Ian Failes from befores & afters chats to 'Alien: Romulus' visual effects supervisor Eric Barba about the VFX Oscar nominated film.

Ian Failes from befores & afters chats to Will Becher, supervising animator and stop motion lead at Aardman, about 'Wallace & Gromit: Vengeance Most Fowl' and the tech used in the film.

Ian Failes from befores & afters chats to VFX supervisor Kevin Baillie about the Robert Zemeckis film, 'Here', and its use of machine learning de-ageing techniques, virtual production and other ML approaches.

Ian Failes from befores & afters chats to David Morin, who is the Executive Director at the Academy Software Foundation about the VFX software packages the ASWF encompasses.

Ian Failes chats to VFX supervisor Alex Noble, who is the founder of Wild Union Post, about visual effects for independent films, including those submitted for the Sundance Film Festival.

Ian Failes from befores & afters chats to Industrial Light & Magic visual effects supervisor Richard Bluff about 'Ahsoka.'

Ian Failes from befores & afters chats to director, cinematographer and VFX artist Christopher Webb from FX WRX about practical effects in two recent projects, including one involving water and bubbles.

Ian Failes from befores & afters chats to DNEG visual effects supervisor Greg Butler about his studio's work on season 2 of 'The Rings of Power'.

Ian Failes from befores & afters chats to Disguise VP of Virtual Production, Addy Ghani about the film 'Daddio'. The Dakota Johnson and Sean Penn film is unique because it is essentially one long taxi ride that was effectively fully shot on an LED stage.

Ian Failes from befores & afters chats to visual effects supervisor Thomas Tannenberger from Crafty Apes, and Landon Bootsma from Gneiss Stuff, about 'Unstoppable' and the incredible face replacement and other invisible effects work in the film.