
Sign up to save your podcasts
Or


Episode 188:
Following on from the last episode before the run of summer guest conversations we take a sharp swerve from ‘Henry V’ to ‘As You Like It’. Although we cannot be quite sure about the chronology in which Shakespeare wrote his plays, or how much the writing of one crossed over with the writing of another, whatever the precise order it is pretty clear that Shakespeare could move freely between the History and Comedy genres and within those how he was always pushing at the edges of the forms and conventions of the theatre and playwrighting to see what could work on stage and with language. ‘As You Like It’ is no exception to that.
The Dating of the play
The sources for the play
The possible first performance date
A brief synopsis of the play
The use of poetry and prose in the play
The play as part of the ‘Pastoral’ genre
The location of the play and influence of the forest
The character of Jacques
The character of Rosalind
The character of Touchstone
The ending, Hyman, and the masque
A summary of the performance history of the play
The epilogue
Support the podcast at:
www.thehistoryofeuropeantheatre.com
www.patreon.com/thoetp
www.ko-fi.com/thoetp
Hosted on Acast. See acast.com/privacy for more information.
By Philip Rowe4.8
3939 ratings
Episode 188:
Following on from the last episode before the run of summer guest conversations we take a sharp swerve from ‘Henry V’ to ‘As You Like It’. Although we cannot be quite sure about the chronology in which Shakespeare wrote his plays, or how much the writing of one crossed over with the writing of another, whatever the precise order it is pretty clear that Shakespeare could move freely between the History and Comedy genres and within those how he was always pushing at the edges of the forms and conventions of the theatre and playwrighting to see what could work on stage and with language. ‘As You Like It’ is no exception to that.
The Dating of the play
The sources for the play
The possible first performance date
A brief synopsis of the play
The use of poetry and prose in the play
The play as part of the ‘Pastoral’ genre
The location of the play and influence of the forest
The character of Jacques
The character of Rosalind
The character of Touchstone
The ending, Hyman, and the masque
A summary of the performance history of the play
The epilogue
Support the podcast at:
www.thehistoryofeuropeantheatre.com
www.patreon.com/thoetp
www.ko-fi.com/thoetp
Hosted on Acast. See acast.com/privacy for more information.

5,436 Listeners

3,192 Listeners

6,420 Listeners

812 Listeners

1,406 Listeners

1,106 Listeners

496 Listeners

455 Listeners

319 Listeners

369 Listeners

3,206 Listeners

454 Listeners

1,821 Listeners

219 Listeners

2,402 Listeners