Conversations on Dance | Ballet & Dance Careers

Conversations on Dance | Ballet & Dance Careers

By Michael Sean Breeden & Rebecca King Ferraro | Former Miami City Ballet DancersArtsPerforming ArtsVisual Arts
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Conversations on Dance | Ballet & Dance Careers episodes

  • (79) Amy Brandt, Pointe Magazine Editor-in-Chief
    Today we are joined by Amy Brandt, Pointe Magazine Editor-in-Chief.  Amy invited us to the Pointe headquarters in New York City and gave us a tour of their beautiful offices before we sat down to chat.  Amy dance professionally with Milwaukee Ballet and The Suzanne Farrell Ballet among others.  During her ballet career, she pursued her college degree part-time, while also beginning to write for Pointe Magazine, starting with her advice column, “Ask Amy.”  Amy graduated summa cum laude from Marymount Manhattan College with a BA in English and World Literatures, and currently serves on its advisory board.  She has been the editor in chief since 2014.  Today we talk with Amy about getting a college degree while dancing full time, what she sees as her responsibility as the editor of the ballet world’s most widely read publication, and some of the tough issues facing ballet today.
    55 min
  • (78) Renan Cerdeiro, MCB Principal, & Patricia Delgado, Former MCB Principal

    Today we are joined by two of our close friends, former Miami City Ballet Principal Dancer, Patricia Delgado, and current MCB Principal, Renan Cerdeiro.  Patricia has been on our podcast quite a few times in the past, so to hear more from Pat, visit our past catalog of episodes.  Renan was born in Rio de Janiero, Brazil and started dancing at a young age.  In 2008, he was named a finalist at the Prix de Lausanne in Switzerland, and was awarded a scholarship to train at Miami City Ballet School.  He joined MCB in 2010, and was promoted to Principal in 2013.  Patricia and Renan often danced together at Miami City Ballet, and became one of the company’s most beloved onstage couples.  We caught up with the pair when they were guesting as The Sugar Plum Fairy and Cavelier in Next Generation Ballet’s Nutcracker this past December.  Hear them talk about their first time dancing together, what makes their partnership so special, their experience dancing Romeo and Juliet together, and what it feels like to reunite here in Tampa with Next Generation Ballet.

    The post (78) Renan Cerdeiro, MCB Principal, & Patricia Delgado, Former MCB Principal appeared first on tendusunderapalmtree.com.

    Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.


    Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance


    Website: conversationsondancepod.com

    Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

    Instagram: instagram.com/conversationsondance

    Hosted on Acast. See acast.com/privacy for more information.

    44 min
  • (78) Renan Cerdeiro, MCB Principal, & Patricia Delgado, Former MCB Principal
    Today we are joined by two of our close friends, former Miami City Ballet Principal Dancer, Patricia Delgado, and current MCB Principal, Renan Cerdeiro.  Patricia has been on our podcast quite a few times in the past, so to hear more from Pat, visit our past catalog of episodes.  Renan was born in Rio de Janiero, Brazil and started dancing at a young age.  In 2008, he was named a finalist at the Prix de Lausanne in Switzerland, and was awarded a scholarship to train at Miami City Ballet School.  He joined MCB in 2010, and was promoted to Principal in 2013.  Patricia and Renan often danced together at Miami City Ballet, and became one of the company’s most beloved onstage couples.  We caught up with the pair when they were guesting as The Sugar Plum Fairy and Cavelier in Next Generation Ballet’s Nutcracker this past December.  Hear them talk about their first time dancing together, what makes their partnership so special, their experience dancing Romeo and Juliet together, and what it feels like to reunite here in Tampa with Next Generation Ballet.
    44 min
  • (77) Ashton and Balanchine: Parallel Lives with Alastair Macaulay

    Today we have a wonderful bunhead episode in store, with one of our favorite guests, The Chief Dance Critic of the New York Times, Alastair Macaulay. Alastair and Michael are together in Michael’s New York City apartment, while I call in to join the conversation. Today we are focusing on two of the most important choreographers of the 20th century: George Balanchine and Frederick Ashton. If you listen to the pod, you have heard us speak of Balanchine, and are likely a fan yourself, but we haven’t covered Ashton much, until today. Mr. Macaulay has been preparing for a lecture he will be presenting at the New York Public Library on February 5th on the subject of these two choreographers.  Alastair offers us a wonderful preview of the content he will cover, tells stories of the two choreographic greats, and compares and contrasts their work.

