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Today on Art of the cut, we speak with Emmy-nominated editor Michael Harte, ACE, about editing the Netflix docu-series, “Beckham.” He was also nominated for an ACE Eddie and a BAFTA for the series.
Harte won an Emmy, an ACE Eddie a BAFTA for his editing of the documentary “Still: A Michael J. Fox Movie.” He was also nominated for an Emmy and an ACE Eddie for his editing of the documentary “Three Identical Strangers.”
We’re going to be discussing the need to know where and how the documentary starts, the importance of archival that speaks in conversation with the interviews, and respecting the all-important power of the truth.
If you'd like to read along with the interview, check out the blog of the podcast, which includes trailers and exclusive images and more.
borisfx.com/blog/aotc
By Steve Hullfish, ACE4.9
3333 ratings
Today on Art of the cut, we speak with Emmy-nominated editor Michael Harte, ACE, about editing the Netflix docu-series, “Beckham.” He was also nominated for an ACE Eddie and a BAFTA for the series.
Harte won an Emmy, an ACE Eddie a BAFTA for his editing of the documentary “Still: A Michael J. Fox Movie.” He was also nominated for an Emmy and an ACE Eddie for his editing of the documentary “Three Identical Strangers.”
We’re going to be discussing the need to know where and how the documentary starts, the importance of archival that speaks in conversation with the interviews, and respecting the all-important power of the truth.
If you'd like to read along with the interview, check out the blog of the podcast, which includes trailers and exclusive images and more.
borisfx.com/blog/aotc

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