In 2020, Russian-American filmmaker Michael Lockshin and his co-writer, Roman Kantor, were offered an impossible task: to adapt Mikhail Bulgakov’s Master and Margarita for the big screen. It was a daunting task to rewrite such a beloved novel, with its complicated and overlapping narratives. Lockshin and Kantor hoped to succeed where others failed. After a period of touch-and-go, the film was released in Russia in January 2024 to critical and viewer acclaim. It also received fierce scorn, particularly from Russian state propagandists. To date, the film remains unreleased internationally due to complex rights issues following Russia's invasion of Ukraine. How has Lockshin dealt with all this personally and professionally? What does he make of the controversy surrounding the movie essentially cosplaying its plot. Lockshin recently visited Pittsburgh to screen the film. The Eurasian Knot jumped at the opportunity to interview him about it and its fallout.

Guest:

Michael Lockshin grew up in Russia and the United States. He began working in film while studying for a Masters in psychology at Moscow State University. He moved to London after graduating and directed several award-winning commercials and his first Russian language feature film, Silver Skates in 2020. Most recently, he co-wrote and directed an adaptation of Mikhail Bulgakov’s Master and Margarita.

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