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To celebrate our 200th episode of Whats My Frame; I'm joined by Alexis Booth & Faith Abraham for an inside look at the casting process. Alexis shares her creative journey to Head of Casting at Kapital Entertainment, while Faith reflects on nearly a decade in casting across TV and film. Together, they walk us through the executive casting process at Kapital Entertainment. It’s an encouraging, conversation about building relationships, staying grounded and gaining a deeper understanding of the creatives championing for us with each audition.
Alexis Booth Full Bio:
Alexis began her career working on hit shows like Scrubs and Desperate Housewives before transitioning into television casting. She worked in Scott Genkinger & Deborah George’s office on Breakout Kings and Gigantic, and then moved to feature films with Roger Mussenden & Jeremy Rich, casting X-Men: First Class and Jack and Jill. Alexis then transitioned to TNT and TBS, where she rose through the executive ranks and oversaw casting for a decade, managing projects such as Snowpiercer, The Alienist, The Last Ship, Major Crimes, The Last O.G., Wrecked, and People of Earth. With the launch of HBO Max, she also managed casting for The Flight Attendant and Made for Love. After working as a casting director on an assortment of television pilots and films for cable and streaming, Alexis began her current position as Head of Casting at Kapital Entertainment. She has worked on shows and films, including The Neighborhood, Watson, DMV, Crutch, One Mile, Civil Justice, and Comedy Pays.
Faith Abraham Full Bio:
Faith Abraham has been working in casting for nearly a decade and is currently based in Los Angeles. This native east coaster came out west to work in the film and entertainment industry. Since then, she has worked on several different television shows and features films. Some of which includes, CBS’s CSI: Vegas and Fire Country, NBC’s Good Girls, Netflix’s Firefly Lane and Blumhouse’s Halloween. More recently she has become apart of the in house casting team at Kapital Entertainment. Over the years, Faith has developed an eye for spotting exceptional talent and has enjoyed years of nurturing relationships between talent and creatives.
By Laura Linda Bradley4.7
2323 ratings
To celebrate our 200th episode of Whats My Frame; I'm joined by Alexis Booth & Faith Abraham for an inside look at the casting process. Alexis shares her creative journey to Head of Casting at Kapital Entertainment, while Faith reflects on nearly a decade in casting across TV and film. Together, they walk us through the executive casting process at Kapital Entertainment. It’s an encouraging, conversation about building relationships, staying grounded and gaining a deeper understanding of the creatives championing for us with each audition.
Alexis Booth Full Bio:
Alexis began her career working on hit shows like Scrubs and Desperate Housewives before transitioning into television casting. She worked in Scott Genkinger & Deborah George’s office on Breakout Kings and Gigantic, and then moved to feature films with Roger Mussenden & Jeremy Rich, casting X-Men: First Class and Jack and Jill. Alexis then transitioned to TNT and TBS, where she rose through the executive ranks and oversaw casting for a decade, managing projects such as Snowpiercer, The Alienist, The Last Ship, Major Crimes, The Last O.G., Wrecked, and People of Earth. With the launch of HBO Max, she also managed casting for The Flight Attendant and Made for Love. After working as a casting director on an assortment of television pilots and films for cable and streaming, Alexis began her current position as Head of Casting at Kapital Entertainment. She has worked on shows and films, including The Neighborhood, Watson, DMV, Crutch, One Mile, Civil Justice, and Comedy Pays.
Faith Abraham Full Bio:
Faith Abraham has been working in casting for nearly a decade and is currently based in Los Angeles. This native east coaster came out west to work in the film and entertainment industry. Since then, she has worked on several different television shows and features films. Some of which includes, CBS’s CSI: Vegas and Fire Country, NBC’s Good Girls, Netflix’s Firefly Lane and Blumhouse’s Halloween. More recently she has become apart of the in house casting team at Kapital Entertainment. Over the years, Faith has developed an eye for spotting exceptional talent and has enjoyed years of nurturing relationships between talent and creatives.

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