Ayo! This week we’re diving into the world of Supermassive Games and their unique brand of “interactive drama horror” video games! More specifically, we’re talking about the critically acclaimed “Until Dawn” for PS4 and, to a lesser extent, the recently released spiritual sequel “The Quarry” for the PS5 along with “The Dark Pictures Anthology” games. These games blend mystery, horror, and the supernatural with a reverence for horror cinema and lore. They all feature fantastic performances, a spooky atmosphere, real scares, deep lore, and an immersive gaming experience. They rule.

“Until Dawn” was released in 2015 and features a slew of famous faces that populate the motion capture cast including Oscar-winning actor Rami Malek, Hayden Panettiere, and Peter Stormare. It focuses on a group of playable characters who are all returning to a mountain lodge one year after a terrible accident. Of course, things aren’t what they seem and the group is thrust into a story of horror, betrayal, and survival. Your choices will decide who lives, who dies, and what secrets are revealed over one frightful night. There’s a freaky guy with a flamethrower, a serial killer, and some cannibalistic forest monsters… along with interpersonal drama, a nighttime snowstorm, some abandoned mines, a labyrinthine basement, an old sanatorium, and more. It’s a must-play for horror lovers. 

In this episode, we discuss the game, our experience playing it, the lore, the world-building, the main storyline and performances, and a bunch more good stuff. Spoilers ahead. We also highlight a bunch of awesome features in “Until Dawn” including the lack of manual saving, immersive quick-time events, eerie atmosphere, and a system they call the “Butterfly Effect” that uses the Decimal system’s A.I. and your choices to change the plot of the game as you play. Each play-through, though linear, can and will be different depending on the choices you make. There are MANY different endings and certain sequences that are only available in certain circumstances. Even the music is based on your story and is changed to meet your situation depending on previous events, your relationships, and what you know. “Until Dawn” spawned a number of games by Supermassive Games including the "Dark Pictures Anthology" that follow in the same vein and play style but feature other ghoulish delights including witches (yes, they are in the witch zone), ghosts, devilish abominations, cults, and more. 

This game really makes you feel like you are in a movie… so much so that Otis and PALMREADER accidentally keep calling this game a movie. This leads to a conversation about the future of movies, gaming, and where they intersect. In the end, we have no idea what is coming but we do know that “Until Dawn” is really dope and fun to play. We hope this genre is developed even more in the future and can't wait to see where they take it.

CHECK OUT THE NEW ANXIETY WEEKEND ALBUM “ON INFINITE REPEAT”:

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We’re back with round two of our SPOOKY SZN selections and this week we’re talking about a bonafide freak of a film, 1999’s “The Blair Witch Project”. This one is an all-timer that has become a major part of horror culture. For good reason, too. It is the movie that reinvigorated the “found footage” craze in American horror and is quite possibly the best example of that genre of film. It is also one of the highest-grossing independent films of all time and is superbly made. It’s all desperation, high tension, and atmosphere... but it just freaking works. Join us this week as we unpack all things Blair Witch.

What can we say about this awesome flick? Well, it’s dope… but it has also aged really well and become a cult classic horror film. This movie leans so heavily on atmosphere, lore, and human-driven realism that it leaves the audience feeling uneasy and tense throughout. "The Blair Witch Project" purposely approaches horror with a documentary eye that unravels as the film progresses. Eventually, what you don’t see on screen is swimming in the back of your head. The witch is an ever-present fear made even more mystifying by the fact that we never actually see it on screen.

On top of that, this movie was mostly improvised by the cast and the production was very compartmentalized. The fear, frustration, and tension the characters feel are real and that translates superbly on screen. Plus, the mystery surrounding the marketing and release of this movie is one of the biggest hoodwinks ever pulled on an audience and it had people believing the story was actually real. The actors pretended to be dead for a year after the film's release. Yeah.

