, finance and corruption.

Recent protests by the photographer Nan Goldin and others over "dirty money" have hit the headlines.

But Sarah argues that without some of this rather dubious funding, the art world would look very different.

"What do you want", she asks. "A clean church and white walls? Because there's no doubt that without all of this lamentable corruption we would not have many of the greatest works of art the world has ever seen."

Producer: Adele Armstrong

Zia Haider Rahman on why Brexit has made him feel closer to Britain.

He says the referendum has revealed deeper schisms in British society than the lines between native and immigrant.

"The sociological explanation", he argues, "might be that by confronting everyone with the variety and complexity of native British identities, Brexit has created space for other British identities".

Producer: Adele Armstrong

AL Kennedy on why - even with apparent chaos all around us - we can’t afford to despair.

"Despairing of justice, positive change, even kindness", she writes, "begins to rob our minds of the capacity to produce those things”.

Producer: Adele Armstrong

Tom Shakespeare on why we’re in urgent need of a bit of plain speaking.

"I don't mean here to exalt the obnoxious, the downright rude", he writes, "but while civility is a virtue, I think we could do with a little more directness".

Producer: Adele Armstrong

AL Kennedy questions her love of cookery shows.

"That's when I start to feel uneasy, sitting at home staring at entremets and buttercream, three-foot-high cakes made with pints of fresh eggs, because I have this theory...that television tends to memorialise things, just as they fade away.

Producer: Adele Armstrong

AL Kennedy reflects on how the British sense of humour is standing up to our present political woes.

"Don't get me wrong," she says, "it's nice to make people smile...but possibly Britain is now too funny".

She wonders if the rest of the world is still laughing with us.

Producer: Adele Armstrong

Will Self asks why our relationship with our bodies - our corporeal self - has become such a distant one.

Producer: Adele Armstrong

"For a long time we forgot about the sea", writes Stella Tillyard. "But it did not forget us. It was always there, like a jilted lover waiting to make a move. And now it is back".

She says the seemingly empty and tranquil space of the Mediterranean has been abruptly reanimated, not by nature, but by man.

Producer: Adele Armstrong

Val McDermid argues that referendums have had a devastating effect on our political system.

"I am by nature an optimist", she writes. "But I'm really struggling here. We've broken our democracy. I don't know how to fix it and I'm afraid nobody else does either".

Producer: Adele Armstrong