On today's episode of "Conversations On Dance" we are joined by Elizabeth Yntema the president and founder of Dance Data Project, an organization that promotes gender equity through its research and analysis. Dance Data Project has just released its Artistic and Executive Director compensation report and Elizabeth helps us comb through the data to explore things like the remaining gender pay gap and pay increases for executives in spite of deficits. Visit dancedataproject.com to view the full report. https://www.dancedataproject.com/ddp-research/artistic-and-executive-compensation-report-2024/

* ADDITIONAL NOTE regarding dancer compensation * Follow up from DDP: "In FY22, 1 company within the Largest 10 reported dancer salaries - San Francisco Ballet. In FY23, 4 companies within the Largest 10 reported dancer salaries - San Francisco Ballet, American Ballet Theatre, Houston Ballet, and Pacific Northwest Ballet. Notably, all of the dancers with reported salaries were principal dancers."

According to the IRS, here are the guidelines for which persons must be listed on Form 990s: "The organization must also list up to 20 current employees who satisfy the definition of key employee (persons with certain responsibilities and reportable compensation greater than $150,000 from the organization and related organizations), and its five current highest compensated employees with reportable compensation of at least $100,000 from the organization and related organizations who are not officers, directors, trustees, or key employees of the organization."

Be in touch with Dance Data Project: https://www.dancedataproject.com/contact-us/.

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On today's episode of "Conversations On Dance", we are joined by choreographer Helen Pickett. We talk to Helen about her time working with William Forsythe at Ballett Frankfurt, how she began her own choreographic journey and the process creating "Crime and Punishment", the first full-length ballet choreographed by a woman at American Ballet Theatre. "Crime and Punishment" will be performed at the Kennedy Center in Washington, DC from February 12th through 16th. To purchase tickets, visit Kennedy-Center.org. 

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On today's episode of "Conversations On Dance", we are joined by the co-founders of Complexions Contemporary Ballet, Dwight Rhoden and Desmond Richardson. They take us through the history of their artistic connection, the inauspicious beginnings of the company, and how they've built on the mission of Complexions over the course of its 30 year history. Complexions will be performing at Performing Arts Houston in Houston, TX on February 1st. To purchase tickets visit performingartshouston.org. 

Dwight on COD in June 2024: https://www.conversationsondancepod.com/episodes-transcripts/399-dwight-rhoden-choreographer-amp-artistic-director-of-complexions-contemporary-ballet

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Today it's just Michael & Rebecca. We go through the listener survey submissions and start building our 2025 guest wish list! Thank you to everyone who took the time to take our listener survey!

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Today, we sit down for our annual "Best of" episode! We saw great dance this year and talked with amazing guests. Cheers to another year with all of you. Thank you for coming on this ride with us! Please take 5 mins to take our listener survey. We want to hear from you.

Episodes referenced:

Maria Calegari - Part 1 Part 2

Jennifer Lin - (382) The story of George Lee, the original Tea in Balanchine's 'Nutcracker', with Jennifer Lin

George Lee & Jennifer Lin - (396) Jennifer Lin and George Lee, the original Tea in Balanchine's 'Nutcracker'

Michael Vernon - (391) Michael Vernon, Professor of Music (Ballet) at Indiana University Jacobs School of Music

Katlyn Addison - (383) Katlyn Addison, Principal Dancer with Ballet West

Limon at VDF - (405) Dante Puleio and Joey Columbus on the legacy of José Limón, LIVE from the Vail Dance Festival

Golden State Ballet's Nutcracker: https://www.goldenstateballet.org/

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Today it's just Michael and Rebecca checking in. Please take 5 mins to take our listener survey. We want to hear from you!

LINKS related to this episode:

• Take our listener survey: https://forms.gle/UU6eFZD2WH6JCmjG7
• Episode with Silas Farley: https://www.conversationsondancepod.com/episodes-transcripts/416-silas-farley-teacher-and-choreographer. If you donate dance books to a local dance school, please let us know! We would love to hear about it: [email protected].
• Episode with Mathilde Froustey, Principal Dancer with San Francisco Ballet: https://podcasts.apple.com/us/podcast/conversations-on-dance/id1128237763?i=1000413007256
• Golden State Ballet's Nutcracker: https://www.goldenstateballet.org/

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On today's episode of "Conversations On Dance", we bring to you the second installment of our conversation with Balanchine ballerina Maria Calegari. Maria tells about her own process and experience as a teacher and repetiteur, having staged dozens of ballets for companies all over the world. If you enjoyed hearing the stories of Maria's illustrious career as much as we did, be sure to subscribe to the podcast on whatever platform you stream.

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On today's episode of "Conversations On Dance", we are thrilled to be joined by legendary New York City Ballet ballerina Maria Calegari. In the first installment of our interview, Maria details her early training, initial interactions with Balanchine and how therapy became a driving force in the success of her career. Maria offers a view into one of the most storied eras of American ballet history, and a very personal insight into her own meteoric success. To ensure that you catch the second episode, subscribe to the podcast wherever you listen.

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On this episode of Conversations on Dance we are thrilled to welcome back Artistic Director of the Limón Dance Company, ​ Dante Puleio. Dante dives into the specifics of his role, including how he curates programming, casts the works, and protects the company's legacy. The Limón Dance Company will have it's New York City season at the Joyce Theater this November 5 - 10. Tickets are available at joyce.org.

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This week on the podcast we are joined by choreographer John Heginbotham. John tells us about his journey from early training in Alaska to a Juilliard education and a career with Mark Morris, before beginning to more fully explore choreography on his own in mediums as varied as opera, television and musical theater. This week his choreography will be presented at Baryshnikov Arts in sold out performances of "Woolgathering", an evening length spoken word opera in collaboration with director and composer Oliver Tompkins Ray and the legendary writer and performer Patti Smith. 

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