Conversations on Dance | Ballet & Dance Careers

Today on Conversations On Dance we are joined by New York based choreographer and dancer Caleb Teicher. Caleb began their career as a founding member of Michelle Dorance's critically acclaimed company Dorrance Dance, quick achieving personal critical acclaim as well when they received a Bessie Award at age 17. In 2015, Caleb shifted their creative focus towards Caleb Teicher & Company, a creative home for incubating new concert dance works from Teicher’s unique perspective.

We talk to Caleb about their unique early training, how musicality and broad range of musical styles play an integral role in their creative output, and their upcoming performances of ‘SW!NG OUT, directed by Caleb Teicher.' If you are located in the Houston area, see SW!NG OUT on April 9, 2022 at 7:30 at Society for the Performing Arts. Ticket and performance information available at spahouston.org.

Take our listener survey: https://conversationsondancepod.com/listener-survey

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The post (278) Caleb Teicher, New York based dancer and choreographer appeared first on tendusunderapalmtree.com.

Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

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Today we are joined again by listener favorite, Alastair Macaulay, former Chief Dance Critic for the New York Times. We asked Alastair to join us as he has been diligently chronicling the dance world's reaction to the Russian-Ukraine war since it started last month. We talk with Alastair about what he has been seeing from both Russian and Ukrainian dancers, what leaders within the dance world are doing to help, and how this conflict could change dance moving forward. Please note: this episode was recorded on March 18, 2022.

You can follow Alastair's posts surrounding this topic on Instagram at @alastair.macaulay.

Take our listener survey between now and April 1, 2022: https://conversationsondancepod.com/listener-survey

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LINKS:

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The post (277) The dance world's reaction to the Russian-Ukraine war with Alastair Macaulay appeared first on tendusunderapalmtree.com.

Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com

Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

Instagram: instagram.com/conversationsondance

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Today on Conversations On Dance we are joined by Michelle Manzanales, director of Ballet Hispánico’s School Of Dance. Michelle’s formative years as a dancer were spent training at the University of Houston, ultimately springboarding her to a career as a dancer at Luna Negra Dance Theater under the direction of Eduardo Vilaro, now director of Ballet Hispanico. She later became Artistic Associate and Rehearsal Director at Ballet Hispanico before transitioning to her present role as school director. She is also a prolific choreographer, with upcoming premieres for esteemed companies like Paul Taylor Dance Company and Oregon Ballet Theatre. We talk to Michelle about the importance of BIPOC visibility in dance and art, connecting to your cultural roots via ballet and how she brings her varied influences to her work as a teacher and choreographer.

Learn more about Ballet Hispánico’s School Of Dance programs on their website: https://www.ballethispanico.org/school.

Take our listener survey between now and April 1, 2022: https://conversationsondancepod.com/listener-survey

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LINKS:

Join our email list: https://bit.ly/3basX5g

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The post (276) Michelle Manzanales, Director of Ballet Hispánico's School of Dance appeared first on tendusunderapalmtree.com.

Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com

Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

Instagram: instagram.com/conversationsondance

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Today we hear about the Ragamala Dance Company. We are joined by the company's founder and co-artistic director, Ranee Ramaswamy, and her two daughters: co-artistic director Aparna Ramaswamy and Choreographic Associate Ashwini Ramaswamy. This mother-daughter run company was founded in 1992 and is rooted in the South Indian dance form of Bharatanatyam. Through multi-disciplinary dance works for the stage, engaging the community, and educating the next generation, Ragamala epitomizes intercultural and immigrant narratives that evoke a shared sense of humanity. They train the next generation of dancers through the Ragamala Training Center.

We talk with this trio about their origins in dance, the style of Bharatanatyam, the founding of their company, their choreography, and what they have coming up in the next few months. The company will be performing ‘Fires of Varanasi' at the Soraya in Los Angeles on April 9, 2022 (https://www.thesoraya.org/calendar/details/ragamala-2022). The premiere of Ashwini Ramaswamy ‘Let the Crows Come' is April 13, 2022 at the Baryshnikov Arts Center (https://www.albany.edu/pac/news/2021-ashwini-ramaswamys-let-crows-come-march-27).

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LINKS:

Join our email list: https://bit.ly/3basX5g

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Twitter: twitter.com/convoondance

conversationsondancepod.com

The post (275) Ragamala Dance Company appeared first on tendusunderapalmtree.com.

Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com

Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

Instagram: instagram.com/conversationsondance

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Today on ‘Conversations On Dance', we are joined by Janet Eilber, the artistic director of the Martha Graham Dance Company and Wild Up musical director Christopher Rountree. Janet and Christopher have been working together to revive and re-envision the choreographic works of 20th century giant Martha Graham and their accompanying musical compositions. They talk to us about their process in re-envisioning these works, how they attempt to inhabit the minds of the creative geniuses who bore them, and why these works are still relevant to audiences today. 

The Soraya performing arts venue in Los Angeles, CA has been an integral part of these restoration projects and will be the first to present the latest project ‘The New Canticle for Comedians', a reimagined upgrade to a Graham work that was almost entirely lost. The premiere of ‘New Canticle' is this March 19, 2022. If you are in the Los Angeles area, you can find tickets at thesoraya.org or click here for tickets https://www.thesoraya.org/calendar/details/mgdc-2022.

2023 VAIL DANCE FESTIVAL TICKETS ON SALE NOW! 

Conversations on Dance events: https://bit.ly/3NQwoDj

Performance tickets: https://vaildance.org/

THIS EPISODE’S SPONSORS

Cleveland School of Ballet:

Trainee Program Auditions – https://clevelandballet.org/trainee-program-auditions/

Summer Intensive Auditions – https://clevelandballet.org/summer-intensive-2022/

Dimensions Dance Theatre of Miami – dimensionsdancemia.com

Dancespiration raffle – www.dancespiration.store

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Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com

Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

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Today we check in with Houston Ballet to hear about their upcoming performances of Stanton Welch's ‘Sylvia.' We are joined by Houston Ballet Artistic Director, Stanton Welch, and Principal dancers who will be performing the leads in the ballet, Connor Walsh and Karina González. We first spoke with Stanton Welch on the podcast in 2018 in episode 98, had Connor on in 2019 in episode 158, and are welcoming Karina on for the first time.

Today we speak with this trio about what lead them each to Houston Ballet, getting back onstage this season for the first time since the beginning of the pandemic, their work and process of creating ‘Sylvia,' and what audiences can expect from this original full length production. Houston Ballet's ‘Sylvia' is on stage March 10-20, 2022 at the Brown Theater in Houston, TX. For tickets and more information about Houston Ballet's 2021-2022 season, visit houstonballet.org.

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LINKS:

Cleveland School of Ballet:

Trainee Program Auditions – https://clevelandballet.org/trainee-program-auditions/

Summer Intensive Auditions – https://clevelandballet.org/summer-intensive-2022/

Dimensions Dance Theatre of Miami – dimensionsdancemia.com

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The post (273) Houston Ballet's ‘Sylvia' with Stanton Welch, Connor Walsh, and Karina González appeared first on tendusunderapalmtree.com.

Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com

Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

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Today we are joined by Karole Armitage, Artistic Director of the New York-based Armitage GONE! Dance Company. Karole has had an extensive career as a dancer and choreographer.  She began her professional career in 1973 as a member of the Ballet du Grand Théâtre de Genève, Switzerland, under the direction of George Balanchine. In 1976, she was invited to join Merce Cunningham's company, where she remained for five years, performing leading roles in Cunningham's landmark works.

She began her choreographic career in 1979, showcasing her unique voice in the dichotomy of classical and modern dance. Requests for commissions came in quickly once she started creating dance, from companies such as the Paris Opera Ballet, American Ballet Theatre, and companies throughout Europe. In 1990, she choreographed Madonna's now iconic music video, “Vogue,” then went on to choreograph for Michael Jackson's music video, “In The Closet.”

In 2004 she founded her company, Armitage GONE! Dance, which will be onstage this month at New York Live Arts. We caught up with Karole as she was at the studios between rehearsals to hear about her expansive career, stories of working with Balanchine and Cunningham, choreographing for two of the most prolific pop stars of all time, and about her company's upcoming shows. Don't miss “A Pandemic Notebook” at New York Live Arts March 16-19, 2022. Tickets are available at https://newyorklivearts.org/live-arts-plus.

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LINKS:

Cleveland School of Ballet:

Trainee Program Auditions – https://clevelandballet.org/trainee-program-auditions/

Summer Intensive Auditions – https://clevelandballet.org/summer-intensive-2022/

Join our email list: https://bit.ly/3basX5g

Instagram: instagram.com/conversationsondance

Facebook: facebook.com/conversationsondance

Facebook Group:  facebook.com/groups/conversationsondancefriends

Twitter: twitter.com/convoondance

conversationsondancepod.com

The post (272) Karole Armitage, Artistic Director of Armitage GONE! Dance Company appeared first on tendusunderapalmtree.com.

Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com

Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

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Today we are joined by Lynn Garafola, dance historian and author of ‘La Nijinska: Choreographer of the Modern.' Ms. Garafola is Professor Emerita of Dance at Barnard College, Columbia University. A dance historian and critic, she is the author of Diaghilev's Ballets Russes and Legacies of Twentieth-Century Dance, and the editor of several books, including The Diaries of Marius Petipa, André Levinson on Dance (with Joan Acocella), José Limón: An Unfinished Memoir, and The Ballets Russes and Its World.

She has curated several exhibitions, including Dance for a City: Fifty Years of the New York City Ballet, New York Story: Jerome Robbins and His World, Diaghilev's Theater of Marvels: The Ballets Russes and Its Aftermath, and, most recently, Arthur Mitchell: Harlem's Ballet Trailblazer.

We talk with Lynn about her new biography of Bronislava Nijinska. Overshadowed in life and legend by her brother Vaslav Nijinsky, Garafola has written the first book to document the full scope of Nijinska's creative work. Nijinska was a remarkable dancer in her own right with a bravura technique, a teacher, and a prolific choreographer, working with leading figures of twentieth-century art, music, and ballet, including Stravinsky, Diaghilev, Frederick Ashton, Alicia Markova, and Maria Tallchief. ‘La Nijinska: Choreographer of the Modern' will be released next month, wherever books are sold. Pre-order now on Amazon: https://amzn.to/3BYWi1r.

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LINKS:

Cleveland School of Ballet:

Trainee Program Auditions – https://clevelandballet.org/trainee-program-auditions/

Summer Intensive Auditions – https://clevelandballet.org/summer-intensive-2022/

Join our email list: https://bit.ly/3basX5g

Instagram: instagram.com/conversationsondance

Facebook: facebook.com/conversationsondance

Facebook Group:  facebook.com/groups/conversationsondancefriends

Twitter: twitter.com/convoondance

conversationsondancepod.com

The post (271) Lynn Garafola, Dance Historian, on Bronislava Nijinska appeared first on tendusunderapalmtree.com.

Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com

Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

Instagram: instagram.com/conversationsondance

Hosted on Acast. See acast.com/privacy for more information.

Today we are joined by our friend, Monica Stephenson, who just started work at a new post as Director of Community Engagement at Miami City Ballet. Monica is originally from North Carolina and is a graduate of the University of North Carolina School of the Arts and the Professional Training Program at the Houston Ballet Academy. In 2002, she received her first professional contract with The Washington Ballet. She went on to perform with the Dance Theatre of Harlem Ensemble from 2003-2005 before joining the Los Angeles Ballet as an inaugural season company member. Monica was previously a member of the Education Staff at American Ballet Theatre as both a Teaching Artist and the Project Coordinator for Project Plié, an initiative to increase diversity in classical ballet. An engaging dancer, teacher, and administrator, Stephenson joined MCB in January 2022 from The Washington School of Ballet where she served as Head of School for the SE Campus in Washington, DC.

We chat with Monica about leading The Washington School of Ballet's SE campus through the pandemic, what brought about this opportunity at Miami City Ballet, what this position entails, and what she is looking to accomplish in the Miami community. To hear our first chat with Monica, tune into episode 141.

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LINKS:

Cleveland School of Ballet:

Trainee Program Auditions – https://clevelandballet.org/trainee-program-auditions/

Summer Intensive Auditions – https://clevelandballet.org/summer-intensive-2022/

Join our email list: https://bit.ly/3basX5g

Instagram: instagram.com/conversationsondance

Facebook: facebook.com/conversationsondance

Facebook Group:  facebook.com/groups/conversationsondancefriends

Twitter: twitter.com/convoondance

conversationsondancepod.com

The post (270) Monica Stephenson, Miami City Ballet Director of Community Engagement appeared first on tendusunderapalmtree.com.

Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com

Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

Instagram: instagram.com/conversationsondance

Hosted on Acast. See acast.com/privacy for more information.

Today we are joined by our friend Kate Penner. Kate is figure skating super fan, so we decided to chat with her and have her to give us the run down on the sport to give us a better idea of what to be looking for during the 2022 Beijing Olympics. Throughout the discussion, we compare and contrast the sport with ballet. At the end, she answers questions that were submitted to us by listeners via Instagram.

As a note, this episode was recorded on Tuesday, February 8th, 2022. Since this has been recorded, there has been significant developments regarding drug test results from the Russian team that arose on February 9th.

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LINKS:

• Conversations on Dance Reading List, our favorite dance-related reads: https://bit.ly/3GFVWi8

Join our email list: https://bit.ly/3basX5g

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Twitter: twitter.com/convoondance

conversationsondancepod.com

The post (269) Olympic Figure Skating with Kate Penner appeared first on tendusunderapalmtree.com.

Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com

Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

Instagram: instagram.com/conversationsondance

Hosted on Acast. See acast.com/privacy for more information.