Considering Art Podcast

Hardeep Pandhal creates fantasy worlds centred on drawing in which he tackles challenging contemporary issues with a slice of humour. In this episode, he talks about his family background in Birmingham as the son of two Sikh parents, the racial prejudice he suffered, the influence of video games and digital media on his art, collaborating with his mother in textile work, how his biography became integral to his work, how he chose his avatar as a character called Sepoy Man and the members of his fantasy world he calls the Pintooverse.

Hardeep Pandhal talking with Bob Chaundy

Accompanying images on consideringart.com

Sepoy Man

A Nightmare on BAME Street

Chocolate and the Charlie Factory 2023. Photo © Tegen Kimbley

Saag and Fish Fingers, Midlands Art Centre, photo © Tegen Kimbley

If I Wasn’t an Artist, I’d be a Terrorist, Midlands Art Centre, photo © Tegen Kimbley

Saag and Fish Fingers is showing at MAC until 1st February 2026

Intro music: Ibiza by MBB | https://soundcloud.com/mbbofficial

Steve Nayar has been a nine times finalist for the Wildlife Artist of the Year competition and focuses on portraying endangered species. In this episode, he talks about his family’s lineage, what he learnt during his career in design and advertising, how painting a domestic cat sparked a change in direction, how a way of seeing is the key to his paintings, how horrified he was at the knowledge that so much of our wildlife is endangered, how photography aids his process, how he aims to paint the soul of his subjects and how his paintings can in some ways act as mirrors.

Steve Nayar talking with Bob Chaundy

Accompanying images on consideringart.com

Chimpanzee

Mauritius, Fragile Paradise

Life’s a Risk, Innit

Aurelius, Goldfinch

Rudhek

All images are © Steve Nayar

You can see more of Steve’s work on his website

Music: Ibiza by MBB | https://soundcloud.com/mbbofficial

Meredith Owen explores our relationship with nature in her oil paintings. In this episode, she talks about how nature was important in her childhood, studying Fine Art photography, fulfilling a childhood obsession by travelling to Mongolia, how walking informs her art practice, how her landscapes are based on feeling rather than representation, how literature has influenced her work, how she enjoys creating ambiguity in her paintings and what she hopes the viewer will take from her art.

Meredith Owen talking with Bob Chaundy

Accompanying images on consideringart.com

The world yawned open II, Robert Macfarlane

The woods were waiting for me with their breath and leaves of moss II, Edward Thomas

‘Come forth into the light of things, let Nature be your teacher,’ Wordsworth

Coulin by the Loch

All images are © Meredith Owen

Top studio portrait courtesy of Felix McCormack

You can see more of Meredith’s work on her website

Music: Ibiza by MBB | https://soundcloud.com/mbbofficial

Caro Williams has earned a worldwide reputation for sculptures that are transformations into solid form of lines from books and poems as well as sound, particularly birdsong. In this episode, she talks about her fascinating family background involving Wales, France, China, Hong Kong and England, her school days in Hong Kong, her career in the British travel industry, her art education in England and New Zealand, how she began transforming text and sounds into solid sculptures, excerpts from poems that have inspired her, her process of making, and her plans to introduce Cantonese characters into her work.

Caro Williams talking with Bob Chaundy

Accompanying images on consideringart.com

A Pause of Suspension, Wallace Art Prize shortlist

In the Shimmering Air, Wells Cathedral

Silent Echoes

In the White Dawn, shortlisted for Aesthetica Art Prize, 2023. Photo: Charlotte Graham Photography

Everyone was a Bird

Frozen Soundscape, Waterfall Iceland

You can see more of Caro’s work on her website

Music: Ibiza by MBB | https://soundcloud.com/mbbofficial

Simon Casson is internationally acclaimed for his meticulous paintings based on the Renaissance style but with a modern twist. In this episode, he talks about his African upbringing, how seeing a Renaissance work in the National Gallery as a child had a profound impact upon him, where his style of adapting the Renaissance style originated, how he tries to create a modern narrative and to build up fragments of time in his works, his strange titles, how he employs mathematical principles in his process, how his paintings have evolved over time and how he tackles commissions.

