Arroe Collins Like It's Live

Born September 26, 1956 in Salisbury, Maryland, Linda Hamilton is an actress best known for her portrayal as Sarah Connor in the Terminator movie franchise.

When Linda was just five, her father, Carroll Stanford Hamilton, passed away. Her mother later remarried a police chief. Linda is one of four siblings in her family- with one older sister, one young brother and a twin sister named Leslie Hamilton Gearren.

After attending high school at Wicomico High School in Salisbury, Linda studied for two years at Washington College in Chestertown, Maryland, before leaving for New York to attend acting workshops given by Lee Strasberg.

Linda had her first acting credit in the indie drama Night-Flowers (1979), but began to make a name for herself on the soap opera Secrets of the Midland Heights (1980-81), playing Lisa Rogers. She would continue to build up her resumé on television with the TV movies Reunion (1980), Country Gold (1982), Wishman (1983), and Secrets of a Mother and Daughter (1983), as well as guest appearances on TV series such as Shirley, King's Crossing and Hill Street Blues.

In 1982 she starred opposite Robert Carradine in the action thriller Tag: The Assassination Game, as Susan Swayze. Her first big break came in 1984 when she starred in James Cameron's The Terminator alongside Arnold Schwarzenegger and Michael Biehn. That same year she also starred in Fritz Kiersh's adaptation of Children of the Corn. The following years would see her split time between TV and Hollywood with TV movies Secret Weapons, Club Med and Go Toward the Light and big screen projects like Black Moon Rising (1986) and King Kong Lives (1986). Linda reached a new career high in 1987 when she was cast in a starring role on the contemporary TV adaptation of Beauty and the Beast. In the crime drama set in Manhattan, Linda starred opposite Ron Perlman's Beast as Assistant District Attorney Catherine Chandler, a role that earned her a Primetime Emmy nomination as well as two Golden Globe nominations.

Following Beauty and the Beast's three season run, Linda returned to the big screen in Mr. Destiny (1990) opposite Michael Caine, and a return to Sarah Connor, the role that made her a household name in Terminator 2: Judgment Day (1991). The following years saw her split time again between TV films and Hollywood movies while also expanding her repertoire by lending her voice talents to animated shows.

Linda joined the DC Animated Universe by lending her voice talents to the animated series The New Batman Adventures, as well as Batman Beyond and its film Batman Beyond: The Movie (both 1999). Furthering her voice acting career she joined Disney animated series Hercules and Buzz Lightyear of Star Commandas a recurring character.

The rest of the 2000s would see Linda take a step back, taking supporting roles in lower profile projects before again returning to TV with the 2009 crime series The Line. On the film side she made an uncredited return to the Terminator franchise by recording new dialogue for McG's Terminator Salvation sequel. Longtime fans finally found a new beloved role for Linda as she starred in a recurring role for the hit series Chuck as the titular character's mother Mary Elizabeth Bartowski.

Linda would continue her resurgence, appearing in recurring roles on TV series such as Air Force One Is Down, Defiance, and Lost Girl.

Finally, Linda fully embraced a return to the Terminator franchise with a substantial role as Sarah Connor in Tim Miller's Terminator: Dark Fate (2019), which would provide proper closure for the character that has helped define her career.

Linda has a son with her first husband, actor Bruce Abbott to whom she was married for seven years (1982 to 1989). She also has a daughter with second husband, director James Cameron, but the marriage ended after only two years, in 1999, although they'd been together for many...

Hey it’s Arroe. This is Play It Forward. A look at the unexpected changes endured by entertainers, writers, camera people and all others affected but not infected by the global invasion of the Coronavirus.
Real people. Real stories. The struggle to Play It Forward.
Episode 85:
Actor Danny Trejo has made it a point to never come across in public as an actor. His heart, his attitude and willingness to put community first has become a lifeline mission during these Covid days to thousands in the Los Angeles area.
Over the past few weeks there’s been this huge push to get public education up and running. The experts have had no problem talking about how the students need to be in class learning, bumping elbows and being challenged to become greater in the everyday. So what about the preschooler’s without a building to run off to? Josh Dela Cruz from Blues Clues is on it.
Kids going back to class, some businesses reopening. Erik from the band High Streets can’t help but get into the action.
That’s Play It Forward. You can listen to the full conversations with these artists on three different podcasts. Like Its Live, Unplugged and Totally Uncut and View from the Writing Instrument found on all digital platforms.

Ronnie Platt is a Chicagoland native and veteran of the Chicago music scene. Prior to joining KANSAS, Ronnie fronted very popular Chicago-based bands such as Chaser, Drama, and ARRA at night while driving a semi during the day. From 2007-2011 Ronnie was lead singer for the band Shooting Star. In 2014, Ronnie joined KANSAS as lead singer & keyboardist. Since joining KANSAS, Ronnie has performed in more than 400 concerts. Platt performs, and has writing credits, on KANSAS studio albums “The Prelude Implicit” (#14 Billboard Top 200 Albums Chart) & “The Absence of Presence” (Out July 17, 2020), and live album “Leftoverture Live & Beyond.” Platt is a car enthusiast, a fan of the Chicago Cubs and Chicago Blackhawks, and enjoys historical documentaries.

The story of Charles Manson and his followers continues to intrigue and terrify decades after the heinous events took place – and popular films such as Once Upon a Time in America and The Haunting of Sharon Tate mine the Manson story to frighten new generations for years to come. Although the tale has been told before, a new six-part docu-series Helter Skelter: An American Myth revisits the legend of the Manson family with a new perspective. Premiering on EPIX on July 26, the series features newly unearthed footage and never-before-accessed interviews from former family members on the scene and journalists who were in the courtroom. The most comprehensive visual telling of the Manson family, Helter Skelter: An American Myth upends what people think they know about this layered and complex story and sheds an entirely new light on the Crime of the Century.

Director/Executive Producer Lesley Chilcott is an award winning filmmaker, documentarian, and producer whose films often center on social and environmental justice. She was a producer on the 2007 Academy Award-winning documentary, AN INCONVIENENT TRUTH, as well as WAITING FOR SUPERMAN, a film about the declining American education system, for which she won a Producers Guild of America Award for Outstanding Producer of Theatrical Documentary. Additional Lesley Chilcott films include WATSON, a documentary about Captain Paul Watson, who put his own life at risk to protect the oceans and marine life; CODEGIRL, which follows an annual competition where high school-aged girls from around the world design an app that solves a problem in their community; and the Barack Obama biographic film A MOTHER'S PROMISE.

e create our own realities, and the Law of Attraction shows that we draw in exactly what we project out. How can we decode the Law of Attraction to gain more power over our lives, happiness, and success?

Anita M. Scott is author of the new book, THE UNIVERSE IS YOUR SEARCH ENGINE (Balboa Press, June 2020), which is a groundbreaking look at how to master The Law of Attraction. Anita was raised in a cult, and by age 30 was a divorced single mom without an education or much hope. What she did have was curiosity, which led her to earn several college degrees and an Executive MBA from Pepperdine. Today, Anita M. Scott has been married for 20+ years, has a loving family, and is a leading expert in using the Law of Attraction to evolve your thinking.

Perfect for fans of Jennifer Robson's The Gown or Elizabeth Gilbert's City of Girls! We Came Here to Shine follows two women ―an aspiring journalist and a down-on-her-luck actress― who form an unlikely friendship as they navigate a world of endless possibility, stand down adversity, face the challenges presented in a male-dominated time period, and find out what they are truly made of during a glorious summer of spectacle and opportunity.

Povitsky goes home to Skokie, Illinois to understand why her unique relationship with her parents motivated her to become a comedian. Documentary footage is intercut with Povitsky’s sharp stand-up, giving audiences a hilarious look into her origin story. She is out to prove that she wouldn’t be the mess she is if it weren’t for her parents. Filmed at the Dynasty Typewriter in Los Angeles and over four different shows — mainly as an excuse for her to wear four different outfits — Povitsky’s material explores deep existential questions, such as why she’s like a slice of pizza in the bedroom, or why her ex-boyfriend’s wife blocked her on Facebook. The special also includes cameos by Christine Taylor, Andrew Friedman and Priscilla Barnes.

A fixture of the LA comedy scene, Povitsky most recently starred opposite Kat Dennings in the series “Dollface,” which has been renewed for Season 2. She also co-created, co-starred and executive produced the show “Alone Together,” which ran for two seasons. Povitsky was named one of Variety’s “10 Comics to Watch,” and performed at the Just for Laughs Comedy Festival in Montreal, returning to the showcase that launched her career as a New Face in 2013. She’s had recurring roles on “Crazy Ex-Girlfriend,” “Love,” and “Difficult People.” Additionally, she guest-starred in “Brooklyn 99,” Comedy Central’s “Workaholics” and “Key & Peele,” and “Lady Dynamite.”

Hey it’s Arroe. This is Play It Forward. A look at the unexpected changes endured by entertainers, writers, camera people and all others affected but not infected by the global invasion of the Coronavirus.
Real people. Real stories. The struggle to Play It Forward.
Episode 84: Beyond Covid And Onto The Streets With Jack Brewer…
As a nation we face an avalanche of life changing news headlines every day. Not only do they pull on the heart strings of our community but we’re expected to act and react without utilizing the power of patience. There are more than famous people struggling to play life forward.
Jack Brewer, is a former NFL safety and 3x team captain who played for the Vikings, Giants, Eagles and Cardinals.
He’s also served four years as an Ambassador for Peace and Sport for the U.S. Federation for Peace and Development at the United Nations. An ordained minister who works in prisons across America, wait until you hear us get on that subject. It’ll reposition your thoughts on where we’re presently standing in history.
Jack Brewer
That’s Play It Forward. You can listen to the full conversations with these artists on three different podcasts. Like Its Live, Unplugged and Totally Uncut and View from the Writing Instrument found on all digital platforms.

Through this exciting CD release entitled “American Trails”, Guitarist/Vocalist Pascal Bokar, Father of the “AfroBlueGrazz” sound makes a resounding musical statement of the nature of the multi-cultural expressions and legacies of West African heritage and African American traditions through the Blues.

This new sound and Blues CD entitled “American Trails” by virtuoso guitarist/vocalist Pascal Bokar connects the American musical traditions of the South with the original 4 string instrument from Mail West Africa, Ngoni or banjo and the West African balafon (ancestor of the xylophone) in a powerful rhythmic and multi sonic Blues based contemporary gumbo that one has yet to discover.

The new Blues based CD “American Trails” deepens Pascal Bokar’s exploration of the Blues in his “AfroBlueGrazz” concept with an opening ear-popping version of Blues Great Otis Spann’s composition “The Blues Don’t Like Nobody” in a duet with vocalist Paula Harris and some blistering scat/guitar singing.