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On this episode of Walter Edgar's Journal, we’ll be talking with Tracey Todd, the Director of Museums for the Historic Charleston Foundation, and Andrew Agha, an archaeologist working on the site of the Nathaniel Russell house, a National Historic Landmark on Meeting Street. We’ll be talking about the Foundation’s most recent preservation initiative which involves the kitchen house, an ancillary structure that included a kitchen, laundry, and living quarters for the enslaved.
Nathaniel Russell arrived in Charleston from Bristol, Rhode Island in 1765 and, thanks to extensive contacts in his home colony, established himself as a successful merchant and trader of captive Africans. In 1808 the Russell family moved to their new townhome at 51 Meeting Street. Accompanying them were as many as eighteen enslaved people who toiled in the work yard, gardens, stable, kitchen and laundry.
By uncovering the material history contained in the kitchen house, the Foundation hopes to further illuminate the lives of the men, women, and children who lived and worked there.
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On this episode of Walter Edgar's Journal, we’ll be talking with Tracey Todd, the Director of Museums for the Historic Charleston Foundation, and Andrew Agha, an archaeologist working on the site of the Nathaniel Russell house, a National Historic Landmark on Meeting Street. We’ll be talking about the Foundation’s most recent preservation initiative which involves the kitchen house, an ancillary structure that included a kitchen, laundry, and living quarters for the enslaved.
Nathaniel Russell arrived in Charleston from Bristol, Rhode Island in 1765 and, thanks to extensive contacts in his home colony, established himself as a successful merchant and trader of captive Africans. In 1808 the Russell family moved to their new townhome at 51 Meeting Street. Accompanying them were as many as eighteen enslaved people who toiled in the work yard, gardens, stable, kitchen and laundry.
By uncovering the material history contained in the kitchen house, the Foundation hopes to further illuminate the lives of the men, women, and children who lived and worked there.
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