    Alastair will be presenting the annual Lincoln Kirstein Lecture, “Ashton and Balanchine: Parallel Lives” at the New York Public Library on February 5th at 6pm. This event is co-presented by The Center for Ballet and the Arts at New York University and The New York Public Library for the Performing Arts.  For more information, visit NYPL.org.

    The post (77) Ashton and Balanchine: Parallel Lives with Alastair Macaulay appeared first on tendusunderapalmtree.com.

    Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.


    Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance


    Website: conversationsondancepod.com

    Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

    Instagram: instagram.com/conversationsondance

    Hosted on Acast. See acast.com/privacy for more information.

    1 hr 5 min
  • (77) Ashton and Balanchine: Parallel Lives with Alastair Macaulay
    Today we have a wonderful bunhead episode in store, with one of our favorite guests, The Chief Dance Critic of the New York Times, Alastair Macaulay. Alastair and Michael are together in Michael’s New York City apartment, while I call in to join the conversation. Today we are focusing on two of the most important choreographers of the 20th century: George Balanchine and Frederick Ashton. If you listen to the pod, you have heard us speak of Balanchine, and are likely a fan yourself, but we haven’t covered Ashton much, until today. Mr. Macaulay has been preparing for a lecture he will be presenting at the New York Public Library on February 5th on the subject of these two choreographers.  Alastair offers us a wonderful preview of the content he will cover, tells stories of the two choreographic greats, and compares and contrasts their work.
    Alastair will be presenting the annual Lincoln Kirstein Lecture, “Ashton and Balanchine: Parallel Lives” at the New York Public Library on February 5th at 6pm. This event is co-presented by The Center for Ballet and the Arts at New York University and The New York Public Library for the Performing Arts.  For more information, visit NYPL.org.
    1 hr 5 min
  • (76) Sara Mearns and Amar Ramasar, New York City Ballet Principals

    Today we are bringing you another episode from Next Generation Ballet in Tampa.  We sit down with esteemed New York City Ballet Principals Sara Mearns and Amar Ramasar who were performing as guest artists for NGB’s “Nutcracker” this past December.   Sara has been on the pod before, so if you haven’t heard our interview with her, check out episode 24.  Amar and Sara have been dancing together since they joined the company in 2000 and 2003 respectively.  They have had works created on them and surrounding their partnership by countless choreographers including Justin Peck, Peter Martins, Chris Wheeldon, and Alexei Ratmansky to name a few.  Today we talk with them about what makes a successful partnership, how they worked through some difficult times, why they work so well together, and they share with us some of their favorite onstage moments together.

    The post (76) Sara Mearns and Amar Ramasar, New York City Ballet Principals appeared first on tendusunderapalmtree.com.

    Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.


    Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance


    Website: conversationsondancepod.com

    Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

    Instagram: instagram.com/conversationsondance

    Hosted on Acast. See acast.com/privacy for more information.

    32 min
  • (76) Sara Mearns and Amar Ramasar, New York City Ballet Principals
    Today we are bringing you another episode from Next Generation Ballet in Tampa.  We sit down with esteemed New York City Ballet Principals Sara Mearns and Amar Ramasar who were performing as guest artists for NGB’s “Nutcracker” this past December.   Sara has been on the pod before, so if you haven’t heard our interview with her, check out episode 24.  Amar and Sara have been dancing together since they joined the company in 2000 and 2003 respectively.  They have had works created on them and surrounding their partnership by countless choreographers including Justin Peck, Peter Martins, Chris Wheeldon, and Alexei Ratmansky to name a few.  Today we talk with them about what makes a successful partnership, how they worked through some difficult times, why they work so well together, and they share with us some of their favorite onstage moments together.
    32 min
  • (75) Elizabeth Claire Walker, Los Angeles Ballet Soloist and Harvard Graduate

