The prize-winning author Karl Ove Knausgaard explores the life and work of a fellow Norwegian artist, Expressionist Edvard Munch. He tells Tom Sutcliffe that Munch’s work extends far beyond his iconic painting The Scream. Knausgaard brings together art history, biography and personal memoir to reflect on what it means to be an artist.

Munch is known as a painter of the inner life and even his landscapes are infused with personal reflection. But at the turn of the twentieth century, while he was looking inward, art schools across Europe were forging new philosophies and were engaging with the wider world. In Germany the Bauhaus movement, founded by Walter Gropius, stood for experiment and creative freedom. Fiona MacCarthy’s new biography of Gropius re-evaluates his intellectual and emotional life. She depicts him at the heights of Bauhaus fame and through his post-war years in London to his architectural successes in America.

Back in the UK, Charles Rennie Mackintosh was at the centre of a movement based at the Glasgow School of Art. Curator Alison Brown explains how that city became the birthplace of the only Art Nouveau ‘movement’ in the UK. The style and influence of Mackintosh and his disciples has since spread throughout the world.

Both Bauhaus and Art Nouveau designs became commercially successful and mass produced. But the earlier Arts and Craft Movement of William Morris championed the principle of handmade production. In an extraordinary find, the social historian Tamsin Wimhurst, came across a terraced house in Cambridge owned by a working-class Victorian decorative artist who reproduced the work of Morris for his own pleasure at home. The David Parr House is opened to the public later this year.

Producer: Katy Hickman