In this episode, we break down the plot of the movie, share our thoughts on its legacy, discuss the film’s production and amazing marketing, muse on what “The Blair Witch” was doing that was ahead of its time, map out the classic witch zones, share our lasting fear of stick figure effigies, try to figure out what was in the bloody shirt bag, and ruminate on the found footage genre over the past twenty plus years. We also talk briefly about the sequels and franchise-related media but most of it is pretty “meh”. With that being said, this is a modern classic and you SHOULD watch it. Otis then shares his experiences at an AEW wrestling event this past weekend and PALMREADER shares some not-so-exciting logistical news about the pod.

We’re changing our release date to better fit our growing schedules. You can expect BIRD PROTOCOL on Sunday instead of Friday going forward. This allows us more time to research and dive deep into each episode’s topic and gives us the flexibility we need to put out best foot forward. We’ll see you next week for a chat about “Until Dawn”, Supermassive Games, and “playable horror movies”.

CHECK OUT THE NEW ANXIETY WEEKEND ALBUM “ON INFINITE REPEAT”:

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We’re back with the first offering of this year’s SPOOKY SZN series! This week, we’re talking about Edgar Wright and Simon Pegg’s 2004 horror comedy “Shaun Of The Dead”! The first film of the “Three Flavours Cornetto” trilogy, “Shaun Of The Dead” is a prime example of transnational comedy, great satire, incredible writing and direction, outstanding visual comedy and editing, and was not only critically and commercially successful but is considered a cult classic and one of the best zombie films ever. With a perfect runtime, great pacing, surprisingly touching moments, and some big laughs… this one is very rewatchable, has aged (relatively well), and is so much fun.

We break down the plot of the film, Edgar Wright and Simon Pegg’s careers, what we love about “Shaun Of The Dead” and the following “Cornetto” films, unpack some of the amazing visual comedy and editing, and talk about the rise and fall of zombie movies in general. We also share some of our favourite zombie films including “28 Days Later”, “Train To Busan”, and Zack Snyder’s “Dawn Of The Dead”, gush about the wave of zombie films in the early aughts before the genre ran itself kind of dry, lament the Hollywood remake of foreign films in the era of subtitles, and discuss how “Shaun Of The Dead” bridged British and American comedy in the perfect way.

Following our discussion about “Shaun Of The Dead”, we get into a long conversation about Andrew Dominik’s new film “Blonde” and the film’s response, entitlement in consumer culture, and the recent rise of an unwillingness to have respectful discourse in society. We question why anyone would spend so much time crusading online against something that they dislike, what happened to respectfully agreeing to disagree, and why someone would “review bomb” a film. This leads to a conversation about the dangers of giving the consumer too much power, how this attitude hurts independent non-franchise and experimental filmmaking, the pratfalls of ignoring the hard topics in art and culture, historical erasure, and where this road ultimately leads.

And finally, we chat about the new monstrous addition to the MCU in Michael Giacchino’s “Werewolf By Night”, the Marvel Monsters, and PALMREADER smacks his knee and bleeds all over himself. Wouldn’t be a horror pod without some gore.

Next week? We’re heading into the woods with a camcorder to record a documentary about a witch that probably doesn’t exist… sounds easy, right? We're revisiting what many consider to be the original found footage nightmare fuel, “The Blair Witch Project”.

CHECK OUT THE NEW ANXIETY WEEKEND ALBUM “ON INFINITE REPEAT”:

https://soundcloud.com/cemetery_sound/sets/anxiety-weekend-on-infinite-repeat?si=0f36c3cd5ebb4603b86fcd4cc91a8d2e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

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Welcome to another episode of BIRD PROTOCOL! Today is the release of the long-awaited album “$oul $old $eparately” from Gary, Indiana rapper Freddie Gibbs. So, naturally, we felt that today is the perfect time to sit down and talk about one of our favourite artists and one of the most talented and consistent rappers working today. With an incredible career that spans from 2006 to his breathtaking run of albums starting in 2014 and leading up to today’s release, Gangsta Gibbs has been steadily rising and constantly praised for his flow, lyricism, and ability to collaborate and innovate. He’s a perfect bridge between the old school and new, working with legendary producers like Madlib and The Alchemist while also connecting with modern stars like Kenny Beats. Gibbs has never been afraid to explore and experiment with various sounds, work with talented and unexpected artists, and each album is crafted around a purposeful vision. It’s some seriously good stuff.

