Ian Failes from befores & afters chats to '3 Body Problem' visual effects supervisor Stefen Fangmeier about the Netflix series, including about ship slicing, the VR game, dehydration of bodies, and that chrome VR headset.

Ian Failes from befores & afters chats to Framestore visual effects supervisor Josh Simmonds about the Adam Driver film, '65'. We get into the ‘role’ of VFX in helping to craft a story.

Ian Failes chats to Chris Nichols, director of special projects at the Chaos Innovation Lab, about Chaos’ Project Arena. This is an upcoming toolset that lets artists move V-Ray assets and animations to LED walls.

Ian Failes from befores & afters chats to director and VFX artist Adrian Bobb about making his short film 'The Fore-Men'. 

Ian Failes from befores & afters chats to Imageworks visual effects supervisor Jason Greenblum about 'Ghostbusters: Frozen Empire'.

Ian Failes from befores & afters chats to visual effects supervisor and Disney Imagineer Tim Landry, looking back at this experience at Dream Quest Images, including on 'The Crow', and later at Walt Disney Imagineering. 

Ian Failes from befores & afters chats to Paul Katte from Make-up Effects Group about 'The Matrix' and his team's practical effects for the pod baby, the bug effects for Keanu's torso and an arm break effect.

Ian Failes from befores & afters chats to Alessandro Ongaro, the visual effects supervisor 'Godzilla x Kong: The New Empire', about prep'ing the huge film, the extensive previs, traveling to multiple locations for shoots and reference, and how specific scenes were crafted.

Ian Failes from befores & afters chats to Yeti creator Colin Doncaster about his career in VFX and software development via his company Peregrine Labs.

Ian Failes from befores & afters chats to Bruce Hunt, second unit director on 'The Matrix' about the helicopter rescue and crash, involving real stunt photography over Sydney, and the miniature greenscreen chopper explosion shoot as well.