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Ian Failes from befores & afters chats to 'Murderbot' production visual effects supervisor Sean Faden.
Ian Failes from befores & afters chats to production visual effects supervisor John Haley about 'Wonder Man', including on the use of forced perspective miniatures.
Ian Failes from befores & afters chats to 'Marty Supreme' visual effects supervisor Eran Dinur about crafting the ping pong match VFX in the film.
Ian Failes from befores & afters chats to 'Remarkably Bright Creatures' visual effects supervisor Chris Ritvo about Untold Studios' delightful octopus in the film and how it was made.
Ian Failes from befores & afters talks to 'Man on Fire' visual effects supervisor Kevin Lingenfelser about the residential tower destruction, the lear jet sequence and that signature 'man on fire' moment with the main character, John Creasy.
Ian Failes from befores & afters talks to the Sony Pictures Imageworks recipients about their Scientific and Technical Award stemming from stylized and artistic innovations on the 'Spider-Verse' films.
Ian Failes from befores & afters chats to Ben Morris, creative director at ILM London. Here we jump into two of the large projects he helped oversee at ILM, which were Star Wars: The Last Jedi, and ABBA Voyage. We go into the innovations required on those projects, and we explore ILM's move into things like immersive concert and other experiences.
Ian Failes from befores & afters chats to Rachel Rose, Director of R&D at ILM, about the development of virtual production and real-time tools, like StageCraft, and her work on the tools Block Party for rigging and Fez for facial animation.
Ian Failes from befores & afters chats to visual effects supervisor Jeff White, now creative director at ILM Vancouver, on his roles on the Transformers films, the development of BlockParty, that New York oner in The Avengers and the creature work in Kong: Skull Island.
Ian Failes from befores & afters chats to Rob Bredow, Senior Vice President, Creative Innovation at Lucasfilm, about his time at ILM.
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