On the season 2 premiere of BFGE, the ladies tuck into the 1970 Czech surrealist masterpiece "Valerie and Her Week of Wonders" in advance of their upcoming trip to Prague (selected by you, the listeners).  The film follows a young girl on the cusp of womanhood as she's preyed upon by lecherous priests, vampires, and basically every fucking person in the village.  As Emma said, "she's just trying to live!"  The girls also talk heirloom roosters, public school system menstrual swag bags, evil Czech directors, and post office birds.

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

In this never-to-be-repeated BFGE special, Sarah lets Emma choose the film as a special birthday surprise, and emma seizes the opportunity to subject Sarah to a whole new species of brutality: the 2001 romantic comedy nightmare "Bridget Jones's Diary."  This nihilist masterpiece centers on a tragic 32 year-old British woman who finally takes control of her life through a radical act of countercultural protest: by keeping a diary where she tracks her calories and talks about men.  Is Sarah just a huge bitch or is Emma delusional?  Perhaps we are both wrong.  Let us know.

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

On the season finale of BFGE, the ladies watch "Demon" (2015): a genre-defying (horror?  comedy?  drama?) Polish film written and directed by Marcin Wrona, released shortly prior to his tragic and untimely death.  The film unwinds a tale of a bridegroom possessed by an unquiet spirit (a "dybbuk") in the midst of his own wedding celebration.

Join us as we talk Jewish folklore, polish history, & shitty weddings, and ask our loyal listeners to choose the destination for the last wild bachelorette party we will ever attend in our mortal lives.  

Interstitial audio: "The Dybbuk" (Der Dibuk), 1937 -- Clip: The Dance of Death

We love you! Have a safe and joyous holiday and new year!

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

In this very goofed up episode of BFGE, the ladies get a cinematic lobotomy by watching Ralph Bakshi's legendary disaster film "Cool World."  The film stars Gabriel Byrne as Jack Deebs, as ex-con cartoonist who gets released from prison only to be sucked into a parallel cartoon universe he thinks he created.  There he meets Holli Would (Kim Basinger), a sultry cartoon vixen hell-bent on having sex with a human man so she too can become human, and Frank Harris (Brad Pitt), a hard-boiled detective whose only job is to enforce Cool World's oldest law: NOIDS do NOT have sex with DOODLES.  

Also in this episode:

- Sarah explains the scientific reason men yearn for sex with cartoons

- Emma defends the film as a feminist masterpiece and trailblazer in American Science fiction

- The ladies talk Daenerys Targaryen chatbot mistresses, secret santa hentai magazines, Moby's self-cancellation, Cool World sex loopholes and more

Come get sucked into Cool World with us!   

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

In this very special episode of BFGE, Sarah celebrates Emma's return from Italy by making her watch one of her favorite Italian horror films, Cemetery Man (Italian: Dellamorte Dellamore) directed by Michele Soavi.  The film stars Rupert Everett as Francesco Dellamorte, the beleaguered caretaker of Buffalora cemetery where the dead rise from their graves, whose lonely existence is suddenly upended by the arrival of a mysterious beautiful woman (Anna Falchi).  Also in this episode:

• Emma gets a bottle of prosecco dumped on her head.  Did she deserve it?
• Sarah discuses director Michele Soavi's interesting career trajectory and his work with Italian horror masters Argento and Fulci.
• The ladies debate the meaning of life and death and share their views on the film's ending.

Come and dig a grave with us!

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

In this very maternal episode of BFGE, Sarah treats her pregnant friend Amanda to a showing of "À l'intérieur" (Inside): a 2007 French slasher film written and directed by Alexandre Bustillo and Julien Maury.  The film stars Béatrice Dalle as a scissor-wielding psychopath who terrorizes a pregnant widow (Alysson Paradis) on Christmas Eve.  Although all BFGE episodes have a ~content warning~, this one has a ~content warning++~, please listen at your own risk!

Also in this episode:

• Sarah beefs with her granola-making upstairs neighbors.
• The ladies discuss the best and worst of the new French extremity movement.
• Amanda makes Sarah dispose of an old toothbrush far scarier than anything the mind of a depraved French filmmaker could ever conjure up.

Come and practice lamaze* with us!

1988 interview with the beautiful & charismatic Beatrice Dalle
(the pre-film interstitial is from a 1960s natural childbirth workshop)

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

Halloween month at BFGE continues with the ladies watching the godfather of slashers, Hitchcock's "Psycho": a film Emma has never seen because she's lived under a rock like a small beetle-woman for 30+ years.   Experience the twists and turns of "Psycho" as if you're seeing it for the very first time!  Watch it through the eyes of a newborn babe who knew "it was about a hotel, a woman who gets murdered, and maybe there's a weird of mom character...I think?"  That's it.  That's all she knew ( <3 love u emma).

Also in this episode:

• Cars and birds!

Come and eat aspic with us!

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

Sarah and Emma kickoff Halloween month by watching John Carpenter's arguably best film (in Sarah's opinion): his 1982 science fiction horror masterpiece "The Thing."  The film follows a spunky all-male research team in Antarctica as it is hunted by a shape-shifting alien that assumes the appearance of its victims.  Also in this episode:

• Emma loves hot adventure men wearing hats.
• Sarah discusses the origins of the film and the critical reproach upon its release.
• The ladies debate whether they're even real, whether any of this is real.

Come assimilate into us!

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

In this very silly and stupid episode of BFGE, the ladies watch Todd Solondz' 1995 coming-of-age black comedy film "Welcome to the Dollhouse."  The film centers around the life of Dawn Weiner (Heather Matarazzo), an awkward seventh-grader struggling to cope with inattentive parents, jr. high bullies, her annoying younger sister, and her own insecurities in suburban New Jersey. 

Also in this episode: 

• Sarah gives away a disgusting rug.
• Emma gets sad after hearing Sarah's junior high loser stories.
• The ladies discuss their opposite thresholds for stranger danger.

Come join the special people's club with us!

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/

On this week's XXL episode of BFGE, Angelique fills in for Emma and the ladies discuss the TWO feature films of newcomer Coralie Fargeat.  For an appetizer, the ladies dissect "Revenge": Fargeat's debut film, a 2017 thriller about a young woman who thirsts for vengeance after she is raped and left for dead in the desert by three men. 

For the main course, S & A tuck into "The Substance": a new body horror film about an aging aerobics star (Demi Moore) who injects herself with a mysterious SUBSTANCE that promises to produce a younger, better version of herself (Margaret Qualley).  What could go wrong with shooting junk from a back alley medispa from hell?  Tune in to find out!

Only here for The Substance (2024)?  Discussion starts at 52:19!

External Links:
1973 Interview with Bridgette Bardot on her thoughts on aging

Like our stupid lil movie parties? Please drop us a rating on spotify/apple and follow us on instagram at: https://www.instagram.com/brutalfilmgirlpod/