Cinema Shock

After the critical and commercial failure of LIFEFORCE, Cannon Films still had faith in Tobe Hooper—or at least, they had a contract to honor.

Next up in Hooper’s three-picture deal was INVADERS FROM MARS (1986), a remake of the 1953 sci-fi cult classic. Cannon hoped the film could help change their reputation from B-movie factory to big-budget player. Instead, the result was a box office disappointment that only deepened the perception of Cannon’s creative chaos.

In this episode, we explore how INVADERS FROM MARS came to be, the troubled shoot, and why the film ultimately failed to connect with audiences. Plus, we highlight the incredible creature effects by Stan Winston and his team, whose work remains one of the film’s few enduring legacies.

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Coming Up:

THE TEXAS CHAIN SAW MASSACRE PART 2 (1986)

UP NEXT: Sex + Violence: The Misunderstood Films of Paul Verhoeven

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

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In this new three-part series, we pick up where The Tragedy of Tobe Hooper left off—right after the POLTERGEIST controversy—following Hooper into his wildest professional era: his years with Cannon Films.

First up: LIFEFORCE (1985), a big-budget space horror film based on the novel The Space Vampires. With a screenplay by Dan O’Bannon and Don Jakoby (BLUE THUNDER), LIFEFORCE was Hooper’s attempt to kick off a new phase in his career—one with more control, more money… and much, much weirder material.

In this episode, we dive into the film’s chaotic production, its strange creative choices (naked space vampires, anyone?), its reception by critics and audiences, and how it set the tone for Hooper’s Cannon trilogy—and the rest of his career.

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Coming Up:

LIFEFORCE (1985)

INVADERS FROM MARS (1986)

THE TEXAS CHAIN SAW MASSACRE PART 2 (1986)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

twitter.com/cinema_shock

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For the final entry in our Unsung Legacy of Dan O’Bannon series, we’re diving into the movie that finally gave O’Bannon full creative control—and a chance to prove what he could do when left to his own devices.

After the early success of ALIEN, O’Bannon spent years struggling to gain traction in Hollywood. Burned by politics, studio rewrites, and his own stubborn reputation, he still hadn’t found a project that was truly his… until 1985’s RETURN OF THE LIVING DEAD.

Originally brought on as a screenwriter, O’Bannon eventually stepped into the director’s chair and delivered a film that was part horror, part comedy, part punk rock, and all attitude. The result? A cult hit that redefined zombie cinema and helped inspire decades of undead mayhem.

In this episode, we break down the story behind RETURN OF THE LIVING DEAD—from its legal roots in George Romero’s NIGHT OF THE LIVING DEAD, to the chaotic production process, and O’Bannon’s vision for something weirder, wilder, and more subversive. We’re joined by special guest Dan Wipert of the Film Trace podcast.

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Coming Up:

LIFEFORCE (1985)

INVADERS FROM MARS (1986)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

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Though largely forgotten today, BLUE THUNDER was a major box office success in 1983, spawning a TV series, video game, and plenty of knockoffs. But the film that audiences saw wasn’t exactly what Dan O’Bannon had in mind.

In this episode, we explore the story behind BLUE THUNDER—an idea O’Bannon began developing not long after ALIEN’s release. Originally conceived as a politically charged, satirical action thriller about government surveillance and militarization, the script went through major changes once it landed in Hollywood.

We trace its development through pre-production, how it evolved under director John Badham (SATURDAY NIGHT FEVER, WARGAMES), and how the final product compares to what O’Bannon originally envisioned. It’s another entry in the long history of Dan O’Bannon being both essential and overlooked.

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Coming Up:

RETURN OF THE LIVING DEAD (1985)

Up next: Tobe Hooper: The Cannon Years

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

twitter.com/cinema_shock

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Dan O’Bannon’s fingerprints are all over genre cinema—from ALIEN to RETURN OF THE LIVING DEAD, from Jodorowsky’s doomed DUNE to even an early hand in STAR WARS. But one of his more unexpected contributions came in the form of animation.

In this episode, we’re diving into 1981’s HEAVY METAL, an animated anthology film based on the cult comic magazine of the same name. Known for its R-rated mix of science fiction, fantasy, and eroticism, the film features multiple segments—two of which were written by O’Bannon.

We explore how HEAVY METAL came together, the bizarre production process that shaped it, its troubled path to home video, and the legacy it left behind—not just for animation, but for pop culture at large. And of course, we break down O’Bannon’s contributions and how they fit into the larger mosaic of his career.

