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This week, Russ and Rebecca talk with two executives from Charlotte Film Society, a non-profit organization dedicated to bringing a dedicated art house space to the Charlotte, North Carolina, left without one after the closure of the decades-old Manor Theatre in spring 2020.
President Brad Ritter and Program Director Jay Morong of the Charlotte Film Society talk about the rich history of the Manor Theatre as well as building a new art house space from the ground up—including their planned changes to the traditional programming model.
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This week, Russ, Daniel, and Shawn discuss sweeping release date changes for big movies from major studios, beginning with the James Bond tentpole No Time to Die. They offer predictions on titles that will remain theatrical versus moving to PVOD or day-and-date release, and discuss the degree to which studios are banking on mass vaccination.
This week’s episode of The Boxoffice Podcast is brought to you by QSC. Visit QSC.com/podcast to find out more.
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This week, Daniel and Rebecca talk to Luis Castelazo, the Chief Financial Officer at CMX Cinemas. The North American division of Mexican operator Cinemex, CMX Cinemas became one of the ten largest theater chains in the U.S. shortly after opening in 2017. More recently, in April of this year it became the first top-ten chain to file for Chapter 11 following the emergence of the Covid-19 pandemic; they emerged from bankruptcy in December.
In an open letter published in December, Castelazo advocated for lower film rentals in response to the trend towards shortened theatrical exclusivity windows, which he argues could have a serious effect on theater attendance. In this episode of the Boxoffice Podcast, he discusses the evolution of CMX Cinemas and the need for a hard look at the film rental status quo.
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This week, Russ and Rebecca talk to Maggie Mackay, the Board Chair of the Vidiots Foundation, a non-profit community video store and movie theater. Vidiots is dedicated to inspiring interaction through film by providing access to a diverse collection of more than 50,000 DVD and Blu-ray discs and rare VHS tapes.
They talk about the history of Vidiots as a video store and the planned opening of a movie theatre space in Eagle Rock on the east side of Los Angeles, the status of Los Angeles art house theaters, and keeping the moviegoing community together despite the lure of streaming.
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Happy New Year! In this week’s episode, Daniel, Rebecca, and Shawn take a look at the box office returns for Wonder Woman 1984 and the impact of its availability on HBO Max. Additionally, they discuss how Warner Bros. is releasing box office information, and offer an overview of the possible major film releases coming this spring.
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In this week’s episode, Russ, Daniel, Rebecca, and Shawn step away from news to discuss their few theatrical experiences in 2020, the culture of theater-going versus streaming at home, a slate of excellent films to watch wherever you can, and what to look forward to in 2021.
Happy New Year!
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In this week’s episode, Russ, Daniel, Rebecca, and Shawn discuss Warner Bros. announcement to stream the entire 2021 film slate on HBO Max, what was covered in Disney’s Investor Day presentation, and the responses from different circuits on the recently announced streaming plans of the major studios.
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In this week’s episode, Russ, Daniel, and Rebecca talk to John Fithian, CEO of the National Association of Theatre Owners (NATO). They discuss the recent updates in the passing of the next stimulus package, shifts to the theatrical exclusivity window, and the communication strategy in promoting a safe return to cinemas.
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In this week’s episode, Russ, Rebecca, and Shawn talk about the box office numbers of The Croods: A New Age on Thanksgiving weekend, updates on the release schedule of some upcoming movies, the possible outcome of Wonder Woman 1984 domestic theater release, and the upcoming Boxoffice Podcast anniversary.
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In this week’s episode, Russ, Daniel, and Rebecca talk about Cinemark’s shortened theatrical window deal with Universal, and break down recent statements from leading distribution executives on PVOD, theatrical exclusivity windows, co-existing with streaming, and reaching out to non-regular moviegoers.
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