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Tim Harford, the economist and journalist, joins Christiane Amanpour to discuss our failure to prepare for disasters like covid-19 and hurricane Katrina and how government often mistake near misses for false alarms. Then Australian comedian Hannah Gadsby who shot to international fame with her pioneering stand-up show “Nanette” in 2018, talks about reclaiming her narrative from trauma. Our Hari Sreenivasan speaks to Randi Weingarten, president of American Federation of Teachers, about how major school distrcits like Los Angeles and San Diego will stay called in the fall, despite pressure from the white house to reopen. And finally we end with Billy Joel making music out of another man’s trash.
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Mayors Giuseppe Sala and LaToya Cantrell, of Milan and New Orleans respectively, join Christiane Amanpour to discuss how their cities are dealing with coronavirus pandemic. They reveal their agenda for a green and just recovery after covid. Groups like Republican Voters Against Trump are trying to convince party members to abandon the president. The co-founder Sarah Longwell talks candidly about her hopes for the November election. Then our Michel Martin speaks to Mehrsa Baradaran, law professor and author of “The Color of Money”, about how black communities have been systemically shut out of the banking system causing a vast racial wealth gap. And finally, since slave trader Edward Colston’s statue was toppled in Bristol, his plinth has stood empty. We explain how an artist has now replaced it with a symbol of the black lives matter movement.
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As the coronavirus pandemic and the race for the vaccine continues, Richard Hatchett, the CEO of Coalition for Epidemic Preparedness Innovations, joins Christiane Amanpour to discuss how any vaccine must go to those most at risk. Then history professor Khalil Gibran Muhammad and activist Deborah Peterson Small trace the stain of racism in the criminal justice system from slavery to now. Our Walter Isaacson speaks to Janet Napolitano, the first female president of of University of California, about whether to reopen schools and universities this fall. And finally – we reveal what infamous yet secretive street artist Banksy has been up to on London’s underground.
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Beto O'Rourke, former Democratic congressman and presidential candidate, joins Christiane Amanpour from El Paso, Texas to discuss the spike in cases across several states in the United States. He says Trump’s leadership is ‘deadly and dangerous’. Then Ed Yong, staff writer at The Atlantic, argues why this surge was predictable and preventable. And from one pandemic to another – our Walter Isaacson speaks to retired general Vincent R. Stewart about racism in America. Stewart, the first African American director of the U.S. Defense Intelligence Agency, talks about his experiences of racial prejudice and how he was compelled to say enough is enough in his recent op ed. And finally, anti-establishment singer-songwriter Margo Price reflects on country music, gender inequality and racism in 2020 America and why she’s not afraid to rail against it. To end the show, her husband and fellow band mate Jeremy Ivey joins to perform “Gone to Stay” from their new album.
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Aalaya Eastmond, activist and Parkland school shooting survivor, and Alicia Garza, the co-founder of the Black Lives Matter movement, join Christiane Amanpour to discuss the intergenerational fight for racial justice and the exhaustion of being a black woman today. Lemn Sissay, the acclaimed British poet and author of “My Name is Why,” talks candidly about his harrowing journey in search of his true identity after he was stolen from his Ethiopian birth mother in 1967. He details the racism he experienced growing up with a foster family who then rejected him after 12 years of calling him son. Then, our Walter Isaacson speaks to Pulitzer prize-winning historians Annette Gordon-Reed and Jon Meacham to unpack the contradictions of one of America’s founding fathers: Thomas Jefferson, slave owner and advocate for equality. They pick up the discussion of the moment: whether to take down statues that, for many, are symbols of oppression and embody hundreds of years of systemic racism.
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