    This week on the podcast we are tackling a subject that we find of immense interest to students and parents in our travels to schools across the country: does having a career in ballet mean forgoing college?  Our guest this week is a Harvard Graduate and an Los Angeles Ballet Soloist who shows that it’s possible to do both.  This week we talk with Elizabeth Claire Walker, who always dreamed of a career in ballet, and had parents who strongly valued her education.  She trained as a teenager at American Ballet Theatre’s Jacqueline Kennedy Onassis School.  After being accepted at Harvard, she pushed on with her ballet career, attending company auditions and being discovered by Los Angeles Ballet in their inagural season.  Liz defered college and headed to LA to start her career.  An experimental summer-school stint in Cambridge in 2007 made Walker fall in love with Harvard and gave her the push she needed to pursue her degree. She continued dancing while attending college, suffering an injury that made her hesitant to re-enter the world of professional ballet so soon.  After graduating, she was re-hired at LA Ballet, and was recently promoted to soloist.  We talk with Liz as a part of our time at the Vail Dance Festival in August of last year.  We have such an enlightening talk with Liz that we truely reccommend for all parents with children who wish to pursue a career in ballet.

    The post (75) Elizabeth Claire Walker, Los Angeles Ballet Soloist and Harvard Graduate appeared first on tendusunderapalmtree.com.

    Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.


    Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance


    Website: conversationsondancepod.com

    Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

    Instagram: instagram.com/conversationsondance

    Hosted on Acast. See acast.com/privacy for more information.

    38 min
  • (75) Elizabeth Claire Walker, Los Angeles Ballet Soloist and Harvard Graduate
    This week on the podcast we are tackling a subject that we find of immense interest to students and parents in our travels to schools across the country: does having a career in ballet mean forgoing college?  Our guest this week is a Harvard Graduate and an Los Angeles Ballet Soloist who shows that it’s possible to do both.  This week we talk with Elizabeth Claire Walker, who always dreamed of a career in ballet, and had parents who strongly valued her education.  She trained as a teenager at American Ballet Theatre’s Jacqueline Kennedy Onassis School.  After being accepted at Harvard, she pushed on with her ballet career, attending company auditions and being discovered by Los Angeles Ballet in their inagural season.  Liz defered college and headed to LA to start her career.  An experimental summer-school stint in Cambridge in 2007 made Walker fall in love with Harvard and gave her the push she needed to pursue her degree. She continued dancing while attending college, suffering an injury that made her hesitant to re-enter the world of professional ballet so soon.  After graduating, she was re-hired at LA Ballet, and was recently promoted to soloist.  We talk with Liz as a part of our time at the Vail Dance Festival in August of last year.  We have such an enlightening talk with Liz that we truely reccommend for all parents with children who wish to pursue a career in ballet.
    38 min
  • (74) Philip Neal, Artistic Director of Next Generation Ballet and Former New York City Ballet Principal

    This week we continue our coverage of Next Generation Ballet’s Nutcracker by speaking with Philip Neal, Artistic Director of Next Generation Ballet.  Philip began his training at the age of 11 at the School of Richmond Ballet, where he was recognized by Edward Villella and offered a scholarship to the School of American Ballet.  He joined the New York City Ballet in 1987 becoming a Principal in 1992.  He went on to dance lead roles in the vast majority of the company’s rep,  and was invited to guest with many companies including the Kirov Ballet and Paris Opera Ballet.  After a 23- year tenure with City Ballet, 17 of those years as a Principal, Philip was invited by The George Balanchine Trust and The Jerome Robbins Rights Trust to become a Repetiteur, staging the ballets of both legendary choreographers throughout the world.  From 2010-2013, he directed developmental efforts in  Palm Beach County on behalf of Miami City Ballet before being appointed the Artistic Director of Next Generation Ballet & Dance Dean of the Patel Conservatory at the Straz Center in Tampa FL, one the largest performing arts center in the United States.  Today we talk with Philip about his career, how he discovered his talent for arts development, get some teaching pointers, and learn more about the great work he is doing at Next Generation Ballet.

    The post (74) Philip Neal, Artistic Director of Next Generation Ballet and Former New York City Ballet Principal appeared first on tendusunderapalmtree.com.

    Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.


    Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondance


    Website: conversationsondancepod.com

    Join our email list: https://conversations-on-dance.kit.com/7f73880f5b

    Instagram: instagram.com/conversationsondance

    Hosted on Acast. See acast.com/privacy for more information.

    54 min

About Conversations on Dance | Ballet & Dance Careers

From the publisher's feed

Dance, ballet, and contemporary dance take center stage on Conversations on Dance, hosted by former Miami City Ballet dancers

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