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In this episode, Irish painter Vincent Devine talks about his unusual portraits in which he depicts both the visible and the invisible, how his works are loaded with symbolism and how his depictions of such as John Hume, Vincent van Gogh, Artemisia Gentileschi, Sir Winston Churchill and Queen Elizabeth II interpret personal aspects from a global perspective and following detailed research.
Vincent Devine talking with Bob Chaundy
Accompanying images on consideringart.com
All images are ©Vincent Devine
You can see more of Vincent’s works on his website
Ellipsis is currently showing at Reem Gallery, Soho until 22 October 2022
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
In this episode, London-based British-Iranian artist Hana Shahnavaz talks about her bi-cultural upbringing, how she makes her own paint from raw materials some of which she forages, the importance of reconnecting with nature, the influence of Persian miniatures on her work, her experience of violent protest in Iran and her contribution to The Old Man US TV series.
Accompanying images on consideringart.com
You can see more of Hana’s work on her website
She will be showing work at the StART22 Art Fair at Saatchi Gallery, London 12 – 16 October 2022
All images are ©Hana Shahnavaz and used with her permission.
In this episode, Jemma Powell talks about how she takes her inspiration from nature, her career as an actress, how she came to painting and the influences she draws upon, the importance of making mistakes, how she balances work and family life, and about her new solo exhibition Searching for Stillness.
Accompanying images on consideringart.com
All images are ©Jemma Powell
Searching for Stillness is showing at Cricket Fine Art 5-21 October 2022
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
In this episode, US-based Indian artist Pritika Chowdhry talks about her Partition Anti-Memorial Project which challenges, through art, official accounts of Partition in India and the way they have played down the plight of marginalised groups particularly women. She talks about the way she visualises how rape was used as a weapon in Partition and subsequent riots, and how she takes casts of memorials in Pakistan, India and Bangladesh, and showing them together in a spirit of healing.
Accompanying images on consideringart.com
All images are ©Pritika Chowdhry and used with permission.
The Partition Anti-Memorial Project is currently showing as part of the Unbearable Memories, Unspeakable Histories exhibition at the South Asia Institute in Chicago until 10 December 2022.
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
In this episode, Scottish painter Ken Currie talks about how his tough background shaped his view that violence is part of the human condition, he tells the stories behind early works such as Glasgow Triptych and Scottish Mercenaries, about the nightmarish Krankenhaus, the rituals behind Bird People, the terror of his Down in the Woods Triptych, the ambiguity within his new series Black Boat, his occasional portraits, and he lists some of the paintings that continue to haunt him.
All images are © Ken Currie and courtesy Flowers Gallery
Ken Currie’s latest exhibition, Black Boat, is showing at Flowers Gallery East until 5 November 2022
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
In this episode, Adrian Fisk talks about how a cyclone in Bangladesh changed his life, how he spent eight years photographing in India, and about his new book and exhibition entitled Until the Last Oak Falls in which he documents the extraordinary campaigns of British environmental protesters in the 1990s, most notably against the Newbury by-pass and the city-based Reclaim the Streets, looking at the issues, the tactics, the conditions and the after-effects.
Accompanying images on consideringart.com
All images are ©Adrian Fisk and used with his permission. Top image is courtesy of Helen Abraham.
You can see more of Adrian’s images on his website here
The exhibition of the book, Until the Last Oak Falls is showing at the Islington Climate Centre until 15 September 2022.
In this episode, Jeffery Becton talks about his fascination with the ocean both in reality and symbolically, how he spurned the personal advice of Robert Motherwell, how his digital montage technique using Adobe Photoshop leads to photographs of altered realities creating an unsettling sense of emptiness, and ambiguity, and how rising sea levels pose a threat to our planet.
Accompanying images on consideringart.com
All images are ©Jeffery Becton
The top shot shows Jeffery Becton in front of his photograph The Approaches
The exhibition Between Two Worlds with Andrea Hamilton is showing at AH Studio 68 Kinnerton Street, London SW1X 8ER until 31 August 2022
You can see more of Jeffery’s work on his website
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
In this episode, Giles talks about how he nearly brought down the Berlin Wall with the Mutoid Waste Company, why he first began using moving parts in his sculptures, how he developed a political edge in his works, how his installation The Last Supper posed questions about religious education and how the installation Monster depicted what he has called a national nervous breakdown.
Accompanying images on consideringart.com
Scenes from Monster
You can see a film of Monster here
All images are © Giles Walker
You can see more of Giles’s work on his website
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
In this episode, the young British Irish sculptor talks about his early experiences of art, how he changed degrees at university from art to physics, his love of Irish blue limestone rock, how Irish folklore has influenced his sculpture and how he has learned practices to minimise the environmental impact of his work.
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
You can see more of Luke’s work on his website
In this episode, Victoria Cantons takes us through her troubled transgender history from childhood to her transitioning at the age of 39. She tells how photography became her first artistic expression before she opted for painting and fulfilled her long-held wish to go to art school. She also talks about learning technique from both contemporary artists as well as old masters and how her recent self-portraits express themes of power, identity and gender politics.
Accompanying images on consideringart.com
Three self-portraits – Transgender Woman Nos. 7, 8 and 9
I Have Always Believed Unicorns are Real and If you could Choose only One Thing: concept Victoria Cantons and Xu Yang, photography Victoria Cantons
You can see more of Victoria Canton’s work on her website
Her exhibition People Trust People who Look Like Them is showing at Flowers Gallery East, London until 2 July 2022
Top photo: Xu Yang
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
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