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Today, I’m thrilled to announce the kickoff of Backstage Babble’s “Week of Wine and Roses” with legendary composer and lyricist Adam Guettel. Tune in to hear some of the stories and insights of his great career, including why THE LIGHT IN THE PIAZZA needed a romantic sound, advice he got from Stephen Sondheim and Arthur Laurents, why the greatest work exists on the edge of competence, why he doesn’t like to look too much at the source material for the musicals he writes, his on-the-ground research for FLOYD COLLINS, his collaboration with William Goldman, the process of casting Victoria Clark as Margaret Johnson, working with Jamie Lawrence on orchestrating DAYS OF WINE AND ROSES, and so much more. This episode is a masterclass in musical theater writing from the best there is!
By cbroadwaypodcast4.8
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Today, I’m thrilled to announce the kickoff of Backstage Babble’s “Week of Wine and Roses” with legendary composer and lyricist Adam Guettel. Tune in to hear some of the stories and insights of his great career, including why THE LIGHT IN THE PIAZZA needed a romantic sound, advice he got from Stephen Sondheim and Arthur Laurents, why the greatest work exists on the edge of competence, why he doesn’t like to look too much at the source material for the musicals he writes, his on-the-ground research for FLOYD COLLINS, his collaboration with William Goldman, the process of casting Victoria Clark as Margaret Johnson, working with Jamie Lawrence on orchestrating DAYS OF WINE AND ROSES, and so much more. This episode is a masterclass in musical theater writing from the best there is!

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