We start off this week talking about “$$$” and giving our first impressions of the album. To nobody’s surprise, it’s really good. We share some of our favourite tracks, a few places where we feel that there were some missteps, and chat about what makes this album a unique summation of all that came before it. Then we get into his career and his many incredible albums including Grammy-nominated “Alfredo”, “Bandana”, “Piñata”, “Freddie”, “Fetti”, “Baby Face Killa”, “Shadow Of A Doubt”, “You Only Live 2wice”, and more. We talk further about what makes Gibbs an elite collaborator, his constant elevation and respect for the art of rap, his crazy features, catching lighting in a bottle twice, his ability to find new pockets and flows, and his deliberate creative direction and album construction. We also explore his other talents including comedy, acting, tweeting, and posting the craziest stuff you’ve ever seen to Instagram. This leads to a discussion on some of the amazing producers he’s worked with, our par asocial relationship to The Alchemist, some of the beefs he’s had over the years, “CTE World” being the craziest name for a label, and more. Freddie is another example of a bonafide rapper’s rapper and we’re so stoked that he’s finally getting his flowers and the shine he deserves.

We close out the episode by talking about some of the things we’ve been listening to, watching, and playing. PALMREADER praises the new episode of “The Rings Of Power”, Mura Masa’s new album “demon time”, Australian metalcore outfit Alpha Wolf’s album “A Quiet Place To Die”, and more. Otis chats about Andrew Dominik’s “Killing Them Softly” and the game “Metal: Hellsinger” that he’s been playing. Then we chat about the recent indie Western “Old Henry”, the “Assassin’s Creed” video game series, Netflix’s “The Sandman” TV show, the recently announced “Constantine” sequel, and some more ramblings.

We’ll be back to kick off another SPOOKY SZN next week. Muahahaha.

CHECK OUT THE NEW ANXIETY WEEKEND ALBUM “ON INFINITE REPEAT”:

https://soundcloud.com/cemetery_sound/sets/anxiety-weekend-on-infinite-repeat?si=0f36c3cd5ebb4603b86fcd4cc91a8d2e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

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As promised, we’re back with a Lazy Bird episode to catch you up on everything that’s been going on with us and why we’ve been so MIA for the last month or so. Join us as we share some positive energy, some gripes, and some of the stuff that we’ve been enjoying lately.

This week, we’ve got all sorts of stories from all across the globe! PALMREADER talks about his adventures in Portugal and his experience with COVID, complains about airlines, shares a story about using the washroom on a plane and getting bounced around like a kid in a mosh pit while trying to clean himself up, praises his AirBnB hosts Charles and Alexandra, and more stories from across the pond. Otis shares tales from working at Ottawa Comic-Con, his love for free gravy, wanting to own a sword, meeting a stereotypical mouth-breather, vendors being analogous to carnival workers and wanting someone at TLC (or himself) to make a TV show about them, and more.

PALMREADER also takes some time to talk about the new Anxiety Weekend album “On Infinite Repeat”, the process of creating it and his songwriting, the challenge of promoting something online, how awkward it is to speak about his own art, the semi-botched album release (thanks COVID), and thanks everyone who has purchased or streamed the album and shared kind words. PALMREADER also thanks Otis for his kind review of his new album and Otis shares how cool it is to know exactly what some of the songs are about because he was actually part of the events that inspired them. Otis also finally shares some details about his upcoming multimedia project and PALMREADER talks about the process of working on it with him.

