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Carey Chen is a world-traveled marine artist and lifelong fisherman who turned a passion for blue water into a career—painting billfish from memory and chasing giants with some of the best crews on earth. Born in Los Angeles to Jamaican parents, raised in Jamaica, and later based in Miami, Carey went from motorcycles and video stores to fishing tournaments across the Caribbean, licensing deals, and live painting at world-class events.
In this conversation, we get into how a first sailfish on a kite lit the fuse, why sonar is changing offshore fishing (and why he thinks it’ll soon be on every boat), what it’s like to fish with the Bad Company program, and how a lifetime of travel turned into 3,000+ paintings “stuck in his head.”
Some of the moments I found most meaningful in this conversation were:
The first sailfish on a kite off Miami—and how one fish can change your life
From fisherman to painter: leaving retail, painting live, and getting “discovered” at boat shows
Fishing the world with Bad Company: Mag Bay marlin numbers that sound impossible until you see them
The sonar debate: why new tech doesn’t replace skill—but rewards crews who master it
Big-fish mindset: chasing granders, tagging programs, and letting the big breeders go
Seychelles, Cape Verde, Madeira: what “no-pressure” fisheries really feel like
Growing up around legends—boxing promoters, Bob Marley, and the value of giving back through art
Timestamps
🔗 Visit Carey Chen’s Website – [custom link]
🔗 Connect With Carey:
📘 Free Resources:
📺 Subscribe for More Unfiltered Conversations
📱 Follow the Show:
#MarineArt #Billfish #BigGameFishing #Fishing #SaltwaterLegends
By Tom Rowland4.9
898898 ratings
Carey Chen is a world-traveled marine artist and lifelong fisherman who turned a passion for blue water into a career—painting billfish from memory and chasing giants with some of the best crews on earth. Born in Los Angeles to Jamaican parents, raised in Jamaica, and later based in Miami, Carey went from motorcycles and video stores to fishing tournaments across the Caribbean, licensing deals, and live painting at world-class events.
In this conversation, we get into how a first sailfish on a kite lit the fuse, why sonar is changing offshore fishing (and why he thinks it’ll soon be on every boat), what it’s like to fish with the Bad Company program, and how a lifetime of travel turned into 3,000+ paintings “stuck in his head.”
Some of the moments I found most meaningful in this conversation were:
The first sailfish on a kite off Miami—and how one fish can change your life
From fisherman to painter: leaving retail, painting live, and getting “discovered” at boat shows
Fishing the world with Bad Company: Mag Bay marlin numbers that sound impossible until you see them
The sonar debate: why new tech doesn’t replace skill—but rewards crews who master it
Big-fish mindset: chasing granders, tagging programs, and letting the big breeders go
Seychelles, Cape Verde, Madeira: what “no-pressure” fisheries really feel like
Growing up around legends—boxing promoters, Bob Marley, and the value of giving back through art
Timestamps
🔗 Visit Carey Chen’s Website – [custom link]
🔗 Connect With Carey:
📘 Free Resources:
📺 Subscribe for More Unfiltered Conversations
📱 Follow the Show:
#MarineArt #Billfish #BigGameFishing #Fishing #SaltwaterLegends

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