In the Bonus Room, we discuss major orchestras that David has conducted featuring film music. David also talks about his father Alfred Newman’s legacy at Fox Studios. To close up the session, we discuss his most recent project, a weekly Zoom seminar which takes a deep dive into Benjamin Britten’s Peter Grimes and Stephen Sondheim’s  Sweeney Todd.

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In Part 2 of our conversation, David speaks in detail about the process of writing music for film from the first contact with the director to the final recording session. He explains why he can't afford to be "mentally blocked" and why he has had to push himself mentally and physically to the limit to finish a score before the first recording session.

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Hollywood film composer David Newman has written music for over 100 feature films, including movies as wide-ranging as Throw Momma from the Train, War of the Roses, American Beauty, Hoffa, and Ice Age. In addition, he has conducted major orchestras such as the New York Philharmonic, Chicago Symphony, Philadelphia Orchestra, and Los Angeles Philharmonic in concerts featuring a presentation of films such as Star Wars and West Side Story. He began his career as a violinist, and later switched to composing and conducting. His father was the legendary Hollywood composer Alfred Newman.

In Part 1 of our conversation, David tells how he went from being a violinist to a film composer and how that transition took place. He also describes his father, Alfred Newman, and how music was originally introduced into films. And finally, at the end of our conversation, we discuss recording sessions for three films: Throw Momma from the Train, Breaking Away, and Star Trek I.

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Wiff discusses his playing career from the Dallas and Houston Symphonies to risking it all to form Rhythm and Brass. He concludes by reflecting on trumpeter Ryan Anthony's life legacy as a musician and person.

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Wiff discusses the concept of motivational learning, how he at times uses skits with his students and, among other topics, the practical uses of a... fart machine.

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We continue our conversation about Abbie’s experience in Munich, including her efforts to be paid a salary equal to the salaries of her male colleagues, and her determination to remain strong throughout the ordeal.

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I ask Abbie what it was like to get a telephone call from the writer Malcolm Gladwell for his book Blink. We also discuss her primary teachers, her own teaching, and her thoughts on women in music today.

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Abbie Conant is Professor of Trombone at the Musik Hochschule in Trossingen, Germany. She was principal trombone of the Royal Opera of Turin for a year, then principal trombone of the Munich Philharmonic for 13 years. Her fight against gender discrimination in Munich has been featured in Blink, the bestselling book by Malcolm Gladwell, and our conversation covers that period in detail. In addition, Abbie is active with her husband William in producing a new genre of works for musical theater featuring Abbie as trombonist and singer. 

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In the Bonus Room, Michael explores teaching, learning, and the influence of Tom Stevens. He describes how, when Michael was a young student of mine, I told him in a lesson, “Mike, it’s a trumpet, You blow on it, you don’t suck on it.”

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In Part 2, Michael discusses trumpet lineage, his friend and mentor David Zauder, and his all-time favorite performance with the Cleveland Orchestra.

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As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:

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