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We're joined by friend of the show and Brooklyn Caribbean Literary Festival (BCLF) founder Marsha Messiah as we kick back and talk to Keegan Taylor, a Bois Man both in academia and in the gayelle, song writer, movie producer and business man among many other hats.
We discuss two of his biggest writing successes, Machel and Benji's Buss Head and Desert and Yung Bredda’s Rosie. Both songs are firmly rooted in the drums and chants of the stick fight arena.
We also discuss the state of carnival and where it's going.
Marsha, a lover of culture and an avid mas player claims this is her last time playing mas and we get into why.
Enjoy!!!
By Corie Sheppard4.8
1818 ratings
Send us a text
We're joined by friend of the show and Brooklyn Caribbean Literary Festival (BCLF) founder Marsha Messiah as we kick back and talk to Keegan Taylor, a Bois Man both in academia and in the gayelle, song writer, movie producer and business man among many other hats.
We discuss two of his biggest writing successes, Machel and Benji's Buss Head and Desert and Yung Bredda’s Rosie. Both songs are firmly rooted in the drums and chants of the stick fight arena.
We also discuss the state of carnival and where it's going.
Marsha, a lover of culture and an avid mas player claims this is her last time playing mas and we get into why.
Enjoy!!!

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