
Sign up to save your podcasts
Or
On today’s date in 1964, the musical Anyone Can Whistle opened at Broadway’s Majestic Theater. The book was by Arthur Laurents, with music and lyrics by Stephen Sondheim.
The show told the story of a town that's gone bankrupt because its only industry manufactured something that never wears out. To spark tourism, the town’s mayor fakes a miracle — water flowing from a rock — and when patients from a local mental hospital called the Cookie Jar escape and mix in with townspeople and tourists, chaos ensues. The only conventional thing about the new Sondheim-Laurent musical was the inclusion of a love story.
The New York Daily News called the first act “joyously daffy,” and the Journal-American reported that the opening night audience cheered several numbers. The New York Times, unfortunately, panned the new show, opening its review with this statement: “There is no law against saying something in a musical, but it’s unconstitutional to omit imagination and wit.”
Ouch!
It didn’t help that the new Laurent-Sondheim musical’s competition on Broadway that year included crowd pleasers like Hello, Dolly!, Funny Girl and Fiddler on the Roof. The show ran for just one week.
But one person who liked the show happened to be a Columbia Record executive named Goddard Lieberson, who assembled the original cast the day after it closed to make an original cast recording that became something of a cult classic.
Steven Sondheim (1930-2022): Me and My Town, from Anyone can Whistle; Angela Lansbury; orchestra; Paul Gemignani, conductor; RCA Victor 60515
4.7
158158 ratings
On today’s date in 1964, the musical Anyone Can Whistle opened at Broadway’s Majestic Theater. The book was by Arthur Laurents, with music and lyrics by Stephen Sondheim.
The show told the story of a town that's gone bankrupt because its only industry manufactured something that never wears out. To spark tourism, the town’s mayor fakes a miracle — water flowing from a rock — and when patients from a local mental hospital called the Cookie Jar escape and mix in with townspeople and tourists, chaos ensues. The only conventional thing about the new Sondheim-Laurent musical was the inclusion of a love story.
The New York Daily News called the first act “joyously daffy,” and the Journal-American reported that the opening night audience cheered several numbers. The New York Times, unfortunately, panned the new show, opening its review with this statement: “There is no law against saying something in a musical, but it’s unconstitutional to omit imagination and wit.”
Ouch!
It didn’t help that the new Laurent-Sondheim musical’s competition on Broadway that year included crowd pleasers like Hello, Dolly!, Funny Girl and Fiddler on the Roof. The show ran for just one week.
But one person who liked the show happened to be a Columbia Record executive named Goddard Lieberson, who assembled the original cast the day after it closed to make an original cast recording that became something of a cult classic.
Steven Sondheim (1930-2022): Me and My Town, from Anyone can Whistle; Angela Lansbury; orchestra; Paul Gemignani, conductor; RCA Victor 60515
1,152 Listeners
3,022 Listeners
1,955 Listeners
2,234 Listeners
500 Listeners
38,465 Listeners
870 Listeners
90,431 Listeners
8,513 Listeners
37,904 Listeners
27,274 Listeners
1,338 Listeners
13,112 Listeners
228 Listeners
13,263 Listeners
27,242 Listeners
2,166 Listeners
5,491 Listeners
2,057 Listeners
13,088 Listeners
1,126 Listeners
5,590 Listeners
192 Listeners
194 Listeners
1,585 Listeners