We're joined this week by Eli Bosnick of the God Awful Movies podcast to talk about the infamous Hong Kong Category III exploitation movie, Story of Ricky. One man enters a corrupt private prison in near-future China and faces down the evil warden, his assistant, and four villains with terrible strength and magical martial arts prowess. Along the way just about everybody gets their guts kicked out or their head punched off in this extremely gory spectacle.

We also discuss the dawn of the Category III rating in Hong Kong, how great it was to trade video tapes in the mail with total strangers in the 90's, and Eli tries to get Bryan to cop to trading horror movies for weird porno movies in what is easily one of our most inappropriate episodes yet.

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This week we're joined by our friends Johnny Cann and Tyler Hyde from That's Spooky as we celebrate women's history and women in horror with a look at the last movie you'd think would be appropriate for such an occasion. Slumber Party Massacre, from 1982, is a sleazy, lurid spectacle with an unexpected background. Written in 1978 as a spoof of slasher movies by radical feminist icon, Rita Mae Brown, it ended up in the hands, of all people, of Roger Corman, who turned it over to his editor, Amy Holden Jones as she set her sights on directing for the first.

Full of gratuitous nudity, gore, and people making a lot of bad decisions it's a remarkably entertaining piece of slasher horror with a wild production history that ultimately caused the second wave of feminism to turn on Rita Brown in a really unfortunate way. Do check it out!

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This week we go back to December of 1993 for a look at the monster of the week episode, Eve, which pits Mulder and Scully against a pair of evil girl clones. As usual we look at the headlines and have a real morbid laugh at what was going on back then. It's not good, folks. At least The Simpsons was on top of the world.

We're getting really bloody this week as we take a trip to feudal Japan for the 1972 samurai movie that set the pace for violent sword fighting movies to follow. This is not your father's samurai movie. This is not Akira Kurosawa. This is Kenji Misumi's epic starring Tomisaburo Wakyama and his wonderful, weapon-laden baby cart.

Adapted from the extremely popular manga by Kazuo Koike, Lone Wolf and Cub tells the story of wandering assassin, Ogami Itto and his son, Daigoro as they walk the demon way in hell. The evil daimyo, Yagyu Retsudo wants them dead but it's going to take an army if they intend to get the job done.

Utterly ridiculous and bloody, Sword of Vengeance sets the tone for the five movies that follow and is a tremendously enjoyable movie. Let us tell you all about it.

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We celebrate two years of Bring Me The Axe! with this good long look at the movie that changed everything. Initially dismissed as drive-in schlock and the copyright was botched upon release, Night of the Living Dead would eventually find its way to spotlight as the horror movie that set the pace for horror in the 1970's and introduced the world to what is, arguably, the most popular movie monster of all time: The Romero Zombie. We look at the production history, the players, it everlasting legacy, and the social conditions of the 60's that informed its extremely grim outlook.

Produced in 1968 by George A. Romero and John Russo at the same time that they were producing commercials for Calgon and Heinz as well as eduational shorts for Mr. Rogers' Neighborhood, Night of the Living Dead was a compromise meant to raise money more effectively to make not the movie that they wanted to make, originally, but any movie, period. The world is richer for having it.

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To unlock the full episode go to⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week we get a nice little course correction from writers Howard Gordon and Alex Gansa. After the series worst episode, Space, and some notes from Fox, Gordon and Gansa got to work on bringing the episode back into focus as Mulder goes rogue and infiltrates a UFO crash site that's being recovered by a covert army operation. When he's inevitably caught he meets UFO enthusiast and fellow paranoia enjoyer, Max Fennig, as the pilot of the downed UFO sneaks around the crash site, killing soldiers, while waiting for the mother ship to arrive and pick them up.

Not exactly a mythology episode but not exactly not a mythology episode, Fallen Angel brings the series back into paranoid focus to remind everyone that it's about UFOs, aliens, and conspiracy.

We also break down this week in pop culture and the news as usual.

This week we take a look at Bryan's favorite movie of all time, John Carpenter's tough guy action dystopia that definitely shook the Disney off of Kurt Russell and reintroduced him as a premier action movie star for the 1980's. We track the entire trajectory of this movie's production, we'll tell you why everyone thinks Snake Plissken is dead, you'll find out about all the other guys that the production company wanted over Kurt Russell, how director of photography, Dean Cundey engineered an entirely new anamorphic lens just to see the movie at night without sacrificing all the awesome lighting. It's a once-in-a-lifetime action movie that set the pace for the decade and inspired everyone to try their hand (and mostly fail) at making their own version of the movie.

Carpenter had access to more money than he'd work with before and still had to stretch a dollar to make the movie and he managed to knock it out of the park on every front. The cast is stacked. The production design is second-to-none, and the soundtrack is just perfect. Listen in and learn all about it.

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This week we take a look at one of the standout features of the 70's blaxploitation age, William Crain's seminal vampire movie, Blacula, starring William Marshall, Vonetta McGee, and Thalmus Rasulala. Blaxploitation is a troubling topic to take on as the bad movie outnumber the good movies three to one and definitely play up the worst black stereotypes but for a little while there blaxploitation movies and their arty cousin, the LA Rebellion, pushed forward black power narratives and power fantasies that spotlighted black talent and provided black audiences with great characters that reflected their values and dreams.

Blacula as a horror movie is also a standout picture, being every bit as riveting and spooky as Hammer's best outings. William Marshall absolutely dominates the screen as doomed Prince Mamuwalde and Vonetta McGee is hard to take your eyes off of. Give this episode and listen and do chill out. Bryan realized too late that yes, All The Colors of the Dark is a Sergio Martino movie and What Have You Done To Solange was by Massimo Dellamano.

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To unlock the full episode go to ⁠⁠⁠⁠Patreon⁠⁠⁠⁠ and subscribe at the $5 level to unlock all of our X-Files episodes as well as Bring Me The Axe: Millennium Edition, and Radio Free Haddonfield our bi-weekly DJ and music show.

This week's episode is a look at the egregious ripoff of The Thing (or the novel Who Goes There, depending on who you ask). It's the first in a series of episodes resulting from the power trio of director David Nutter, and writers Glenn Morgan and James Wong.

This episode sees Mulder and Scully accompany a team of scientists to a remote arctic science outpost in Alaska to investigate the sudden disappearance of the team that was conducting ice core drilling there and unexpectedly released something ancient, deadly, and likely from another planet.

This week Bryan and Dave take a trip back to Rome to check in with Enzo G. Castellari and Mark Gregory on their sequel to the 1982 action movie that exploited the popularity of The Warriors. This time they're exploiting the popularity of John Carpenter's outstanding, Escape From New York. We get more Trash and more Bronx gangs but this time we're joined by the absolute massive screen presence of Antonio Sabato and the movie's appeal rests entirely on the outrageous shoot-y, burn-y, explode-y violence that ups the ante and cranks the volume.

Escape From The Bronx has practically zero plot to speak of and is an incredibly dumb movie at heart but it's a lot of fun and some of the best action that Italy had to offer in the twilight of their once-great exploitation movie industry. Let us break it all down for you.

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