Ian Failes from befores & afters chats to Yeti creator Colin Doncaster about his career in VFX and software development via his company Peregrine Labs.

Ian Failes from befores & afters chats to Bruce Hunt, second unit director on 'The Matrix' about the helicopter rescue and crash, involving real stunt photography over Sydney, and the miniature greenscreen chopper explosion shoot as well.

Ian Failes from befores & afters chats to FMX project manager Mario Müller about this year's VFX and animation event happening in Stuttgart in April.

Ian Failes from befores & afters chats to Ryo Sakaguchi, the production visual effects supervisor for the Japanese Netflix series 'YuYu Hakusho', about new volumetric capture tech from Eyeline Studios used on the show.

Ian Failes chats to stunt coordinator and second unit director Wayne Dalglish, and to action designer and stunt previs artist Christopher Clements, both from Sandbox Action Design, about that spaceship hallway oner in 'Guardians of the Galaxy Vol. 3', which was the set to the tune of the Beastie Boys No Sleep til Brooklyn.

Ian Failes from befores & afters chats to REALTIME visual effects supervisor James Coore to discuss the 60th anniversary Doctor Who special 'Wild Blue Yonder'.

Ian Failes from befores & afters chats to Framestore visual effects supervisor Bob Winter about his studio's work for 'Rebel Moon — Part One: A Child of Fire'. This included the bird-like creature the Bennu, which is at one point ridden by the character Tarak. Plus we compare that with the creature Harmada.

Ian Failes from befores & afters chats to the managing partners of Dream Machine FX--Brendan Taylor from Mavericks, Brian Drewes from Zero and Chris Spry from Fin--about the way their collective works.

Ian Failes from befores & afters chats to 'Screecher's Reach' director Paul Young and art director Almu Redondo about the 'Star Wars Visions' animated short.

Ian Failes from befores & afters chats to the VFX Oscar nominated team behind the visual effects of Ridley Scott's 'Napoleon': production VFX supervisor Charley Henley, MPC VFX supe Luc-ewen Martin-fenouille, ILM VFX supe Simone Coco and special effects supervisor Neil Corbould.