Ian Failes from befores & afters chats to visual effects supervisor Paul Lambert about 'Dune: Part Two', including on the opening eclipse moments, the sandworm riding, the attack on the spice harvester, how Giedi Prime was made, the battle of Arrakis, and how the Fremen's blue eyes were achieved.

Ian Failes from befores & afters talks to 'Gladiator' visual effects supervisor John Nelson about the original film from 2000, including that very famous Steadicam shot of the Gladiators entering the Colosseum, the Rome builds, the amazing tiger fight, and the forest battle in Germania.

Ian Failes from befores & afters chats to 'Beetlejuice Beetlejuice' visual effects supervisor Angus Bickerton, and to Ian Mackinnon, stop motion supervising producer, and Chris Tichborne, animation supervisor -- covering sandworms, the plane crash and more!

Ian Failes from befores & afters chats to visual effects supervisor Erik Henry about the Disney+ series Percy Jackson and the Olympians, including the use of ILM StageCraft, and the creation of many CG creatures.

Ian Failes from befores & afters chats to Urban Bradeško, founder of DoubleJump Academy, about launching a VFX training company and what it took to get there.

Ian Failes from befores & afters chats to Matt Estela about Houdini, CG Wiki and his path from VFX into...a different world.

Ian Failes from befores & afters chats to 'Longlegs' visual effects supervisor Edward Douglas about the horror film and some VFX you might not have noticed.

Ian Failes from befores & afters chats to Joseph Bell, who has collated data on the world's largest VFX hubs and VFX studios, the global distribution of VFX skill sets and more in his Visual Effects World Atlas.

Ian Failes from befores & afters chats to 'Dark Matter' visual effects supervisor John Heller about crafting the different versions of Chicago in the show.

Ian Failes from befores & afters talks to DOP Eric Adkins on the 20th anniversary of 'Sky Captain and the World of Tomorrow', a film that was almost entirely shot on bluescreen.