Alex Robert Ross is a writer and editor based in Toronto. He wrote the Pitchfork review for SABLE, fABLE and for many years served as Editorial Director of The FADER. 

We talk about how most Bon Iver articles start in the cabin, reviewing the new record, Pitchfork and Bon Iver over the years, “the best album Genesis never made,” releasing the Sable EP last fall, S P E Y S I D E, playing with expectations, “January ain’t the whole world,” pressing the bruise, climbing up a tree, Danielle Haim, a Bright Eyes and Bon Iver comparison, authenticity, pedal steel, funk, is this record an end point?, “There’s a Rhythm,” I’ll go put the Paaaaathfinder on waltz, memorable moments on Bon Iver songs, Mk.gee/Dijon, screen time, soccer, baseball, and Sorry—his new magazine about Toronto. 

INTERVIEW WITH JIM-E STACK: patreon.com/afterthedeluge

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Alex: @alexrobertross

⁠https://www.alexrobertross.com/⁠

⁠https://nocommentary.substack.com/⁠

⁠https://pitchfork.com/reviews/albums/bon-iver-sable-fable/

Justin: @routinelayup 

delugepodcast.com 

[email protected]