In this episode, we'll take a look forward to the finale of our James Cameron series where we'll be discussing AVATAR!

We also have a chat about all of the other things we've been watching lately, including SANDMAN, FAST TIMES AT RIDGEMONT HIGH, PREY, DAY SHIFT, THEY/THEM, ORPHAN: FIRST KILL, and REAR WINDOW!

Are you caught up on our James Cameron series? If not, find all of the episodes at https://www.cinemashock.net/jamescameron

After the massive success of TITANIC, James Cameron disappeared from narrative filmmaking for over a decade — but he wasn’t sitting idle.

In this episode, we explore the 12-year gap between TITANIC and AVATAR, a period in which Cameron shifted his focus toward deep-sea exploration, documentary filmmaking, and groundbreaking technological development. From Ghosts of the Abyss to co-developing new 3D camera rigs, Cameron was quietly laying the groundwork for the future of his career — and for the next evolution of cinematic storytelling.

We’ll also look at the personal and professional changes Cameron underwent during this period, and how they shaped the director he would become in the 21st century.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.

In Part 2, we pick up during the troubled production of TITANIC, where tensions on set reached their breaking point, cast and crew rebelled, and rumors of a doomed project dominated the press.

We’ll break down the second half of the shoot, including the legendary water tank days, the film’s VFX innovations, and the now-infamous PCP-laced chowder incident. Then we’ll track the film’s test screenings, delayed release, and how it ultimately shattered all box office records — becoming a cultural behemoth and Academy Awards juggernaut.

We’ll also look at TITANIC’s legacy: how it launched the careers of Leonardo DiCaprio and Kate Winslet, changed James Cameron’s trajectory forever, and helped usher in the modern blockbuster era.

Because there's so much story to tell about TITANIC, we've decided to split it across two episodes. TITANIC Episode 1 was released last week.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.

For episode archives and more, visit www.cinemashock.net.

In Part 1 of our deep dive into TITANIC, we look at how James Cameron went from being Hollywood’s reigning king of sci-fi to convincing Fox to bankroll a historical romance set aboard a doomed luxury liner.

We’ll explore Cameron’s early fascination with shipwrecks, the pitch that sold the studio (“Romeo and Juliet on a boat”), and the massive production that would balloon into one of the most expensive films ever made.

From deep-sea dives to full-scale ship sets, from casting decisions to early red flags — this episode covers the inception and pre-production of TITANIC, as well as the chaotic first half of its shoot.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.

For episode archives and more, visit www.cinemashock.net.

After TERMINATOR 2 became the biggest hit of James Cameron's career — and the third highest grossing movie of all time — the director felt like he needed a change of direction. Maybe a small character-based drama?

Well, that didn't work out. His next film would end up being a pseudo-remake of a French comedy called LA TOTALE! that he was introduced to by his friend Arnold Schwarzenegger.

Their version of the story — which they called TRUE LIES — would be Cameron's first foray into comedy, but he didn't abandon his action movie roots, using his biggest budget yet to craft some of the most ambitious action set pieces of his career. 

In this episode, we trace the film's production, from concept to release and reception, and we dive into the film's legacy, including a lot of the controversy that still surrounds the film to this day.

Next Episode: TITANIC.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.

Episode archives, merchandise & more: cinemashock.net

It's time for another Bonus Episode! This time around, we're talking about our thoughts going into our episode where we'll be covering James Cameron's TRUE LIES!

We also talk about lots of other stuff we've been watching lately, including THE BOYS, MS. MARVEL, STAR TREK: STRANGE NEW WORLDS, THOR: LOVE & THUNDER, and much much more!

After the modestly budgeted success of THE TERMINATOR, James Cameron spent the next few years proving himself as one of the most visionary directors in Hollywood. But when he finally returned to the franchise that launched his career, he didn’t just make another sci-fi action film — he redefined what a blockbuster could be.

In this episode, we dive deep into the making of TERMINATOR 2: JUDGMENT DAY — from its record-breaking budget and revolutionary visual effects to Arnold Schwarzenegger’s return as a reprogrammed killing machine. We’ll also explore how Cameron transformed the genre, how Linda Hamilton delivered one of the most iconic performances of her career, and how the film forever changed the summer movie landscape.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.

For episode archives, merchandise & more, please visit cinemashock.net

After conquering the box office with ALIENS, James Cameron turned his attention to an original idea—an underwater science fiction adventure inspired by his childhood fascination with the deep sea. But making THE ABYSS would prove to be anything but smooth sailing.

In this episode, we explore the turbulent production of THE ABYSS, a film that tested the limits of filmmaking technology—and the patience of everyone involved. We’ll cover how Cameron’s obsession with realism led to one of the most grueling shoots in Hollywood history, how the film’s groundbreaking digital effects changed the game, and why its release left both audiences and critics divided.

From cast mutinies to leaky sets, THE ABYSS nearly sank under its own weight—but it also set the stage for Cameron’s next decade of innovation and dominance.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.

After the surprise success of THE TERMINATOR, James Cameron was suddenly a hot commodity in Hollywood. While prepping his next project, THE ABYSS, Cameron took a detour into sequel territory—and not just any sequel, but a follow-up to one of the most beloved science fiction horror films of all time.

In this episode, we’re diving deep into the creation of ALIENS, the 1986 action-horror juggernaut that cemented Cameron’s reputation as one of Hollywood’s top genre filmmakers.

We’ll explore how Cameron landed the job, how he transformed Ridley Scott’s slow-burn horror into a full-blown combat film, and how Sigourney Weaver’s iconic performance as Ripley helped redefine what an action hero could look like.

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.

Find more at cinemashock.net.

In this episode, we're previewing the next episode in our James Cameron series, and discussing other things we've been watching and reading recently!