AI-generated content and deepfakes are rewriting the rules of creative ownership. So what are writers, artists, and performers doing about it? In this panel discussion from the AI House at the World Economic Forum in Davos, Switzerland, SAG-AFTRA National Executive Director and Chief Negotiator Duncan Crabtree-Ireland joined multidisciplinary artist Emi Kusano and MIT Technology Review Editor-in-Chief Mat Honan for a discussion about how performers secured contract protections for digital replicas, how artists are using AI ethically in their own creative practice, and how journalists are setting boundaries around AI-generated content in newsrooms. The panel was moderated by Nicholas Thompson, CEO of The Atlantic. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

SAG-AFTRA's 2025 commercials contracts delivered groundbreaking A.I. provisions, but what do they actually mean for you? Tracy Hyman, Executive Director of Commercials Contracts, and actor and negotiating committee member Nicole Cyrille break down exactly how digital replicas and synthetic performances work, when you need to give consent, how you get paid and what guardrails are in place to protect you. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

Duncan Crabtree-Ireland sits down with journalist Matt Belloni from Puck at CES in Las Vegas for a no-holds-barred conversation about the future of A.I. and entertainment. Matt asks the tough questions: Why should A.I. companies care what unions think? How is artificial intelligence reshaping creative work? What happens if there's another strike? Duncan breaks down what SAG-AFTRA won in 2023, what's at stake in the upcoming February negotiations, and why the distinction between humans and A.I. algorithms really matters. They tackle studio deals with OpenAI, deepfakes, synthetic performances, and whether the unions are playing defense or leading the charge. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

Diane Warren is one of the most successful and prolific songwriters in music history — and a proud SAG-AFTRA member. Her catalog includes many of the biggest pop songs of the past several decades. In this episode, she talks about the relentless drive behind her career, her new documentary and the early challenges that shaped her voice as a writer. Diane shares how she "casts" artists to bring her songs to life and why no form of A.I. can match the soul behind a truly human song. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

SAG-AFTRA's top three national officers — President Sean Astin, Executive Vice President Linda Powell and Secretary-Treasurer Michelle Hurd — sit down together with National Executive Director & Chief Negotiator Duncan Crabtree-Ireland during the 23rd International Federation of Actors (FIA) Congress in Birmingham, England last month. They discuss the power of global solidarity, the challenges facing performers across borders, and how issues like A.I., self-tapes, DEI, and workplace safety are shaping the next era of the industry. They also reflect on their paths to leadership and the unexpected moments that come with guiding a union of this size and influence. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

In the first part of our interview with legendary director James Cameron, he explained his actor-driven approach to performance capture and why human nuance is still at the core of great storytelling. In this second half, Cameron goes deeper into the promises and risks of A.I., where he believes the line sits between helpful innovation and harmful replacement. He talks about what Hollywood must stand guard over as these tools accelerate. And yes, he talks about Skynet and why The Terminator feels a lot less hypothetical today than it did in 1984. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

James Cameron has spent four decades pushing filmmaking technology forward, but at the core of his work is something deeply human. In this video, the Oscar-winning director of Terminator, Aliens, Titanic and the Avatar films (Avatar: Fire and Ash opens December 19) talks about why performance capture is the "purest form of cinema acting," why he refuses to use generative A.I. for scripts and actors' performances, and how safety and trust guide every set he runs. The man who dreamed up Skynet also explains what kind of A.I. boundaries the industry urgently needs to put in place. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

In the second half of our conversation, newly elected SAG-AFTRA president Sean Astin opens up about lessons from the 2023 strike, the challenges of member communication and his goals for the next round of TV/Theatrical negotiations. Sean also reflects on what his most iconic roles — from Rudy to The Lord of the Rings — have taught him about leadership and fighting for what's right. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

Sean Astin has spent most of his life in front of the camera starring in beloved films like The Goonies, Rudy, and The Lord of the Rings — and behind the scenes as a committed advocate for SAG-AFTRA and its members. Now he's leading our union as its newly elected president. In Part 1 of this 2-part conversation with SAG-AFTRA National Executive Director and Chief Negotiator, Duncan Crabtree-Ireland, Sean talks about what this moment means to him, how his mother Patty Duke's presidency shaped him, and why he sees this role as "identity shaping." He also shares his vision for the next chapter of the union, including a deep focus on health and pension plans, A.I., and modernizing the member experience. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

Auditions are part of every performer's journey, but that doesn't mean they come naturally. The process can feel overwhelming, especially with the rise of self-taping. How can performers approach auditions with less stress and more confidence? SAG-AFTRA members Nikki Dixon and Wes Jetton join the podcast to share their best advice for staying grounded and enjoying the process. They talk about how to prepare without over-rehearsing, the importance of letting go after you hit send and why mindset and flexibility matter more than perfection. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.