befores & afters

Ian Failes from befores & afters chats to ILM Executive Creative Director John Knoll about the advent of digital VFX tech at ILM, and then goes in-depth on the maelstrom in the third Pirates of the Caribbean film.

Ian Failes from befores & afters chats to ILM creative director David Vickery about his experience combining practical and digital dinos on recent Jurassic World films.

Ian Failes from befores & afters chats to Cary Phillips, who is Director, R&D Engineering Architect at ILM, about the development of Cari for 'Dragonheart.'

Ian Failes from befores & afters chats to 'Daredevil: Born Again' visual effects supervisor Gong Myung Lee and visual effects producer Fahed "Freddy" Alhabib, to break down the oner, the ship VFX, and the other invisible effects this season.

Ian Failes from befores & afters chats to visual effects supervisor Chad Wanstreet about the visual effects of season 3 of 'The Night Agent'.

Ian Failes from befores & afters chats to 'Star Trek: Starfleet Academy' visual effects supervisor Jason Zimmerman about virtual production, digital characters, space scenes and motion graphics.

Ian Failes from befores & afters chats to visual effects supervisor Sheena Duggal, and VFX supervisor and virtual production supervisor Jim Geduldick, about the newly released VES On-Set VFX Data Collection and Usage Guide.

Ian Failes from befores & afters chats to 'Ted' s2 visual effects supervisors Hoyt Yeatman and Blair Clark about the creation of the main character, and the deepfake work that went into the appearance of Bill Clinton.

Ian Failes from befores & afters chats to ILM's Ben Snow and Hayden Landis on the 25th anniversary of 'Pearl Harbor', looking back at key ILM innovations, including ambient occlusion, from the film.

Ian Failes from befores & afters chats to visual effects supervisor Tara DeMarco about 'The Boroughs', and the creature, environment, TV distortion effects and other VFX in the Netflix show.