We also shout out some new and old releases that we love… “Celebrity Therapist” from The Callous Doaboys, “Road To Perdition” and Sam Mendes, “The Bear” on FX, “The Rings Of Power” and “House Of The Dragon”, Netflix’s “Untold” series of documentaries, “Results Take Time” from rapper Samba and DJ Drama, Roc Marciano and The Alchemist’s “The Elephant Man’s Bones”, ”Louie” from Kenny Beats, the new Pianos Become The Teeth album “Drift”, and local rising star Dom Vallie’s new mixtape “Are We There Yet?”.

See you next week, homies!

CHECK OUT THE NEW ANXIETY WEEKEND ALBUM “ON INFINITE REPEAT”:

https://soundcloud.com/cemetery_sound/sets/anxiety-weekend-on-infinite-repeat?si=0f36c3cd5ebb4603b86fcd4cc91a8d2e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

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All right, sweethearts, what are you waiting for? Breakfast in bed? Another glorious day in podcasting! A day in podcasting is like a day on the farm. Every meal's a banquet! Every paycheck is a fortune! Every formation is a parade! I love to pod! Especially about movies like this one! That’s right, we’re back with a brand new episode of BIRD PROTOCOL and much like all of our other “returning-after-a-break” episodes, this pod is a bit messy. We faced some alien threats of our own - Otis’ had some microphone trouble, our recording program kept giving us grief, and we were dealing with some general exhaustion - but we pressed on! It was one of "those weeks" but we really tried to keep it light and have some fun. As Hicks says, “I like to keep this handy... for close encounters.” and I like to think he was talking about positivity.

This week, we’re talking about the cinematic touchstone and PALMREADER’s (belated) birthday pick - James Cameron’s 1986 classic action sci-fi flick “Aliens”. We cannot stress just how freaking awesome and influential this movie is. Decades later and it still rips. With an awesome storyline that expands upon the ideas presented in the original film, a great cast, smart writing, amazing set pieces, thrilling action sequences, lasting cultural iconography and influence, Sigourney Weaver being an absolute boss, aliens getting blasted to bits, a morally ambiguous android, Bill Paxton (the only guy to be murdered by a Predator, a Xenomorph, and the Terminator) screaming “Game over, man! Game over!”, and two queen mothers throwing space hands over their babies… this might be one of the best sequels ever. Plus, it’s got quite the history! With its troubled production, inexperienced (at the time) director, and ambitions that were greater than its budget, “Aliens” could have easily been a catastrophe. It wasn’t, though. In fact, it was pretty much the complete opposite. Everything about it is great. Critically acclaimed, culturally loved, and so much fun… “Aliens” set the bar for space action and influenced a whole generation of movies, video games, comics, and TV shows. Hell... Sigourney Weaver even got a best actress nomination at the Academy Awards that year.

So, join us as we explore what makes this film great… not only as an amazing sequel but also as an individual film. We share what we love about it, some small gripes we have, and talk about the legacy and impact of the film. We chat about the cast, unpack some of the critical responses, and do our usual thing. Plus, some truly awful takes from Siskel and Ebert, Otis mixes up Bill Paxton and Gary Sinise, questions on “alien littering”, and the longest and most brain-fogged wholesome goodbye ever. So, stop your grinin’ and drop your linens. We’re about to take off and nuke the whole site from orbit. It’s the only way to be sure.

We’ll be back we a Lazy Bird episode to explain all the crazy stuff we’ve been going through next week.

CHECK OUT THE NEW ANXIETY WEEKEND ALBUM “ON INFINITE REPEAT”:

https://soundcloud.com/cemetery_sound/sets/anxiety-weekend-on-infinite-repeat?si=0f36c3cd5ebb4603b86fcd4cc91a8d2e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

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Hey friends, it's Otis Morris here. This week is a little different. Instead of the typical movie, musician, television show, or video game I'm bringing you my two-part series on Lou Pearlman that I previously released as part of my podcast Otis Morris Hates Himself. That podcast doesn't exist anymore, but it got 1000 plays and that's the most amount of people that ever listened to anything I've done so I figured I'd share it with you.

