Ian Failes from befores & afters chats to production visual effects supervisor Brian Drewes about the visual effects in 'Widow's Bay'.

Ian Failes from befores and afters chats to ILM compositing supervisor Todd Vaziri, who via his VFXHQ.com website in the late 90s kickstarted Ian's career in VFX journalism.

Ian Failes from befores & afters chats to members of Wētā FX's animation team: Dan Barrett, senior animation supervisor, Stuart Adcock, head of facial motion, and Dave Clayton, animation supervisor. It's a hilarious discussion about previs, mocap and where you can even see these crew members as performers in films they've worked on.

Ian Failes from befores & afters chats to ILM Executive Creative Director John Knoll about the advent of digital VFX tech at ILM, and then goes in-depth on the maelstrom in the third Pirates of the Caribbean film.

Ian Failes from befores & afters chats to ILM creative director David Vickery about his experience combining practical and digital dinos on recent Jurassic World films.

Ian Failes from befores & afters chats to Cary Phillips, who is Director, R&D Engineering Architect at ILM, about the development of Cari for 'Dragonheart.'

Ian Failes from befores & afters chats to 'Daredevil: Born Again' visual effects supervisor Gong Myung Lee and visual effects producer Fahed "Freddy" Alhabib, to break down the oner, the ship VFX, and the other invisible effects this season.

Ian Failes from befores & afters chats to visual effects supervisor Chad Wanstreet about the visual effects of season 3 of 'The Night Agent'.

Ian Failes from befores & afters chats to 'Star Trek: Starfleet Academy' visual effects supervisor Jason Zimmerman about virtual production, digital characters, space scenes and motion graphics.

Ian Failes from befores & afters chats to visual effects supervisor Sheena Duggal, and VFX supervisor and virtual production supervisor Jim Geduldick, about the newly released VES On-Set VFX Data Collection and Usage Guide.