Brian continues to lose control. And not just of his band and the music he makes. He loses self-control and becomes so dependent on drugs that he pays someone to deliver them to him. He loses control of his car and nearly kills himself in a crash. And then he loses control of himself – in front of one of the biggest rock ‘n roll stars of all time.See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

Brian continues to lose control. And not just of his band and the music he makes. He loses self-control and becomes so dependent on drugs that he pays someone to deliver them to him. He loses control of his car and nearly kills himself in a crash. And then he loses control of himself – in front of one of the biggest rock ‘n roll stars of all time. See omnystudio.com/listener for privacy information.

Brian continues to lose control. And not just of his band and the music he makes. He loses self-control and becomes so dependent on drugs that he pays someone to deliver them to him. He loses control of his car and nearly kills himself in a crash. And then he loses control of himself –&nbsp;in front of one of the biggest rock ‘n roll stars of all time.See <a href="https://omnystudio.com/listener" rel="noopener noreferrer">omnystudio.com/listener</a> for privacy information.

Brian Wilson Is Sailing On (The Brian Wilson Story, Chapter 7)

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

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In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album&nbsp;Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album,&nbsp;Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

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Brian Wilson Is Sailing On (The Brian Wilson Story, Chapter 7)

Brian Wilson Is Sailing On (The Brian Wilson Story, Chapter 7)

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