Lou Pearlman sucks. He's fat, gross, and a pedophile. He also discovered and managed the “Backstreet Boys” and “NSYNC” and is pretty much the dude you can thank for the mid to late-90s boy band craze. He made millions of dollars off of bad pop music - but before that, he made his money from airplanes, blimps, and selling fake insurance to unsuspecting elderly people.

I'm not good at writing these descriptions. PALMREADER usually does this. I recorded a preamble for the episode and forgot to mention that there's a lot of cursing, inappropriate content, and incredibly bad accents. You might be offended. Or you might think it's ridiculous because that's the point. Either way, enjoy it.

See ya next week when we get slimy and spooky with “Aliens”!

CHECK OUT THE NEW ANXIETY WEEKEND ALBUM “ON INFINITE REPEAT”:

https://soundcloud.com/cemetery_sound/sets/anxiety-weekend-on-infinite-repeat?si=2d49c3ee1b1848628ea513ba9d7f7e81&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

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We’re heading to the plains to do battle with an intergalactic hunter in BIRD PROTOCOL’s first official sequel episode on Dan Trachtenberg’s new sci-fi action movie “Prey”! This movie is, as one critic put it, “simple but not simplistic” and we couldn’t agree more. It friggin’ rules. Trachtenberg breathes new life into what was becoming a stale franchise by taking the Predator story back to its roots and delivering a fun, well-made, and brutal story about hunters of all types. Plus, the practical effects are incredible, the Predator is frightening, and the battle isn’t as one-sided as you think (which smartly adds to the tension). This movie is historically accurate, filled with smart writing and character development, and might be as good as the original. Actually.

Starring Amber Midthunder, Dakota Beavers, Dane DiLiegro, Michelle Thrush, Stormee Kipp, and a selection of other (mostly) Indigenous and First Nation actors and available in full Comanche language as well as English… this one has it all. Action, tension, great visuals, a taut story, and an alien kicking ass (and also having his ass kicked). There’s a lot to love with this prequel and we break it all down. We share our thoughts about the film, unpack some of the problems of the Predator franchise of late, discuss people hating on stuff online for dumb reasons, share some of our favourite moments from “Prey”, applaud the writing and overall smartness of the film, and generally gush about how much this movie rules.

We’re so stoked that this movie is as good as it is and are happy that other people (critics and moviegoers alike) seem to share our sentiment. If you haven’t seen this movie, go see it. And don’t listen to the people online complaining about it because everything in this movie works so, so well and just makes sense. It’s truly what this franchise needed and other franchises/studios should take notes. Enough with the Predators who want to steal and weaponize autism stuff. Seriously. What we’re ya’ll thinking? We also discuss what other historic periods we’d like to see the Predator show up in and pitch some ideas for other Predator movies, discuss how this film deals with gender roles really well, and more Predator-related ramblings.

Otis has a surprise for y’all next week while PALMREADER is away… then we’re hitting one of his all-time favourites for his birthday and staying in the realm of extraterrestrial freaks. Get ready for James Cameron’s “Aliens”.

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This week, we’re joined by returning guest Emerson Corleone to talk about a cult classic from Tony Scott (RIP) and Quentin Tarantino, 1993’s “True Romance”. This tone-bending and quick-witted film is soaked in that early 90’s vibe and attitude and boasts a stacked cast and some of the best writing ever. The characters are wild, the action is brutal, and one critic described it as “the cinematic equivalent of cocaine-flavored bubble-gum: a bright, flavoursome confection that had an intoxicatingly violent kick.” It’s stylish, out there, and extremely well done.

Believe us when we say that this movie is lightning in a bottle. “True Romance” definitely isn’t PC and is very much a product of it’s time, but you cannot deny that it’s filled to the brim with a wild energy that only Scott and Tarantino could put together. The incredible writing of Tarantino meeting early Tony Scott filmmaking just works. It’s like magic. We all love this movie and hadn’t seen it in years, so this one was really fun.

Led by Christian Slater (and his wild hair) as Clarance and Patricia Arquette as Alabama reenacting Beyonce’s “Crazy In Love” with a briefcase of mobster cocaine, the film is made better by the insane supporting cast (who are firing on all cylinders) that includes heavy-hitters like Gary Oldman, Brad Pitt, Christopher Walken, Dennis Hopper, Val Kilmer, Samuel L. Jackson, Michael Rapaport, Chris Penn, Tome Sizemore, and James Gandolfini as a proto-Tony Soprano. All of the characters are bonkers. The action is crazy. The humour is sublime.

We spend most of this episode gushing about the movie, talking about our favourite scenes, exploring early Tarantino and Tony Scott’s career, talking about Tarantino’s role as “the movie guy”, sharing our experience rewatching the movie again after a long time, and musing on the film’s crazy score. We also give Emerson and his cohorts their flowers and chat about his excellent new collaborative EP “Violets N’ Furs” with Majickbeats. If you have a chance, check it out. It rules. Huge thanks to Emerson for joining us again and for suggesting such a rad film.

Catch you next week, homies!

CHECK OUT “VIOLETS N’ FURS”:

soundcloud.com/user-882758666/sets/violets-n-furs?si=01eb0afbf6af4db1ac964cbdc7002973&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

CHECK OUT THE SINGLES FROM “ON INFINITE REPEAT”:

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This week we’re talking about the biggest Canadian rap and pop artists of all time! He’s a man who broke through the ceiling of Canadian hip-hop and made it to mainstream success across the globe. For many outside of our country, he put the 6 on the map. This week is all about Drake.

Yeah, I know. I never thought we’d talk about him either… but here we are! And for good reason, too. Drake has been named the artist of the 2010s by publications like The Insider and ruled the charts (as well as hearts and minds) since his come up in the late aughts. We chat about his beginnings on the Canadian TV screen with Degrassi: The Next Generation to his signing with Young Money to his reign as one of the biggest artists in the world (and all that entails including his beefs with Pusha T, Kanye West, and Meek Mill).

Where to start with the 6 God? Well, he’s a worldwide powerhouse and musical icon from Toronto, Ontario (known by many as the 6) who is ranked as the highest-certified digital singles artist in the United States by the RIAA. He has won has won four Grammy Awards, six American Music Awards, a record 34 Billboard Music Awards, two Brit Awards, and three Juno Awards. Oh, yeah, and he has 10 number one hits on the Billboard Hot 100 and holds countless other Hot 100 records. He’s had number one records in Canada, Brazil, Australia, Sweden, Denmark, America, Belgium, The Netherlands, Germany, France, The UK, etc. He’s smashed records on Spotify and Apple Music with over a 100 million plays in a single day. You can go pretty much anywhere in the world and find someone who knows and likes Drake. Not to mention his various business endeavours and branding, including OVO Sound, OVO Clothing, OVO Fest, Stake, Virginia Black bourbon, working with the Toronto Raptors as a brand ambassador and sitting on the team’s board, entertainment production on things like “Top Boy” and “Euphoria”, and owning a fragrance house. The man is a cultural icon and his impact cannot be denied. We’re sticking to the stats.

So, in this episode we basically try to recap as much as we can about his career, talk about some of his beefs and controversies, discuss what we feel are his best and worst albums, share some deep cuts that we really love, and marvel at all this dude has done in his career and for Toronto and all of Canada. We also talk about his waning quality over the course of his career, his ear for up-and-coming trends and artists, (most of) his albums aging well, his latest release “Honestly, Nevermind” being actually pretty dang good, and how he fumbled the ball with 2021’s “Certified Lover Boy”.

We’ll be back next week!

CHECK OUT THE SINGLES FROM “ON INFINITE REPEAT”:

https://soundcloud.com/cemetery_sound/sets/anxiety-weekend-on-infinite?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

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