
Sign up to save your podcasts
Or


On today’s date in 1962, Benjamin Britten’s War Requiem for soprano, tenor, baritone, chorus, and orchestra, had its premiere performance at Coventry Cathedral in England. The Cathedral had been virtually destroyed in World War II bombing, and Britten’s big choral work was commissioned to celebrate its restoration and reconsecration.
Britten was a committed pacifist, and his War Requiem text combines poems by Wilfred Owen, who had been killed in World War I, with the traditional Latin text of the Mass for the Dead. For the premiere, Britten requested soloists representing nations who had fought during World War II.
With Britten’s life-time partner, tenor Peter Pears, representing England, the plan was to have a German baritone, Dietrich Fischer-Dieskau, and a Russian soprano, Galina Vishnevskaya, for the 1962 premiere. As a young man, Fischer-Dieskau had been drafted into the German army, and had been a prisoner of war, but was eager to participate. Unfortunately, the Soviet authorities wouldn’t issue a visa for soprano Vishnevskaya to sing in the new Britten piece. “How can you, a Soviet woman, stand next to a German and an Englishman and perform such a political work,” they told her. British soprano Heather Harper substituted for her.
For many, Britten’s War Requiem is his masterpiece, and shortly after its premiere, Britten wrote to his sister, “The idea did come off, I think … I hope it will make people think a bit.”
Benjamin Britten (1913-1976): War Requiem; soloists; choirs; BBC Scottish Symphony; Martyn Brabbins, conductor; Naxos 8.553558
By American Public Media4.7
176176 ratings
On today’s date in 1962, Benjamin Britten’s War Requiem for soprano, tenor, baritone, chorus, and orchestra, had its premiere performance at Coventry Cathedral in England. The Cathedral had been virtually destroyed in World War II bombing, and Britten’s big choral work was commissioned to celebrate its restoration and reconsecration.
Britten was a committed pacifist, and his War Requiem text combines poems by Wilfred Owen, who had been killed in World War I, with the traditional Latin text of the Mass for the Dead. For the premiere, Britten requested soloists representing nations who had fought during World War II.
With Britten’s life-time partner, tenor Peter Pears, representing England, the plan was to have a German baritone, Dietrich Fischer-Dieskau, and a Russian soprano, Galina Vishnevskaya, for the 1962 premiere. As a young man, Fischer-Dieskau had been drafted into the German army, and had been a prisoner of war, but was eager to participate. Unfortunately, the Soviet authorities wouldn’t issue a visa for soprano Vishnevskaya to sing in the new Britten piece. “How can you, a Soviet woman, stand next to a German and an Englishman and perform such a political work,” they told her. British soprano Heather Harper substituted for her.
For many, Britten’s War Requiem is his masterpiece, and shortly after its premiere, Britten wrote to his sister, “The idea did come off, I think … I hope it will make people think a bit.”
Benjamin Britten (1913-1976): War Requiem; soloists; choirs; BBC Scottish Symphony; Martyn Brabbins, conductor; Naxos 8.553558

90,931 Listeners

38,507 Listeners

6,790 Listeners

8,760 Listeners

3,996 Listeners

9,197 Listeners

3,628 Listeners

924 Listeners

1,389 Listeners

520 Listeners

182 Listeners

1,226 Listeners

13,675 Listeners

3,086 Listeners

247 Listeners

28,298 Listeners

13,236 Listeners

5,486 Listeners

2,170 Listeners

14,106 Listeners

1,144 Listeners

6,335 Listeners

2,514 Listeners

229 Listeners

634 Listeners