Simon Casson talking with Bob Chaundy

Accompanying images on consideringart.com

Romstal III and Anear III

All images are © Simon Casson

You can see more of Simon’s work on his website

Simon’s current exhibition, The Floralia, is at Long and Ryle until 9th January 2026

Music: Ibiza by MBB | https://soundcloud.com/mbbofficial

Esther Neslen is a sculptor, ceramicist and educator in London who works both figuratively and in abstraction. In this episode, she talks about how art was a way of easing anxiety as a child, her early fascination with the human form, how sculpture and clay didn’t mix at art college, working as a graphic designer and then as an animator before returning to sculpture, how she placed human form sculptures in public places in London, her depiction of human relationships in abstract forms and how she has turned national and global events that have affected her personally into her art.

Esther Neslen talking with Bob Chaundy

Accompanying images on consideringart.com

Waiting in Walthamstow

Complex Relationship 02

Self-Employed

Unequal Forms 05

Impacted Form 02

All images are © Esther Neslen

You can see more of Esther’s work on her website

Music: Ibiza by MBB | https://soundcloud.com/mbbofficial

For 20 years, Louise Pragnell has made a speciality of painting the portraits of members of royal families and military top brass. In this episode, she talks about drawing her mother as a child, her years of studying art before turning to portraiture, what she defines as modern sensibility in her paintings, how she strives to capture the essence of her sitters, the decisions over the details and poses in her portraits, how she started painting the royals and military, her recent commission to paint the Grand Duke and Duchess of Luxembourg and what she paints for fun.

Louise Pragnell talking with Bob Chaundy

Former Conservative leader, William Hague

Jeremy Clarkson

Household Cavalry

HRH Princess Royal

Grand Duke Guillaume and Grand Duchess Stephanie of Luxembourg

The Murdering Misguided Queen Cassandra

Koko

All images are © Louise Pragnell

You can see more of Louise’s work on her website

Music: Ibiza by MBB | https://soundcloud.com/mbbofficial

Graham Crowley has had a long and distinguished career as a painter and teacher, won the John Moores Painting Prize in 2023 and holds strong views on what he believes painting is and should be. In this episode, he talks about his lack of cultural beginnings, his experience of conceptualism at art school and how it strengthened his belief in painting, the influence of the French painter Fernand Leger, his views on illustration, why he painted landscapes in the 1990s, how he’s attracted by luminosity in paintings, why he dislikes being called an artist, and about his prize-winning work Light Industry.

Graham Crowley talking with Bob Chaundy

So and Sew

Light Industry

Top photo of Graham courtesy of Bill Jackson

All other images are © Graham Crowley

You can see more of Graham’s work on his website

Music: Ibiza by MBB | https://soundcloud.com/mbbofficial

Annemarieke Kloosterhof is a London-based Dutch artist who works in painting, collage, design and particularly in all things paper including single or multi-layered paper-cut illustrations, paper props, film sets and large-scale installations. In this episode, she talks about how her passion for paper first began, how nostalgia has been a theme in her work, the importance of experimentation, how she made a spectacular paper installation for the Bridgerton TV series, making three West-end theatres from paper, her use of recycled paper, how her paintings deal with issues such as female sexuality and how she has made paper versions of classic furniture for London’s Leighton House museum.

Annemarieke Kloosterhof talking with Bob Chaundy

Home Before Dark and Het Eerste Ijsje/The First Ice-cream, paintings

Bridgerton Series 3 Episode 6 Paper Craft Installation. Watch the scene on YouTube here

Red 3 from Hide and Seek Series, made from paper, photo Nick Dunne.

Rings of Power installation for premiere at British Museum

Tabernacle, recreated entirely in paper for Ghost Objects at Leighton House, London. Photo Jaron James

You can see more of Annemarieke’s work on her website

Music: Ibiza by MBB | https://soundcloud.com/mbbofficial

Reena Saini Kallat is an Indian artist who has gained international recognition for works that focus on aspects of global conflicts, injustices, inequalities, and climate catastrophes. In this episode, she talks about her family story of Partition and the legacy of it that remains in her home city of Mumbai, how she expresses the issue of global boundaries and frontiers that cause dissension, how the inter-dependence of species inspires her, how she uses legal documents in her work to represent ideas of responsibility and freedom, how people who have disappeared are another source of influence, and about her current sculpture at Frieze London that features the bird calls of extinct species.

Reena Saini Kallat talking with Bob Chaundy

Leaking Lines (Indus)

Fluid Geographies

Verso-Recto-Recto-Verso

Woven Chronicles

You can see more of Reena’s work on her website

Music: Ibiza by MBB | https://soundcloud.com/mbbofficial