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Coming Up:

BLUE THUNDER (1983)

RETURN OF THE LIVING DEAD (1985)

Up next: Tobe Hooper: The Cannon Years

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

twitter.com/cinema_shock

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After the release of ALIEN, Dan O’Bannon should have been on top of the world. But thanks to a high-profile dispute over the film’s writing credits, his career didn’t soar the way you might expect.

Fortunately, O’Bannon’s ALIEN co-writer Ronald Shusett had another project in the works—a slow-burn horror film about a small New England town with a zombie problem. He invited O’Bannon to co-write the script, and the result was DEAD & BURIED (1981), a cult horror oddity directed by Gary Sherman.

In this episode, we unravel the conflicting accounts of O’Bannon’s contributions to the film (including O’Bannon’s own denial of involvement), explore how DEAD & BURIED came together behind the scenes, and highlight the early work of future genre icons like Robert Englund and makeup effects legend Stan Winston.

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Coming Up:

HEAVY METAL (1981)

BLUE THUNDER (1983)

RETURN OF THE LIVING DEAD (1985)

Up next: Tobe Hooper: The Cannon Years

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

twitter.com/cinema_shock

facebook.com/cinemashocknet

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In Part 1, we traced ALIEN’s path from a scrappy concept between Dan O’Bannon and John Carpenter to a greenlighted studio film backed by 20th Century Fox and producer Walter Hill. Now, with Ridley Scott on board as director, the story really kicks into gear.

In this episode, we break down the production of ALIEN—from its nightmarish design process with H.R. Giger to the casting of Sigourney Weaver and the creation of some of the most iconic visuals in sci-fi history. We also examine how the film’s success shaped the future of the genre—and how, despite writing one of the most legendary scripts in sci-fi history, Dan O’Bannon remained overlooked by the industry he helped shape.

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Coming Up:

DEAD & BURIED (1981)

HEAVY METAL (1981)

BLUE THUNDER (1983)

RETURN OF THE LIVING DEAD (1985)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

twitter.com/cinema_shock

facebook.com/cinemashocknet

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As we continue exploring the career of Dan O’Bannon, we now arrive at the film that forever tied his name to sci-fi horror: Ridley Scott’s 1979 masterpiece, ALIEN.

Despite the film’s massive success, O’Bannon didn’t become a Hollywood power player. In fact, his journey through the ALIEN production reflects the same pattern that followed him throughout his career—critically essential, but constantly undervalued.

In this episode, we trace the earliest origins of ALIEN: from an idea born during the making of DARK STAR, to a rejected Roger Corman project, and finally to a greenlit big-budget feature at 20th Century Fox. It’s the story of how Dan O’Bannon helped create one of the most influential sci-fi horror films of all time… and still got left behind.

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Coming Up:

DEAD & BURIED (1981)

HEAVY METAL (1981)

BLUE THUNDER (1983)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

twitter.com/cinema_shock

facebook.com/cinemashocknet

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The guys all sat down for four hours to watch the new Snyder Cut of JUSTICE LEAGUE and they decided that they might as well talk about their thoughts. Enjoy!

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Coming Up:

ALIEN (1979)

DEAD & BURIED (1981)

HEAVY METAL (1981)

BLUE THUNDER (1983)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

twitter.com/cinema_shock

facebook.com/cinemashocknet

instagram.com/cinema_shock

In our new series, we’re exploring the career of writer, director, and genre trailblazer Dan O’Bannon.

His name might not be as widely known as some of his collaborators, but O’Bannon left an enormous mark on genre cinema—as the screenwriter of ALIEN, the director of RETURN OF THE LIVING DEAD, and the uncredited brain behind some of sci-fi’s most iconic ideas.

To begin our journey, we’re heading back to where it all started: USC film school, where O’Bannon met another promising student named John Carpenter. United by their shared love of science fiction and monster movies, the two collaborated on a low-budget student film that would go on to become a cult classic.

That film was DARK STAR. In this episode, we trace the origins of their friendship, the making of the movie, and how this quirky sci-fi comedy set the stage for O’Bannon’s groundbreaking (and often underappreciated) career.

BUY OUR NEW MERCH: http://cinemashock.threadless.com

Coming Up:

ALIEN (1979)

DEAD & BURIED (1981)

HEAVY METAL (1981)

BLUE THUNDER (1983)

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne, Justin Bishop, & Todd Davis.

Visit our website for episode archives, blogs and more: http://cinemashock.net

Follow us:

twitter.com/cinema_shock

facebook.com/cinemashocknet

instagram.com/cinema_shock

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