Noah Baumbach’s acclaimed new family drama MARRIAGE STORY has invited comparisons to Robert Benton’s acclaimed 1979 family drama KRAMER VS. KRAMER over the films’ shared preoccupation with the end of love and the challenges of finding happiness while also doing right by the next generation. We’ll dig into the nuances of that comparison via this pairing, beginning with a discussion of how KRAMER VS. KRAMER balances, or doesn’t, its portrayal of divided parenting, why its ending feels like a cop-out, how the film’s style and performances contribute to a sense of intimacy, and how our knowledge of what went into those performances behind the scenes shifts that effect. Plus, we tackle a listener’s big, two-part question about metaphors and second viewings.

Please share your comments, thoughts, and questions about KRAMER VS. KRAMER, MARRIAGE STORY, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.

Outro music: “D-I-V-O-R-C-E” by Tammy Wynette

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