We're joined by Tod Goldberg, author of more than a dozen books, including Gangsterland and The Low Desert, to talk about what he learned about crime writing from Elmore Leonard. Plus, why are MFA programs still so often biased against writers of genre fiction? And what are the challenges of writing a series of novels with the same lead character?

You can learn more about Tod, and his books, here: https://todgoldberg.com/

If you like the podcast, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

We're joined by V.V. Ganeshananthan, author of two critically acclaimed novels, most recently Brotherless Night, which takes place during the Sri Lankan Civil War. Sugi is also a former grad school classmate of ours, and she began Brotherless Night back when all three of us were at Iowa together. So one thing we talk about is that process, and what it's like to write and rewrite a novel over more than fifteen years.

For our reading, Sugi chose Horacio Castellanos Moya's Senselessness, the first of his novels to be translated into English, and which a friend of hers recommended, several years ago, when she was deep in the throes of her own book. Both her own novel novel and Moya's deal with atrocities, and both in some darkly humorous ways. So we talk to her about what she learned from Moya, and how reading this book helped her get her own novel over the finish line.

You can learn more about Sugi, and her new book, here: https://vvganeshananthan.com/.

If you like the podcast, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

We're joined by writer and editor Aaron Burch, whose novel Year of the Buffalo came out in November. Aaron is also a long-time literary editor, having founded Hobart in the early 2000s and, more recently, HAD, which has made "skull collecting" the newest badge of literary coolness. For our reading, Aaron chose Chris Bachelder's debut novel from 2001, Bear v. Shark, which he remembered loving and wanted to revisit. We talk about what makes a work of fiction feel dated--which may go against conventional wisdom--as well as risk-taking and having fun as a writer. Plus: humor writing of the early internet; what it means to be a literary-world outsider; and why the revision process can often feel neverending.

You can buy Aaron's new novel here: https://americanbuffalobooks.org/. Or visit his website here: https://www.aaronburch.net/

If you like the podcast, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

We're joined by several of the Barrelhouse editors for our annual holiday episode. This year we're reading the David Baldacci novel The Christmas Train, which follows a salty, Mark Twain-loving writer on a cross-country train trip filled with heartwarming hijinks. There's a boa constrictor. There's an Aretha Franklin stand-in. There's an old guy who loves to lecture people about the magic of train travel. And maybe ... love?

You can learn more about Barrelhouse here: https://www.barrelhousemag.com/

If you like the podcast, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

We're joined by Siân Griffiths (author of Scrapple, and The Heart Keeps Faulty Time) to discuss a short story she regularly teaches and that her students often dislike, in large part because it involves killing cats. And it turns out Mike might be on Team Siân's Students, though for somewhat different reasons (not that he cares for cats being killed, either!). We talk about the pedagogical benefits of having your students read something they may not like, and debate where the line is between a good description and an overwrought, show-offy one. Plus: horse stuff!

You can read the story, "Breatharians," here, via The New Yorker: https://www.newyorker.com/magazine/2012/10/22/breatharians

And learn more about our guest, and her work, here: http://www.sbgriffiths.com/

If you like the podcast, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

We're joined by Shannon Wolf, a British writer and poet currently making her home in the U.S., who picked this episode's book after hearing us on a previous episode ask, hypothetically, whether there might be a novelization of the movie Legally Blonde. Shannon, a superfan of the film, knew it was actually based on a novel, though the story of that novel's publication is a bit of a twisty one. And while Amanda Brown's book lays out the basic plot and character arcs that we all know and love from the film, the tone of the novel is a lot less cheerful and winning.

You can learn more about this episode's guest, and her work, at her website: https://helloshanwolf.com/

If you like the podcast, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

We're joined by Amy Butcher—author, most recently, of Mothertrucker—who tells us about the outsized influence Jo Ann Beard's work has had on her own writing, including her decision to write creative nonfiction in the first place. We also dig into some of the difficult genre questions posed by Beard's work. Is it fair to call a piece nonfiction when so much of it involves the invention of another person's interior life? What does the term "essay" really encompass? And do these genre distinctions really matter?

You can learn more about this episode's guest, and about her books, at her website: https://www.amyebutcher.com/

If you like the podcast, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

We're joined by Jen A. Miller--freelance writer and reporter, and author of Running: A Love Story--to talk about why she loves regency romance novels, and in particular those that explore queer relationships. Jen's book pick for us was The Queer Principles of Kit Webb, the first book in a new series from Cat Sebastian. We talk about the "rules" of romance novels, why they often don't get the respect of other kinds of books, and how contemporary romance authors are challenging the heteronormative traditions of the genre in interesting ways. Plus: the return of Jen's book-a-week blog, and why she loves celebrity memoirs in audiobook form.

You can keep up with Jen's weekly reading here, at Book a Week With Jen: https://www.bookaweekwithjen.com/.

You can also learn more about her work, and subscribe to her free newsletter on freelancing, at her website: https://jenamiller.com/

If you like the podcast, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

We're joined by Stephanie Feldman--author, most recently, of the novel Saturnalia (The Unnammed Press, 2022)--who introduces us to a funny, and surprisingly moving short story about a fictional New Jersey cryptid, Walkdog. The story, by Sofia Samatar, takes the form of a student research paper, but as it progresses we realize it's less about the cryptid in question than about the paper writer's secret relationship with a boy everyone in school makes fun of for being a nerd.

You can learn more about Stephanie's novel here: https://www.stephaniefeldman.com/books/saturnalia/

And you can find more about Sofia Samatar, with links to her various books, here: https://www.sofiasamatar.com/

If you like the show, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

We're joined by Elizabeth McCracken (author, most recently, of the novel The Hero of This Book, out Oct. 4 from Harper Collins) to discuss Mary Gaitskill's 2005 novel Veronica, a book that until recently Elizabeth was scared to re-read. We talk carnality in fiction, and the sweatiness of early 80s New York City. Plus: we compare notes on our time at the Iowa Writers Workshop, discuss trigger warnings for undergrad classes, and Elizabeth explains why for years she quietly pretended to have read Dostoevsky.

You can order Elizabeth's newest book here: https://bookshop.org/books/the-hero-of-this-book/9780062971272

If you like the show, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight