Join Maria Zagala, Curator of Prints, Drawings and Photographs, as she discusses the new display focusing on the paintings and drawings of John Brack.For more information visit agsa.sa.gov.au

Image: John Brack, born Melbourne 20 May 1920, died Melbourne 11 February 1999, Reclining nude, 1970, Melbourne, oil on canvas, 115.0 x 146.5 cm; South Australian Government Grant 1972 , Art Gallery of South Australia, Adelaide, Courtesy Helen Brack.

Hear from Leigh Robb, Curator of Contemporary Art, as she discusses the new Jeppe Hein installation on North Terrace.

For more information visit agsa.sa.gov.au

Image: Jeppe Hein: Modified Social Sculptures, Art Gallery of South Australia and the City of Adelaide, Courtesy the artist and Arndt Art Agency;; photo: Henry Trumble.

Hear from Russell Kelty, Curator of Asian Art, as he discusses The trial of fire for Vaidehi (Sita) by Venkat Raman Signh Shyam on display as part of Touching the Devine: Love and devotion in Asian Art.For more information visit agsa.sa.gov.au

Image: Venkat Raman Singh Shyam, born Sijhora, Mandla district, Madhya Pradesh, India 1970, The trial of fire for Vaidehi (Sita), 2012, Bhopal, Madhya Pradesh, India, synthetic polymer paint, ink on canvas, 111.4 x 83.4 cm; Gift of Barrie and Judith Heaven 2021, Art Gallery of South Australia, © the artist, photo: Saul Steed.

Join Carly Dodd, Assistant Curator, Tarnanthi, as she discusses ceramics in Too Deadly: Ten Years of Tarnanthi.

For more information visit agsa.sa.gov.au

Image: Tjunkaya Tapaya, Pitjantjatjara people, South Australia, born Antalya, Northern Territory 1947, died Pukatja (Ernabella), Aṉangu Pitjantjatjara Yankunytjatjara Lands, South Australia 2025, Kungkarangkalpa (Seven Sisters), 2020, Mparntwe (Alice Springs), Northern Territory, stoneware, white slip, black slip, 50.5 x 16.0 x 17.5 cm; Acquisition through Tarnanthi: Festival of Contemporary Aboriginal & Torres Strait Islander Art supported by BHP 2021, Art Gallery of South Australia, © the artist, courtesy Ernabella Arts.

Tansy Curtin, Assistant Director, Artistic and Collection Programs, will discuss British Post-Impressionism and the Camden Town Group, sharing new acquisitions by Spencer Gore, Charles Ginner and William Ratcliffe.

For more information visit agsa.sa.gov.au

Photo: Saul Steed

Shane Cook and Jo-Anne Driessens speak on their experiences as part of the Catapult + Tarnanthi Mentorship program in Tarnanthi Festival 2025, presented in partnership with Guildhouse.

For more information visit agsa.sa.gov.au

Image: detail; Shane Cook, Guwa (Koa)/Wulli Wulli people, Queensland, born Kaurna Yerta 1992 Landscape Scars, 2025, Queensland/Adelaide digitally enhanced photograph, dimensions variable © Shane Cook photo: Shane Cook

Join Gallery Guide Helen Bulis as she discusses the work of Julius Schomburgk.

For more information visit agsa.sa.gov.au

Image: Julius Schomburgk, attributed, born Freyburg an der Unstrut, Saxony, Prussia 1819, died Capetown, South Africa 1893, Bracelet, c.1860, Adelaide, gold, 6.1 x 6.8 x 6.1 cm; Gift of Miss Jane Peacock 1945, Art Gallery of South Australia, Adelaide.

Hear from Gallery Guide Rosemary Collins as she discusses Morris & Co's tapestry The Adoration of the Magi in celebration of Christmas.

For more information visit agsa.sa.gov.au

Image: Morris & Co., manufacturer, operating 1861 - 1940, Edward Burne-Jones, designer, born Birmingham, England 28 August 1833, died London 17 June 1898, John Henry Dearle, designer of floral ground, born London 1859, died London 1932, The Adoration of the Magi, 1900-02; designed 1887, London, wool, silk, 251.2 x 372.5 cm, 40.0 x 330.0 x 40.0 (rolled); Morgan Thomas Bequest Fund 1917, Art Gallery of South Australia, Adelaide.

Join Gallery Guide Jill Swann as she discusses Nora Heysen's still lifes.For more information visit agsa.sa.gov.au

Image: detail; Nora Heysen, born Hahndorf, South Australia 11 January 1911, died Sydney, New South Wales 30 December 2003, Fruit in a yellow bowl, 1930, Hahndorf, South Australia, oil on canvas, 40.8 x 30.4 cm; Elizabeth and Tom Hunter Bequest 2009, Art Gallery of South Australia, Adelaide, © Lou Klepac.

Hear from Jay Milera, Max Mackinnon and Paul Gazzola in this discussion about Tracks of the Unseen, moderated by Lester-Irabinna Rigney.

This Narungga-led project is more than a documentary – it is an evocative pilgrimage, a poetic unfolding into the hidden pathways of Australia’s rich Aboriginal footprint, illuminating a legacy nearly erased by colonial shadows. The film breathes life into faded tracks, retracing the ancient connections between neighbouring nation groups and the re-emerging presence of the Nantawarra, a once-lost fifth nation now being remembered through the stories of our Elders. Tracks of the Unseen is an unyielding reminder that Narungga culture is not lost, merely awaiting recognition, respect and revival. The first part of this evolving documentary screened as part of the closing weekend celebrations of Tarnanthi 2025.

Tracks of the Unseen is part of Projects of the Everyday, a South Australian artist-commissioning initiative of OSCA (Open Space Contemporary Arts).

For more information visit agsa.sa.gov.au

Image: still:Jay Milera, Narungga/Kaurna people, South Australia, born Maitland, South Australia, Tracks of the Unseen, 2024, video with sound, Port Victoria, South Australia, © Jay Milera, courtesy of the OSCA Projects; photo: Max Mackinnon.