December 04, 2017

Bryan D. Lowe, “Ritualized Writing: Buddhist Practice and Scriptural Cultures in Ancient Japan” (U of Hawaii Press, 2017)

1 hour 9 minutes

In his recent monograph, Ritualized Writing: Buddhist Practice and Scriptural Cultures in Ancient Japan (University of Hawaii Press, 2017), Bryan D. Lowe examines eighth-century Japanese practices that ritualized writing, or, in other words, conceptually and practically set sutra-transcription apart from other forms of writing. Drawing on a rich trove of eighth-century documents that describe everything from donation sums and sources, to the types of paper used, to the purification rites practiced prior to transcription, to records of which scribes had borrowed or returned their brushes, Lowe provides us not only with an expert analysis of the religious meaning of various aspects of sutra-copying, but also with a detailed description of the fascinating ritual and material culture of public and private scriptoria and intimate glimpses into the lives of the patrons and laborers of these institutions. More broadly, Lowe’s book asks us to rethink our assumptions about ritual, for in the case studies found within we see ritual used not simply symbolically–as a representation of a pre-extant cultural or political system–but rather as a social and ethical practice that generates new communal identities and offers opportunities for individual cultivation. Ritual, Lowe shows, is not just a result, but also a cause.

In the first part of the book Lowe looks at the ritualization of writing. Here we learn of the way in which sutra-copying and purification rites executed prior to copying are simultaneously ethical, soteriological, and ritually efficacious. That is, copying a sutra in the ritually correct and pure way was conceived as morally upright, but also as an act that would bring about the rituals intended results and by which one would make soteriological progress. In this part of the book Lowe also introduces a type of prayer text called a ganmon, and shows how these texts drew on Buddhist and non-Buddhist language to create a uniquely East Asian genre that was unquestionably Buddhist even as it incorporated norms and imagery from non-Buddhist sources.

In the second part of the book we learn about the ways in which ritualized writing was produced by certain forms of social and institutional organization, but also about the ways in which this practice in turn affected those forms of organization. Lowe discusses grassroots fellowships of pious friends that were formed for the purpose of commissioning sutra-transcriptions, and also examines private and public scriptoria, which were highly bureaucratic. A key theme in this part of the book, and indeed throughout this work, is that taking a closer look at the networks of people and institutions involved in the production of ritualized writing calls into question the stark divisions between state, aristocratic, clan, and popular Buddhism, divisions that are often assumed in research on this period. Many of the fellowships that Lowe examines, for instance, were created by individuals who had strong ties to the state and to certain clans, but whose intentions, while in part political and aimed at forming new social ties between groups, were also deeply personal, pious, and religious.

In the third part of the book Lowe provides us with two carefully crafted microhistories. First, we read about the career of a scriptorium worker who served as a scribe, proofreader, and administrator, and find that rather than simply being a cog in a sutra-copying bureaucracy, through his work this individual developed his own religious, literary,

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