We're going to the crossroads by the graveyard. This week, Joe and Rob check out the big daddy of gialli, Dario Argento's Deep Red (1975), and follow it up with At Midnight I'll Take Your Soul (1964), directed by Jose Mojica Marins (a.k.a. Coffin Joe). Italy's maestro of horror and Brazil's most famous horror icon together in one double feature! This is essential cult cinema, folks.

We will be announcing a Spoiler Territory section for each. For Deep Red you can then skip ahead to the 1:13:37 mark, and for At Midnight I'll Take Your Soul, potential spoilers end at 1:45:21.

Theme music: "The Cold Light of Day" by HKM.

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Tune in, rev up and drop out. It's all about vehicular mayhem this week, as Joe and Rob fire up Vanishing Point (1971), directed by Richard C. Sarafian. and Highway Racer (1977), directed by Stelvio Massi. Honda blondes, Ferrari wheelies and Dodges not dodging enough for their own good - this episode has more car-based existentialism than you can throw a Renault down the Spanish Steps at!

We will be announcing a Spoiler Territory section for each. For Vanishing Point you can then skip ahead to the 1:00:59 mark, and for Highway Racer, potential spoilers end at 1:34:13.

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

Max is back to chat with Rob and Joe about some of the less universally loved instalments in the ever popular Alien franchise! We'll dive deep into Alien 3 (1992), directed by David Fincher, Alien Resurrection (1997), directed by Jean-Pierre Jeunet and, with much trepidation, Aliens vs Predator: Requiem (2007), directed by the Brothers Strause.

You must have been on another planet if you haven't seen at least one or two of these films, nevertheless we will be announcing a Spoiler Territory section for each. For Alien 3 you can then skip ahead to the 1:11:03 mark, for Alien Resurrection, potential spoilers end at 1:52:12 and if you're really worried about spoiling AVP: Requiem's astounding conclusion (...), you can skip ahead to 2:15:04.

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

Achtung! This week Rob and Joe venture into 80's West Berlin and then a very Germanic 60's London as we check out Possession (1981), directed by Andrzej Żuławski, and classic krimi film, Dead Eyes of London (1961), directed by Alfred Vohrer.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen (and you definitely should), you can nevertheless avoid spoilers for Possession by skipping ahead to the 1:15:02 mark, and for Dead Eyes of London by skipping ahead to 1:52:29.

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

Break out the J&B whisky, it's GIALLO week! Al drops in again to talk about his great love of the Italian giallo. We'll chat a bit about this wonderful subgenre of thriller/horror/mysteries and dive deep into two selections from Al: Torso (1973), directed by Sergio Martino, and deeper cut, The Dead Are Alive (1972), directed by Armando Crispino.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen (and you definitely should), you can nevertheless avoid spoilers for Torso by skipping ahead to the 1:02:54 mark, and for The Dead Are Alive by skipping ahead to 1:42:29.

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

Horror Iberico! We delve into a Spanish double feature this week with Who Can Kill a Child? (1976) directed by Narciso Ibáñez Serrador, and Pieces (1982) directed by Juan Piquer Simon. .

We let you know when Spoiler Territory kicks in, so if you want to skip ahead from that point in Who Can Kill a Child?, you can rejoin the conversation at the 57:04 mark to avoid spoilers, and Spoiler Territory ends for Pieces at the 1:39:25 mark.

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

Could this be the worst family reunion ever? This week, Joe and Rob are joined by Dr Ethan Lyon to discuss Tokyo Drifter (1966), directed by Seijun Suzuki, and then Seeds (1968), directed by Andy Milligan.

We will call out Spoiler Territory so if you want to skip ahead from that point in Tokyo Drifter, you can rejoin the conversation at the 1:15:44 mark to avoid spoilers, and for Seeds, Spoiler Territory ends at 1:55;46.

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

It's all for you, listener! This week, Joe and Rob check out The Omen (1976), directed by Richard Donner, and then The Boxer's Omen (1983), directed by Kueh Chi-Hung.

It's not really possible to spoil The Boxer's Omen, but we will call out Spoiler Territory for The Omen. If you want to skip ahead from that point, you can rejoin the conversation at the 1:08:54 mark to avoid spoilers.

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

When these guys start talking, you can feel the devil bite your ass! (Sorry about that.) This week, Joe and Rob check out The Good, the Bad and the Ugly (1966), directed by Sergio Leone, and then The Rare Blue Apes of Cannibal Isle (1972), directed by Donn Greer.

We will call out Spoiler Territory for the first film (it's not worth worrying about for the second - honestly), so if you want to skip ahead from that point in The Good, the Bad and the Ugly, you can rejoin the conversation at the 1:15:28 mark to avoid spoilers.

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

This week, Joe and Rob are joined by Al! Together we cast an eye over the Joefest 2024 line up and dive deep into Aguirre, the Wrath of God (1972), directed by Werner Herzog, and then Mad Foxes (1981), directed by Paul Grau.

We're not bothering with Spoiler Territory this week - these movies aren't really spoilable, in our opinions - but we will be discussing the endings.

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp