Conversations on Dance | Ballet & Dance Careers

By Michael Sean Breeden & Rebecca King Ferraro | Former Miami City Ballet DancersArts Performing Arts Visual Arts

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Conversations on Dance | Ballet & Dance Careers episodes

July 02, 2018 (99) Michael Novak, Artistic Director Designate of the Paul Taylor Dance Foundation
This we we are delighted to welcome Michael Novak, the Artistic Director Designate of the Paul Taylor Dance Foundation. Raised in Rolling Meadows, IL, Michael began studying dance at age ten. In 2001, he was offered a Presidential Scholarship to attend The University of the Arts in Philadelphia to pursue training in jazz and ballet. The following year, he undertook an apprenticeship at the Pennsylvania Academy of Ballet Society, where he remained until 2004. After moving to New York City, Michael was admitted to Columbia University’s School of General Studies where he was awarded scholarships for academic excellence. After being a freelance dancer in New York City for many years, Michael joined the Paul Taylor Dance Company in 2010. This past May, Paul Taylor chose Michael as a successor, naming him artistic director-designate of the Paul Taylor Dance Foundation. Michael is 35 and will continue on with the company as a dancer. Today we talk with Michael about what brought him to dance, finding Paul Taylor and his choreography, and what has happened since Paul called him in March with some big news.
45 min
June 25, 2018 (98) Stanton Welch, Artistic Director Houston Ballet and Choreographer
This week on Conversations On Dance, our guest is Houston Ballet Artistic Director and acclaimed choreographer Stanton Welch. Born in Australia to two prominent ballet dancers, Welch expressed an interest in choreography almost immediately after beginning his dance training. Soon after joining the Australian Ballet as a dancer he received his first choreographic commission, and five years later he was named resident choreographer. Following major commissions at companies around the globe, Welch was appointed artistic director of the Houston Ballet. We talk to Welch about coming from a family of dancers, his choreographic inspirations, and the challenges of directing a company.
The post (98) Stanton Welch, Artistic Director Houston Ballet and Choreographer appeared first on tendusunderapalmtree.com.
Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com
Join our email list: https://conversations-on-dance.kit.com/7f73880f5b
Instagram: instagram.com/conversationsondance
Hosted on Acast. See acast.com/privacy for more information.
39 min
June 25, 2018 (98) Stanton Welch, Artistic Director Houston Ballet and Choreographer
This week on Conversations On Dance, our guest is Houston Ballet Artistic Director and acclaimed choreographer Stanton Welch. Born in Australia to two prominent ballet dancers, Welch expressed an interest in choreography almost immediately after beginning his dance training. Soon after joining the Australian Ballet as a dancer he received his first choreographic commission, and five years later he was named resident choreographer. Following major commissions at companies around the globe, Welch was appointed artistic director of the Houston Ballet. We talk to Welch about coming from a family of dancers, his choreographic inspirations, and the challenges of directing a company.
39 min
June 18, 2018 (97) Ana Sophia Scheller, San Francisco Ballet Principal Dancer
This week we are joined by Ana Sophia Scheller, San Francisco Ballet Principal Dancer. The Argentinian-born dancer moved to New York at the age of 13 to study at the School of American Ballet, and later joined NYCB as a corps member in 2004 after a brief time with ABT’s Studio company. In her 13 years with NYCB, she worked her way up to the title of Principal dancing featured roles in all of the classics and originating roles in several new works. In the summer of 2017 she announced that she would make the move to join San Francisco Ballet as a Principal for the following season. We talk with Ana about her beginnings with ballet, how she joined the New York City Ballet, and what ultimately took her to San Francisco Ballet.
The post (97) Ana Sophia Scheller, San Francisco Ballet Principal Dancer appeared first on tendusunderapalmtree.com.
Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com
Join our email list: https://conversations-on-dance.kit.com/7f73880f5b
Instagram: instagram.com/conversationsondance
Hosted on Acast. See acast.com/privacy for more information.
23 min
June 18, 2018 (97) Ana Sophia Scheller, San Francisco Ballet Principal Dancer
This week we are joined by Ana Sophia Scheller, San Francisco Ballet Principal Dancer. The Argentinian-born dancer moved to New York at the age of 13 to study at the School of American Ballet, and later joined NYCB as a corps member in 2004 after a brief time with ABT’s Studio company. In her 13 years with NYCB, she worked her way up to the title of Principal dancing featured roles in all of the classics and originating roles in several new works. In the summer of 2017 she announced that she would make the move to join San Francisco Ballet as a Principal for the following season. We talk with Ana about her beginnings with ballet, how she joined the New York City Ballet, and what ultimately took her to San Francisco Ballet.
23 min
June 11, 2018 (96) Dwight Rhoden, Artistic Director of Complexions Contemporary Ballet
Today on Conversations On Dance, we speak with Dwight Rhoden, founding artistic director and resident choreographer of Complexions Dance Company. Despite a late start in dance, Rhoden danced for numerous major companies, including as a principal with Alvin Ailey American Dance Theater. Partnering with acclaimed performer Desmond Richardson, Rhoden co-founded Complexions in 1994, a company often cited as America’s original multi-cultural dance company. With its profound commitment to diversity and new contemporary work, Complexions has achieved international acclaim. Rhoden has choreographed over 80 works for Complexions, in addition to works created for the Mariinsky Ballet, the New York City Ballet, the Joffrey Ballet, and many others. Today we talk to Dwight about his beginnings as a dancer, what’s next for Complexions and the work he most recently created at San Francisco Ballet’s Unbound festival.
The post (96) Dwight Rhoden, Artistic Director of Complexions Contemporary Ballet appeared first on tendusunderapalmtree.com.
Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com
Join our email list: https://conversations-on-dance.kit.com/7f73880f5b
Instagram: instagram.com/conversationsondance
Hosted on Acast. See acast.com/privacy for more information.
33 min
June 11, 2018 (96) Dwight Rhoden, Artistic Director of Complexions Contemporary Ballet
Today on Conversations On Dance, we speak with Dwight Rhoden, founding artistic director and resident choreographer of Complexions Dance Company. Despite a late start in dance, Rhoden danced for numerous major companies, including as a principal with Alvin Ailey American Dance Theater. Partnering with acclaimed performer Desmond Richardson, Rhoden co-founded Complexions in 1994, a company often cited as America’s original multi-cultural dance company. With its profound commitment to diversity and new contemporary work, Complexions has achieved international acclaim. Rhoden has choreographed over 80 works for Complexions, in addition to works created for the Mariinsky Ballet, the New York City Ballet, the Joffrey Ballet, and many others. Today we talk to Dwight about his beginnings as a dancer, what’s next for Complexions and the work he most recently created at San Francisco Ballet’s Unbound festival.
33 min
June 04, 2018 (95) Mathilde Froustey, Principal Dancer with San Francisco Ballet
This week we are joined by Mathilde Froustey, Principal Dancer with San Francisco Ballet. Mathilde started dancing at the age of 9 in the South of France before going on to study at the Paris Opera Ballet School in 1999. In 2002 she joined The Paris Opera Ballet where she would dance numerous Principal roles for over a decade. In January 2013 she accepted an offer from Helgi Tommasson to join the San Francisco Ballet as a Principal. News of her leaving Paris Opera made waves, as she was the first top-notch dancer to leave the company in years. Today we talk with Mathilde about her career and her time dancing with both Paris Opera and San Francisco Ballet. She offers us especially interesting insight into Paris Opera and how the company is run, which is a stark contrast to companies in the United States.
The post (95) Mathilde Froustey, Principal Dancer with San Francisco Ballet appeared first on tendusunderapalmtree.com.
Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com
Join our email list: https://conversations-on-dance.kit.com/7f73880f5b
Instagram: instagram.com/conversationsondance
Hosted on Acast. See acast.com/privacy for more information.
49 min
June 04, 2018 (95) Mathilde Froustey, Principal Dancer with San Francisco Ballet
This week we are joined by Mathilde Froustey, Principal Dancer with San Francisco Ballet. Mathilde started dancing at the age of 9 in the South of France before going on to study at the Paris Opera Ballet School in 1999. In 2002 she joined The Paris Opera Ballet where she would dance numerous Principal roles for over a decade. In January 2013 she accepted an offer from Helgi Tommasson to join the San Francisco Ballet as a Principal. News of her leaving Paris Opera made waves, as she was the first top-notch dancer to leave the company in years. Today we talk with Mathilde about her career and her time dancing with both Paris Opera and San Francisco Ballet. She offers us especially interesting insight into Paris Opera and how the company is run, which is a stark contrast to companies in the United States.
49 min
May 29, 2018 (94) Katita Waldo, Ballet Master with San Francisco Ballet
This week we are joined by Katita Waldo, Ballet Master with San Francisco Ballet. Katita trained at San Francisco Ballet School, prior to joining the company in 1988 and becoming a Principal dancer in 1994. She performed Principal roles in a diverse repertory of works by acclaimed choreographers including George Balanchine, William Forsythe, Lar Lubovitch, Helgi Tomasson, and Christopher Wheeldon before retiring from the stage in 2010. In 2008, SFB Artistic Director Helgi Tomasson asked Katita to serve as Ballet Master for 2 world premiers. These experiences ultimately lead to her full-time appointment to the position upon her retirement. Today we talk with Katita about her career, he first experiences in the front of the room setting ballets, adjusting to her new role as Ballet Master, her process for learning ballets before coming into the studio, and her role in the ‘Unbound' festival.
This episode is sponsored by San Francisco Ballet and Body Wrappers/Angelo Luzio.
The post (94) Katita Waldo, Ballet Master with San Francisco Ballet appeared first on tendusunderapalmtree.com.
Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.

Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance

Website: conversationsondancepod.com
Join our email list: https://conversations-on-dance.kit.com/7f73880f5b
Instagram: instagram.com/conversationsondance
Hosted on Acast. See acast.com/privacy for more information.
30 min